48 pages • 1-hour read
Frank Cottrell BoyceA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Content Warning: This section of the guide includes discussion of death.
Damian resolves to find worthy recipients for the money within 10 days. In Art class, Mr. Quinn assigns a theme about receiving €1 million for Christmas. Tricia Springer, the best artist in school, offers to draw for Damian for £100, citing school-wide inflation. Anthony also commissions her to build a model for another £100.
After school, Damian visits his hermitage and finds it has been disassembled and his St. Francis statue shattered. St. Charles Lwanga and the other martyrs of Uganda appear and begin rebuilding it while singing. St. Charles explains that in Uganda, water privatization forces people to spend much of their income on water, and that a well can be dug for as little as £1,000. Damian excitedly tells Anthony he wants to fund 220 through a charity called Water Aid. Anthony argues this is logistically impossible, then shows Damian websites about other global crises to demonstrate that every cause is equally deserving, leaving Damian frozen by indecision.
At school, an assembly features a well-dressed woman with cornrows, demonstrating a talking collection bin. She explains the euro changeover and how pooled small change can fund projects like building wells. When Damian correctly answers a math question, she rewards him with a currency converter. He anonymously deposits several thousand pounds into the bin, horrifying Anthony, who warns that such a large donation is dangerously suspicious.
At home, Anthony shows Damian a news article about a recent train robbery, in which thieves stole bags of old sterling notes and threw them off. Damian is devastated to learn that their money is not from God; it is stolen. Anthony warns that the robbers will be searching for it and could be anyone, including the woman with cornrows.
The following Monday, the woman and the principal visit their class, seeking the large donor. Tricia falsely confesses to giving £10. The principal asks the real donor to come to his office. Anthony intercepts Damian and confesses to the principal that they stole money from their Mormon neighbors. When their father arrives, Anthony feigns grief about their dead mother, causing the adults to end the meeting quickly.
A community policeman accompanies them to return the £3,000 to the neighbors, who inadvertently corroborate Anthony’s story. Anthony theorizes that the neighbors may be connected to the robbery, since they live near the railway tracks and have recently installed a surveillance camera. He concludes that the robbers now know that the boys have the money.
The next day, they skip school to open a bank account but are refused without an adult signature. After a disappointing trip to a toy store, they return home to find the talking bin in their hallway and learn that Dorothy, the woman from school, is inside with their father, whom she met when he came to pick them up from school.
Dorothy has brought her bin for Dad to repair. While he works, she helps prepare dinner and ends up cooking lasagna from scratch with Damian assisting, drawing out Dad’s formerly cheerful personality.
When carolers arrive, Dorothy gives them two euros, unaware that they are Tricia’s family, whom Anthony has secretly paid £3,000 to pose as carolers after they came asking for money to save their business.
The family and Dorothy watch “Who Wants to Be a Millionaire?” together. Dorothy reveals that she works for an agency that contracts to collect for charities. Dad says that with money, he would pay off the mortgage and spend more time with his sons. Damian nearly tells him about their fortune, but Anthony stops him.
Shortly after Dorothy leaves, police cars arrive: The neighbors’ house has been burglarized by someone apparently searching for something specific, as nothing valuable was taken. Anthony now believes that Dorothy is part of the robbery gang and that her accomplices targeted the wrong house. He suggests hiding the money in Damian’s hermitage, but Damian reminds him that the man with the “glass eye” has already seen it. Anthony insists they cannot trust anyone, not even their father.
Anthony transfers all the money into their school bags, insisting they carry it at all times. To maintain their cover story, they need roles in the nativity play. Anthony bribes every other boy in Damian’s class with £20 not to volunteer for Joseph, securing Damian the part. Anthony is cast as Melchior, the king bearing gold.
That night, while filling Water Aid donation envelopes with £20 notes, Damian has a vision of St. Peter. The saint warns him not to include his address, as charities share mailing lists. He then tells Damian his version of the feeding of the 5,000: It was not a divine multiplication of food, but a miracle of human generosity, in which one boy sharing his lunch inspired thousands to share what they had been hoarding. St. Peter compares Damian to that boy and tells him to keep the key to their old house safe. Following the vision, Damian takes the key from his windowsill to keep it with him.
On the night of the nativity play, the man with the glass eye corners Damian backstage, quietly identifying himself as one of the robbers and demanding the money. When other students arrive, Damian escapes. A mysterious figure that looks like St. Joseph takes his place in the play, buying him time. He quickly empties his school bag of money and transfers the money into the play’s wooden donkey’s saddlebags, fleeing the school.
