Revenge Wears Prada: The Devil Returns

Lauren Weisberger

54 pages 1-hour read

Lauren Weisberger

Revenge Wears Prada: The Devil Returns

Fiction | Novel | Adult | Published in 2013

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Chapters 7-12Chapter Summaries & Analyses

Content Warning: This section of the guide features depictions of sexual content.

Chapter 7 Summary: “Boys Will Be Boys”

A week after her wedding, Andy has been persistently sick with headaches, fogginess, queasiness, and a recurring fever. When Max insists she see a doctor, she reveals she already has an appointment that morning. He asks why she has been emotionally distant, and Andy confronts him about Bermuda. Max realizes she is referring to Katherine and admits he saw his ex-girlfriend there during his bachelor party. He explains that Katherine’s presence was coincidental—she and her sister were on a spa trip and joined his group for cocktails—and insists nothing happened. Andy reveals that she found the letter from his mother, Barbara, begging him not to marry her. Max apologizes and promises to win back her trust.


Dr. Palmer, Andy’s doctor whom she has not seen in two years, suggests that her symptoms are from a virus. As he prepares to leave, he asks if she wants to be tested for sexually transmitted infections (STIs), explaining that the testing is standard protocol for all unmarried patients. Andy informs him she was married a week ago but blurts out a request to be tested for everything, mentioning Max’s encounter with his ex. Dr. Palmer performs the exam with a male nurse practitioner, Mr. Kevin, present. Later, at work, Emily reassures Andy that Max loves her. That evening, as Andy waits for Max to come home, Mr. Kevin calls with her results: all STI tests are negative, but the test also revealed that she is pregnant. Stunned, Andy can barely process the news. When Max arrives wanting to discuss Katherine, Andy tells him she needs to lie down, keeping the pregnancy a secret.

Chapter 8 Summary: “No David’s Bridal, No Baby’s Breath, No Dyeable Shoes of Any Kind”

A week later, Andy has not told anyone about her pregnancy. At her sister Jill’s 42nd birthday party, she reflects on how different this is from her idealized vision of motherhood. Jill’s husband, Kyle, asks if Andy is okay, noting she looks tired. Andy mentions an upcoming work trip to Anguilla to cover the wedding of pop music stars Harper Hallow and Clarence “Mack” Dexter.


In a flashback, Andy recalls Emily pitching the idea for The Plunge at a spa on the Riviera Maya on Mexico’s Yucatán Peninsula. Emily outlined her vision for an aspirational, ultra-luxe wedding magazine. Andy suggested the name The Plunge, and Emily declared it perfect. The magazine became a success, with Max Harrison as the largest single investor. Andy and Emily own a combined 66%, giving them control. Their breakthrough came from Max’s connection to a lavish high-society wedding.


Back at the party, Andy’s mother mentions seeing Roberta Fineman, who revealed that Andy’s ex-boyfriend, Alex, has finished his master’s degree and is moving back to New York with his girlfriend, whom Roberta hopes he will marry soon. Andy remembers awkwardly running into Alex at Whole Foods three years earlier, when she had just started dating Max, and feeling hurt when he didn’t ask to meet up with her again. That night, in her childhood bedroom, Andy calls Lily and blurts out that she is pregnant. She tells Lily everything about Barbara’s letter, the Katherine situation, and her conflicted feelings. Lily advises Andy to embrace her messy reality and let go of her idealized expectations.

Chapter 9 Summary: “Virgin Piñas All Around”

Andy arrives in Anguilla after an exhausting journey, intensified by her pregnancy symptoms. The ultra-luxury resort is stunning, with thatched-roof villas and open-air amenities. In her suite’s outdoor soaking tub, she realizes she wants a son and thinks about how Max has always said they will have girls.


The concierge, Ronald, calls to say the rehearsal dinner begins in an hour. At the poolside pavilion, Andy is seated by Harper’s publicist, Annabelle, at a table with other guests. She is shocked to hear a familiar voice—Nigel, her former mentor from Runway. Also at the table are former Runway colleagues Jessica and Serena. Nigel greets Andy with passive-aggressive comments about how she abandoned him in Paris, though Andy tried repeatedly to contact him afterward. Jessica and Serena are cold and dismissive. During the toasts, Andy excuses herself and calls Emily, panicked about the Runway reunion.


