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Content Warning: This section of the guide includes discussion of sexual violence, rape, mental illness, child abuse, child sexual abuse, child death, suicidal ideation, self-harm, sexual content, cursing, illness, and death.
Lizzie has a good first day of school. She is excited about the new year and feels as though she is happier than she can ever remember.
When she gets off the school bus, Lizzie hears rustling in the trees. She goes to check, then the world goes dark and she is pushed to the ground. She hears Mark’s voice telling her that he is visiting and wanted to check on her. He then rapes her.
When Lizzie wakes up in the grass hours later, she convinces herself that the encounter was a hallucination caused by her medication not working effectively.
Lizzie hears Mark’s voice in her head. Tucked into her waistband she finds pictures of herself as a little girl, naked. She throws them away, as she repeatedly tells herself that she is filthy.
Lizzie does not come to school for several days. When she returns, Hugh can tell that something is wrong, as she is tense and constantly on edge. When he finally gets a moment alone with her, she desperately kisses him in a way that seems more frantic than normal.
When Lizzie’s doctor tries to talk to her about how she is feeling, Lizzie dismisses him. She is overwhelmed by a sense of wanting to touch everything while she is full of energy.
A few weeks later, Hugh thinks of how Lizzie’s health has declined despite her doctor’s efforts to help. Hugh struggles to focus on rugby as he worries for her.
Hugh asks Lizzie about her mood, insisting that she needs to talk to her doctor. However, Lizzie assures him that she is fine. She starts touching Hugh, who instead desperately tries to keep the conversation going.
In mid-October, Lizzie gets on the bus with Claire. They are having a sleepover, and Lizzie promises Hugh that she will visit him in the night. When Lizzie sits down, Hugh sees new scars on her thighs.
When they get off the bus, Hugh immediately pulls Lizzie into his room. He demands to see her thighs, then makes her take her prescription bottles out of her bag. She admits that she has been off her medication for several weeks.
Hugh tells Lizzie’s parents that Lizzie hasn’t been taking her medication. She spends two days in the hospital while her doctor tries to regulate her “rapid cycling” (575) before sending her home with a new prescription.
Hugh comes to her bedroom to talk to her, but Lizzie is furious with him for telling her parents. He does not regret it—he is trying to help her return to her old self.
Gibsie plans a party for the Saturday after Hugh’s birthday. Hugh’s parents are going out of town. On Friday, Hugh’s actual birthday, his mother is throwing him a family party.
A few days later, Lizzie and Hugh go to the bridge where Caoimhe died. She shows Hugh the exact spot where Caoimhe went in. Hugh questions how she knows the spot, and Lizzie insists that she sees it in her dreams. When leaving the bridge, Lizzie pauses, contemplating jumping in.
The next day, Hugh convinces Lizzie to come stay with him for a few days, as he can tell that she is still having a mental health crisis.
Lizzie is consumed by her sexual attraction to Hugh. As they lie in bed together, he tries to talk to her, but she repeatedly urges him to touch her.
On Hugh’s birthday, Lizzie takes him up to his room after the small party. She tells Hugh to get naked, and he complies, then she climbs on top of him. However, when she urges him to have penetrative sex with her for the first time, Hugh is overwhelmed by guilt because of her manic state. Lizzie reacts angrily, insisting that Hugh promised they would have sex this night. When Hugh refuses, Lizzie leaves, telling Hugh that she will find someone else.
Lizzie wanders outside, angry at Hugh for what she considers lying to her. Pierce stops her to ask if she is alright. When she tells him that she wants to feel good, Pierce offers to help. She agrees but stops when Hugh tells Pierce to go away. Hugh tries to convince Lizzie to come back inside. When she demands that he have sex with her to “fix” her—using language that Mark used to—Hugh responds that it won’t help.
The next morning, things are awkward between Lizzie and Hugh. He questions what she was planning on doing with Pierce, but she accuses him of not wanting to have sex with her. He can no longer handle the different versions of her and urges her to take her medication. He uninvites her from the Saturday night party with their friends.
Hugh drinks alcohol with Gibsie at his party. Pierce tries to talk to him, but Hugh angrily threatens to fight him, so Pierce leaves.
Lizzie goes to Hugh’s house. She doesn’t remember how she got there but she has a half-empty bottle of whiskey in her hand. She stumbles up to Hugh’s bedroom.
Pierce is on Hugh’s bed when she goes in. He claims to be hiding from an angry Hugh. Pierce then asks if Lizzie is drunk, and she responds that she is. Lizzie sits down on the bed. She tells Pierce that she is upset that Hugh won’t touch her. Pierce responds that, if he were her boyfriend, he would do anything she wanted.
Lizzie closes her eyes and lies back on the bed. She says Hugh’s name, then grabs Pierce’s hand and puts it between her legs. Pierce asks if Lizzie wants him to “fuck” her, and she responds with, “I need it […] I need to feel it” (606). As Pierce has sex with Lizzie, she hears Mark’s voice in her head. She starts to cry, causing Pierce to stop. She calls him Hugh and asks him to stay with her.