Damian abandons the donkey in a bus shelter and boards a bus with the saddlebags. He travels to their former house, still empty, and lets himself in with the key St. Peter told him to keep. He climbs into the attic and hides the saddlebags behind the water tank.
Someone enters downstairs. Damian pulls the attic ladder up and hides, but his videophone, a recent purchase, rings and gives him away. The hatch opens—it is his father, who noticed the missing key. Damian breaks down and confesses everything. Dad retrieves the money and assures them that they will simply hand it in and will not be in trouble. Driving home through the Christmas lights, Damian feels relieved. They arrive to find Dorothy waiting at their door.
The massive scale of the boys’ stolen wealth begins to paralyze Damian, deepening the theme of How Wealth Complicates Moral Decision-Making. Initially, Damian decides to fund wells in Uganda through a charity, treating the money as a straightforward tool for altruism. However, Anthony deliberately undermines this plan by showing his brother websites detailing various other global crises. Confronted by seemingly infinite images of suffering, Damian’s simple desire to do good transforms into an overwhelming indecision. The bag of money, rather than simplifying his moral mission, introduces a heavy burden of choice that his childhood logic cannot easily resolve. This shift underscores the narrative’s subversion of the crime genre’s caper framework. Instead of calculating how to maximize personal profit before the impending European currency switchover, the deadline amplifies the ethical weight of distributing the funds responsibly.
Damian’s religious worldview clashes directly with adult criminality when a news report reveals the true origin of the cash, introducing the theme of The Moral Ambiguity of the Adult World. Anthony shows Damian an online article explaining that thieves hijacked a freight train to steal the old sterling before the government could incinerate it. This forces Damian into a devastated realization about his perceived divine gift, prompting his realization that God had nothing to do with the money’s appearance because “God does not rob banks” (126). The recurring motif of trains, which the boys initially associated with wonder, shifts to represent a dangerous, adult mechanism of theft. Damian must abandon his spiritual framing of the windfall and accept its illicit reality. This revelation strips away some of his innocence, pushing him into a high-stakes environment where he must navigate the physical danger posed by the robbers tracking the cash.
As external pressure mounts, Damian continues to rely on the saints to navigate his internal anxieties, reflecting the theme of Imagination as a Path to Healing. During a vision, St. Peter reframes the biblical feeding of the 5,000 as “a kind of miracle” of human generosity, inspired by one boy sharing his lunch (176). This retelling provides Damian with a localized, human-scaled model of charity. It suggests that true moral action does not require saving the entire world—a necessary relief from his earlier paralysis over global crises—but rather acting generously in the immediate moment. By filtering his ethical challenges through this framework, Damian grounds himself, using his imaginative faith to sustain his sense of purpose and process his mother’s death.
Meanwhile, the adults in these chapters demonstrate an inherent unreliability, forcing the brothers to adopt increasingly deceptive survival tactics. When Dorothy’s talking bin collects Damian’s suspiciously large donation, the school administration investigates. Anthony easily manipulates the principal by feigning grief over their dead mother, effectively halting the inquiry with an emotional performance. Later, Anthony becomes intensely paranoid about Dorothy, suspecting her of being part of the train robbery gang after she visits their house while unidentified burglars target their neighbors. While Dorothy’s domestic presence temporarily uplifts their father, the boys remain isolated in their secret. The grown-ups in their lives are either manipulated by emotional displays, entirely unaware of the danger, or perceived as potential threats. This dynamic isolates the children, removing the safety net of adult intervention and requiring them to shoulder the burden of the money alone.
The climax of this section utilizes the school nativity play and the family’s abandoned house to physically map Damian’s loss of security. Stalked backstage by a criminal, Damian smuggles the cash into a plywood donkey’s saddlebags, abandons his role as St. Joseph, and flees to their old home, still empty. The contrast between the crowded community of the nativity play and the emptiness of the old home highlights Damian’s isolation. The former house, completely devoid of furniture, becomes a spatial manifestation of the family’s grief, and when Damian brings the money into it, he is overwhelmed by the burdens of both. When Damian finally breaks down and confesses to his father in this house, he reconnects with his father, asking for his support rather than hiding from him. Although their father’s promise to hand the money over to the authorities provides a temporary sense of relief, Damian’s foreboding narration upon returning home ensures the tension continues into the final days before Euro Day.



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