Emily reveals that Elias-Clark’s lawyer called her directly to discuss acquiring The Plunge. Andy reminds Emily that Miranda Priestly is editorial director of Elias-Clark: If the acquisition goes through, Miranda will be their boss again. Emily brushes off her concerns and asks Andy to keep an open mind, insisting that it is just a meeting. Andy agrees reluctantly but is plagued by a vivid flashback of a horrific Runway meeting where Miranda summoned four top party planners to pitch simultaneously, systematically humiliating them in front of their competitors. The memory solidifies Andy’s terror at working for Miranda again.

Chapter 10 Summary: “One Half of a Robe Made for Two”

Max surprises Andy by picking her up from work in a cab. Their romantic mood shatters when an ad for Bermuda tourism appears on the taxi TV. At home, Andy locks herself in the bathroom for a bath, examining her body for pregnancy signs. She puts on a terry-cloth robe embroidered with “Mrs. Harrison,” which reminds her of her argument with Max about changing her name. Initially, she had refused, wanting to keep her professional identity as Sachs, but they compromised when she saw how much it meant to Max.


In the bedroom, Max tries to be intimate, but Andy pushes him away. He tells her she needs to let the Katherine situation go, insisting nothing happened. Andy whispers that she is pregnant. Max is stunned, then overjoyed, immediately calling his secretary to clear his schedule for her gynecologist appointment the next morning. He massages her feet while talking about their future baby, whom he assumes will be a girl, and insists they cancel their Fiji honeymoon for safety.


The next morning, they have breakfast at Sarabeth’s before the appointment. Dr. Kramer performs a transvaginal ultrasound, explaining that the fetus is too small for an abdominal scan. On the screen, they see and hear the baby’s heartbeat, which sounds like a galloping horse. Both are moved to tears. Dr. Kramer tells them Andy is 10 weeks and five days pregnant, with a due date of June 1. The experience solidifies Andy’s resolve to forgive Max and make their marriage work for the baby.

Chapter 11 Summary: “More or Less Famous Than Beyoncé?”

Andy arrives late at The Plunge offices, located in a converted Chelsea lumberyard. Max calls to suggest they host a family dinner to announce the pregnancy, inviting both their families. Emily tells Andy that Miranda Priestly’s assistant, Charla, called that morning to request a meeting in two weeks. Andy is shocked and refuses to go, citing her self-respect. Emily admits she already confirmed the appointment.


They argue. Andy declares that she will never step foot in Miranda’s office again, but Emily insists that when Miranda Priestly calls, you go. She pleads—promising Shake Shack—and Andy finally relents, jokingly adding a onesie for her baby to her demands. Emily stops short, realizing Andy is pregnant. She is shocked by the timing and unsupportive, focusing on how a baby will affect the magazine and wondering what Barbara will say. She wonders aloud whether Max is the father, implying that Andy might have had an affair. As Andy grows increasingly hurt, Agatha—an office assistant at The Plunge—interrupts to summon Emily elsewhere. As Emily leaves, she tells Andy that they need to focus on the meeting and advises Andy to wear something that will hide any baby bump. Alone, Andy smiles and places her hands on her belly, the thought of the baby melting away her other worries.

Chapter 12 Summary: “Trumped-Up Harassment Charges Plus a Straitjacket or Two”

Two weeks later, Andy and Emily meet at a Starbucks near the Elias-Clark offices, both extremely nervous. In the lobby, they spot Jocelyn, Runway’s beauty director, looking as young and glamorous as ever. Andy has a moment of panic and wants to flee, but Emily pulls her onto the elevator. They arrive at Miranda’s corporate office on the 18th floor.


The receptionist immediately escorts them to Miranda’s suite, where they find an anteroom with two assistant desks. Miranda emerges and issues rapid-fire directives to Charla, ignoring Andy and Emily completely. After an unbearably awkward silence, she finally looks at them without recognition and curtly asks why they are there. Emily explains that they are there for the meeting Miranda requested about acquiring The Plunge. Miranda claims not to remember them. She lists several memorable former assistants who had breakdowns or filed charges, concluding that Andy and Emily must not have been that interesting.


