59 pages • 1-hour read
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Content Warning: This section of the guide includes discussion of child death and child sexual abuse.
An unnamed young Amish woman jolts awake from a nightmare about her dead sister, Hannah, and realizes she is in labor. She slips to the barn’s calving pen and delivers a baby on the hay. Using rusty scissors, she cuts the umbilical cord and ties it off with baling twine. When the newborn cries, she rocks the infant and offers her finger to suckle, unwilling to breastfeed because that would make the birth “real.” She prays for the situation to vanish and falls asleep with the baby and scissors in her arms.
Before dawn, the woman awakens to find the bloody hay miraculously clean and the baby and scissors gone. Believing her prayer was answered, she flees the barn. Meanwhile, Aaron Fisher wakes sensing something is wrong. At four o’clock in the morning, hired hands Levi Esch, 16, and his older cousin, Samuel, arrive for milking on the Fisher farm. Elam Fisher, Aaron’s father, remarks he smells a newborn calf, which Aaron dismisses. In the tack room, Levi retrieves spare clothes and discovers a cold, unresponsive newborn wrapped beneath a horse blanket. Aaron checks for a pulse, finds none, and sends Levi to the neighbors to call police.
Detective Sergeant Lizzie Munro arrives; paramedics estimate the baby died about three hours earlier and had been intentionally hidden. Aaron explains that his wife, Sarah, had a procedure preventing pregnancy and that they have an 18-year-old daughter, Katie. When Lizzie suggests Katie might be involved, Aaron bristles, insisting his daughter would not be pregnant outside marriage.
Samuel goes to Katie, who is his girlfriend, and tells her about the baby. She insists on going to the barn to see it. However, seeing the body removed, she becomes distraught, saying it reminds her of Hannah, who drowned at age seven. As Katie denies having a baby, Lizzie notices blood trickling down her bare leg. The medical examiner finds human blood and placenta in the calving pen and concludes the infant was born alive.
Philadelphia defense attorney Ellie Hathaway reflects on her recent acquittal of a school principal accused of molesting six girls. Her boyfriend, Stephen, celebrates and arranges an interview at his prestigious law firm, but Ellie breaks down in the restaurant bathroom. She struggles with the morality of helping acquit a man she knows is guilty, even though it brings her prestige and money.
Ellie’s deeper distress stems from her inability to have children with Stephen, who had a vasectomy and refuses alternatives. While driving to her interview the next day, Ellie’s car engine catastrophically fails on the highway. When Stephen calls, angry about her tardiness and unconcerned for her safety, Ellie realizes she must rescue herself and decides to leave him.
Ellie travels to Paradise, Pennsylvania, to stay with her relatives, Leda and Frank, where she spent childhood summers. She recalls learning that Leda was raised Amish but was shunned for marrying Frank, an outsider, which restricts her from eating at tables with or riding in cars with Amish people.
At Leda’s house, Leda receives a distressing call in Pennsylvania Dutch from her sister Sarah and abruptly leaves to handle the emergency. Ellie stays behind, already feeling relaxed in Paradise.
Paramedics force a protesting Katie into an ambulance while her father, Aaron, refuses to accompany her. At the hospital, doctors confirm recent childbirth and perform emergency surgery to stop her bleeding.
In flashback, 12-year-old Katie traveled alone to visit her excommunicated brother, Jacob, in State College—a trip her mother secretly arranged. Jacob, living in the outside world, gave her English clothes to wear during visits as a brief escape from Amish life.
Back in the present, Detective Lizzie Munro notifies county attorney George Callahan about the suspected homicide and, posing as a concerned party at the hospital, confirms with a doctor that Katie recently gave birth. Leda urges her sister Sarah to get Katie a lawyer, but Sarah focuses on potential church shunning.
State police recover Katie’s bloody nightgown from under her bed, find blood by the pond suggesting she washed there, and match a tack-room footprint to her extra-wide shoes. Samuel is distraught but finishes his duties on the farm before visiting Katie at the hospital. When he speaks with her, she insists that she did not have a baby.
Bishop Ephram Stoltzfus urges Aaron and his father, Elam, to hire counsel with funds Amish businessmen have raised, but Aaron refuses. That night, Katie wakes repeatedly, whispering she didn’t have a baby.
