Mistakes Were Made

Lucy Score

Mistakes Were Made

Lucy Score
62 pages2-hour read
Fiction
Novel
Adult
Published in 2022

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Background

Genre Context: The Allure of Small-Town Romance

Following the likes of The Inn at Tansy Falls by Cate Woods and Linda Holmes’s Evie Drake Starts Over, Mistakes Were Made is an example of the small-town romance genre, which idealizes close-knit communities as havens from the anonymity of urban life. Small-town romances often feature idyllic, picturesque settings with a relaxed pace of life, which allows the protagonist—often a recent implant from the city—to slow down and reflect on their own lives, discovering love in the process. Other tropes of the genre include chosen family, allowing the protagonist to create new bonds, gossip, and quirky elements such as quaint book shops, farms, and whimsical but well-meaning neighbors. The narratives typically start with a fish-out-of-water situation, featuring a city-dweller at odds with their rural or semi-urban setting, such as when Zoey initially dismisses Story Lake as “Teeny Hallmarkville” (2).


As Zoey gets to know Gage and Story Lake better, she revises her opinion of Story Lake, finding unexpected depths in the setting. For instance, it is laidback Story Lake—via Opal—rather than professional, efficient Manhattan that helps Zoey get a diagnosis of ADHD, changing her life. Gage, the “good guy” Zoey dismisses as too strait-laced in the beginning, turns out to be more adventurous than she could have imagined. As these examples show, the small-town romance draws its appeal from the promise of surprises in unassuming, cozy settings. In Story of My Life, the first book of the Story Lake series, Hazel, too, is surprised by finding her soulmate, Cam, in the small town. The planned sequel to Mistakes Were Made will focus on a romantic plot involving Levi, the oldest Bishop brother, illustrating how Story Lake provides a happy resolution for all its main characters.

Authorial Context: The Author’s Personal Connection to ADHD

In the novel’s author’s note, Lucy Score shares that she, like her protagonist Zoey, “was also diagnosed with ADHD in [her] late thirties” (548). Score’s personal experience provides an additional layer of authenticity to the portrayal of Zoey’s struggles with impulsivity, disorganization, and emotional regulation. Throughout the book, Zoey is characterized by traits commonly associated with undiagnosed ADHD in adult women. Her hotel room is a “disaster masquerading as my hotel room” (2), she forgets important deadlines, and she is prone to emotional outbursts, such as throwing a drink at her former colleague (127). These behaviors align with research from organizations like the National Health Service (NHS), UK.


A key characteristic associated with ADHD in adult women is a heightened sense of shame, since affected women often internalize their symptoms, leading to chronic feelings of inadequacy. Sari Solden, the author of Women and Attention Deficit Disorder (2005), notes that women dealing with the condition feel a disproportionate amount of shame as they supposedly “fail” at feminine qualities like obedience and organization (Solden, Sari, and Eliott, Danielle. “She wrote the book on women, shame, and ADHD.” www.understood.org, Apr. 2025). Score echoes this in her author’s note, stating that for decades she saw herself as “‘lazy’ or ‘stupid’” (548) before her diagnosis provided clarity.


Score’s journey is mirrored in the novel when another character informally diagnoses Zoey, reframing her lifelong struggles not as a character flaw but as symptoms of a neurodevelopmental condition (199). Score’s authorial insight moves Zoey beyond the trope of a “hot mess” and offers an empathetic exploration of the challenges and eventual relief that can come with understanding one’s own neurodivergence.

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