Revenge Wears Prada: The Devil Returns

Lauren Weisberger

54 pages 1-hour read

Lauren Weisberger

Revenge Wears Prada: The Devil Returns

Fiction | Novel | Adult | Published in 2013

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Important Quotes

“Her shoes and leggings were ruined; her feet felt like she might lose them to frostbite; she had no option for extricating herself from the mess except continuing to slog through it; and all Andy could think was, That’s exactly what you get for screening Miranda Priestly.


(Chapter 1, Page 3)

This moment from Andy’s opening nightmare establishes The Lasting Scars of a Toxic Workplace as a key theme, illustrating Andy’s deeply internalized fear of her former boss. The miserable physical sensations of being trapped are used as a metaphor for the profound powerlessness Andy still associates with Miranda.

“Most important, a partner who wants to put you and your children ahead of her own selfish career aspirations. You must think carefully about this: do you want your wife editing magazines and taking business trips, or do you desire someone who puts others first and embraces the philanthropic interests of the Harrison line?”


(Chapter 1, Page 12)

This excerpt from Barbara Harrison’s letter, a key symbol, articulates the central conflict between traditional gender roles and modern female ambition. The diction choices—juxtaposing “selfish career aspirations” with putting family “first”—frame Andy’s professional life as a moral failing rather than an achievement. The rhetorical question starkly contrasts Andy’s identity as an editor with the prescribed role of a society wife, presenting marriage as a strategic merger where personal fulfillment matters less than the family’s wealth and social standing.

“But as she and I talked it through, we realized there was a serious lack of a Runway-esque wedding magazine—super high-end, glossy, with gorgeous photography and zero cheese factor. Something that featured celebrities and socialites and weddings that were financially out of reach for most readers but that still played to their daydreams and plans.”


(Chapter 2, Page 26)

In this flashback, Andy explains the business model for The Plunge, revealing how it commodifies intimacy by selling an aspirational, unattainable fantasy. The direct comparison to Runway shows that even though Andy fled Miranda’s tyrannical work environment, she has adopted Runway’s aspirational form of consumerism. This passage highlights the theme of