Munro receives the autopsy report: The infant breathed and was likely smothered. Confronted at four o’clock in the morning, Katie again denies giving birth, and Munro senses she believes her denial. Munro presents the evidence to George, who authorizes a first-degree murder charge.
Katie is arrested upon discharge. Leda drives Sarah to court despite shunning rules. At the arraignment, Katie refuses counsel in obedience to Aaron. Ellie enters, identifies herself as Katie’s attorney, and privately urges a not-guilty plea, but Katie only repeats her denial. In court, Ellie argues for bail, citing Katie’s Amish ties as evidence she is not a flight risk. When the judge requires a family supervisor, and with Aaron absent and Sarah unwilling, Ellie volunteers and states she is Katie’s cousin.
The novel’s opening chapters establish a structural parallel between its two protagonists, Katie Fisher and Ellie Hathaway, linking their seemingly disparate crises. By shifting from the traumatic reality of Katie’s clandestine birth to Ellie’s professional and personal breakdown, the narrative connects the physical and psychological crises that these characters undergo. Their introductions are tied to isolation, as Katie delivers her baby alone in a barn, while Ellie weeps in a restaurant bathroom, alienated by the compromises of her career. This parallel framework foreshadows their eventual alliance as the novel explores female survival within restrictive environments.
From the outset, the narrative challenges the notion of objective truth by presenting Katie’s experience through a lens of psychological dissociation, immediately establishing The Unreliability of Memory and the Malleability of Truth as a foundational theme. Katie’s perception of the birth is fragmented and surreal. Her desperate prayer for the situation to vanish is seemingly answered when she awakens to find the infant gone, allowing her to construct an alternative reality of miraculous disappearance rather than abandonment or infanticide. She repeatedly denies having given birth, insisting to law enforcement and her family with genuine conviction, as her reimagining of events becomes a defense mechanism against trauma. In this way, the narrative forces a confrontation between subjective psychological truth and the objective, forensic truth demanded by the legal system.
This conflict is further explored through the characters of Aaron and Ellie who embody the collision of Amish and “English” value systems regarding law and authority. Aaron represents the rigid, patriarchal structure of his insulated community, defined by a rejection of outside systems. His response to the possibility of Katie’s pregnancy is an absolute denial based on religious law, insisting his daughter would not be pregnant outside of marriage. He refuses to accompany his daughter to the hospital and later rejects the church community’s offer of funds for a lawyer. When Ephram tries to speak with him, Andrew insists that he “will not hire a lawyer for Katie, and go through the Englischer courts. It’s not our way” (36). His words and dismissal of Ephram’s help demonstrate a complete faith in internal governance over secular law. In stark contrast, Ellie embodies the assertive, logic-driven world of the American legal system. Professionally aggressive and skilled at improvisation, she seizes control of Katie’s arraignment and uses the system’s rules to her advantage. This direct opposition highlights The Conflict Between Communal and Individual Justice. For Aaron, justice is a matter of internal discipline and divine will; for Ellie, it is a matter of individual rights and legal procedure.
These early chapters also introduce the central theme of The Paradox of Maternal Power and Vulnerability through its female characters. Katie’s labor demonstrates immense physical endurance, yet this act of creation renders her completely vulnerable as she is physically weakened, emotionally shattered, and at the mercy of a patriarchal structure that denies her experience. This paradox is mirrored in Ellie, whose formidable professional power is undercut by a private vulnerability surrounding her infertility. In her words, “[t]here was one more child in my nightmares, but I’d never seen its face. This was the baby I hadn’t had, and at the rate things were going, never would” (15). Conversely, Sarah Fisher, though a mother, is depicted as powerless, unable to aid her daughter at the hospital or take legal responsibility at the arraignment. She is ultimately trapped between her husband’s will and the state’s authority. Together, these examples challenge the idea that motherhood is mostly a simple or empowering role. For Katie, it is a terrifying secret that threatens her existence; for Ellie, its absence is a source of despair; and for Sarah, it offers little agency. The novel presents motherhood as a complex experience shaped by both strength and limitation.



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