As everyone drinks downstairs, Gibsie warns Hugh to lock his room, so no one goes in. When Hugh opens his bedroom door, he sees Pierce and Lizzie having sex.
Hugh pulls Pierce off the bed and beats him. Lizzie looks around and suddenly realizes that she was having sex with Pierce—not Hugh. Gibsie pulls Hugh off Pierce.
Lizzie tries to apologize to Hugh, insisting that she didn’t know what she was doing. Hugh tells her that he is going to sleep at Gibsie’s house. Lizzie follows Hugh outside, begging him to listen. He tells her that he cannot be with her any longer; he loves her and puts her over himself, yet she can’t feel the same way if she would have sex with his teammate.
Gibsie comforts Hugh as he cries. Hugh is angry at both Pierce and Lizzie for betraying him.
The next day, Lizzie goes across the street to talk to Hugh. She apologizes and insists that she doesn’t like Pierce, but then adds that she was just making things easier for Hugh because she wanted to have sex and Hugh didn’t. She thinks to herself, “What the fuck [is] wrong with me?” (618) as she tries to process what she did.
Hugh tells her to take her medication and think about what happened. He calls her mother and has her pick her up.
Hugh spends the rest of the day with Gibsie and Feely. He makes them promise to never bring up what happened and to make sure he never gets back together with Lizzie.
As a new adult novel, Releasing 10 explores the intersection of childhood and adulthood in more complex and mature ways than a typical young adult novel. The development of Lizzie’s and Hugh’s characters highlights how this subgenre is distinct from the larger YA umbrella. The difference is particularly evident in the novel’s explicit depiction of the couple’s sexual desire. Many of their experiences are typical of teenagers—they experiment sexually with each other, resist their strong urges to ensure they are safe, and contemplate when they are mature and ready enough for penetrative sex. However, their relationship is also punctuated by very atypical situations that stem from Lizzie’s mental illness. Knowledge of Lizzie’s mental illness makes Hugh feel guilt and shame over having physical encounters with Lizzie while she is not taking her medication—he is worried that she may not be able to fully consent. Conversely, Lizzie fixates on having penetrative sex with Hugh because she believes it will “fix” her and “make [her] feel better” (595), replacing her memories of Mark’s rape with welcome sex. As new adult fiction, Releasing 10 thus discusses sexual autonomy in concrete ways that YA works do not.
Hugh and Lizzie’s breakup marks a significant moment, developing the theme of The Benefits and Burdens of Commitment. For weeks leading up to their breakup, Hugh feels increasingly isolated from his life outside of Lizzie. No matter how much of himself he pours into the relationship, however, he cannot stabilize Lizzie’s declining mental health. The novel makes it clear that even the best of intentions from a friend or romantic partner are not enough to make up for a lack of appropriate treatment or care. Lizzie largely hides her true feelings from Hugh, her parents, and her doctors; instead, she indiscriminately seeks sexual gratification during her manic state. While Lizzie’s acting out is understandable as a symptom of her illness, her behavior crosses a line that Hugh drew regarding infidelity. Their love for each other cannot overcome their struggles, and their commitment stops being a positive force in their lives.
Walsh intertwines Lizzie’s bipolar diagnosis with her history of sexual abuse, emphasizing The Complexities of Trauma and Healing. Lizzie’s mood fluctuates wildly in this section. She gets off the bus from school on a high note: “[a]ll in all, my first day back to school had been as close to perfect as I’d ever experienced” (553). Soon after, she has “the scariest out of body experience in living memory” but assumes that she is “hallucinating” (553) when Mark brutally rapes her in the woods. The novel’s juxtaposition of these moments emphasizes the failings of the mental health treatment that she has been receiving. Lizzie’s doctor and her family have convinced her that the sexual assaults are imagined, causing her to question what is real. As a result, she dismisses her rape as a “hallucination,” not revealing it to her therapist or anyone else. While the novel at times stigmatizes bipolar disorder as something dangerous and untreatable, it also digs into how trauma can exacerbate symptoms, how there are few clear or easy solutions for mental illness, and how the mental health system is often flawed.
After Hugh and Lizzie break up, their lives take divergent paths. Hugh turns to his close friends for comfort, emphasizing The Love and Support Friendships Offer. Despite his neglect of Gibsie and Feely for several months to be with Lizzie, they unquestioningly help him through his breakup. Finding Gibsie and Feely at his house after Lizzie leaves, Hugh “collaps[es] on the couch beside them” and breaks “down to the two lads that had been by [his] side since childhood” (620). Conversely, Lizzie is taken home by her mother as she desperately tries to understand what she has done to hurt Hugh. She has no friends in whom to confide, which will make processing what happened much harder. Without external support, Lizzie slips back into isolation.



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