78 pages 2 hours read

Releasing 10

Fiction | Novel | YA | Published in 2025

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Symbols & Motifs

Content Warning: This section of the guide includes discussion of sexual violence, rape, mental illness, child abuse, child sexual abuse, self-harm, sexual content, and cursing.

Music

Music is a recurring motif throughout the novel that serves to create a bond between different characters when they struggle to articulate how they feel. As Lizzie, Hugh, Caoimhe, Gibsie, and others face traumatic events, music conveys how they feel.


Lizzie and Hugh’s relationship is often punctuated by thematically appropriate music. For example, when they begin to explore their romantic feelings, they celebrate the New Year and Lizzie’s first year at Tommen by dancing to “Take ME to the Clouds Above” by LMC and U2. The song’s lyrics are about falling in love, with the speaker willing to follow the object of his desire wherever they go:


There’s a boy I know
He’s the one I dream of
Looked into my eyes
Take me to the clouds above

Lizzie immediately identifies with the song, applying its message to her growing love for Hugh: “Hugh Biggs could take me anywhere and I would go with him gladly” (534).


In another scene, Lizzie and Hugh struggle to talk about Lizzie’s infidelity and their breakup. Instead, they use music to speak for them. In the middle of the night, Lizzie plays Hugh the song “Silver Springs” by Fleetwood Mac. Stevie Nicks, who wrote the song after her breakup with Lindsey Buckingham, described it as “a whole symbolic thing of what [Lindsey] could have been to me” (Spanos, Brittany.

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