Stanley Grogin enters and hands them packets containing Elias-Clark’s offer. Andy’s focus blurs until she sees the purchase price: millions of dollars. Miranda states she is impressed with The Plunge’s elegance and success. When her car is announced, Miranda gives them a curt nod and sweeps out. Andy and Emily flee the office in shock.


At Starbucks, Emily is ecstatic about the offer, but Andy points to a clause requiring the senior editorial team to stay on for one year to manage the transition. Emily dismisses this, saying it is just a year, but Andy reminds her she already proved she cannot work for Miranda that long. The argument escalates. Emily insists this is a dream opportunity bigger than Andy’s feelings. Andy says she loves The Plunge and is not ready to give it up. Emily accuses Andy of not seeing the big picture. The conversation ends tensely, with their partnership suddenly strained.

Chapters 7-12 Analysis

Andy’s year at Runway magazine is an enduring trauma that provokes physical and psychological distress whenever environmental cues resurrect her past. During a work trip to Anguilla to cover a high-society wedding, Andy is shocked to encounter Nigel, her former mentor, seated at her table alongside former colleagues Jessica and Serena. The unexpected confrontation triggers feelings of panic, prompting Andy to call Emily in distress. Later, the physical toll of returning to the Elias-Clark building leads to a moment of panic in the lobby: “A wave of anxiety washed over her […] Her urge to flee was overwhelming” (180). The metaphor portrays her anxiety as an overpowering force of nature, as much physical as emotional, and the overwhelming urge to flee suggests that she is no longer fully in control of her actions. Environmental triggers override Andy’s professional composure, demonstrating that her previous escape was incomplete. Her physiological responses illustrate how professional abuse can inflict psychological harm that resurfaces years later to threaten a survivor’s achievements, developing the theme of The Lasting Scars of a Toxic Workplace.


The Elias-Clark acquisition offer exposes a fundamental ideological divide between Andy and Emily regarding the nature of success and the cost of professional autonomy. When Elias-Clark presents a buyout offer worth millions, the contract includes a clause requiring the senior editorial team to remain for a one-year transition period under Miranda’s editorial direction. Emily, for whom ambition trumps all other values, views this stipulation as a prestigious validation of their work, readily dismissing the prospect of working under Miranda again as merely a temporary inconvenience. She argues that one year will pass quickly and focuses on the financial windfall and industry recognition. In contrast, Andy sees the transition clause as a direct threat, arguing that her previous 13-month tenure proved she cannot survive Miranda’s control. The confrontation at Starbucks after their meeting escalates as Emily accuses Andy of failing to see the big picture, while Andy counters that Emily will sacrifice their partnership for personal advancement. Unlike Emily, Andy tries to balance her pursuit of success against her desire for autonomy and psychological safety, recognizing that no financial payout can justify relinquishing her hard-won independence to return to an abusive power structure. This escalating conflict underscores the theme of The Conflict Between Ambition and Personal Well-Being, questioning whether the rewards of elite professional achievement justify sacrificing personal boundaries and mental stability.


The Plunge magazine paradoxically symbolizes both Andy’s post-Runway independence and her entanglement in the aspirational culture she previously fled. A flashback reveals Emily’s exacting vision for The Plunge as an aspirational, ultra-luxe publication. Emily explicitly prohibited budget-friendly options she considered tacky, declaring “no David’s Bridal, no baby’s breath, no dyeable shoes of any kind” (125). The magazine’s operational model engages the theme of The Performance and Commodification of Love, reflecting how personal milestones are repackaged as luxury products to manufacture consumer aspiration and desire. By curating an image of extreme, unattainable luxury, they effectively replicate the exclusionary aesthetics of Miranda’s empire. By associating this publishing model with Miranda, the novel suggests that this kind of media is as toxic as she is: These magazines hold themselves above their readers, compelling readership by making people feel excluded so that they crave even vicarious inclusion. By replicating this toxic model, Emily and Andy have unwittingly placed themselves back in Miranda’s clutches. The magazine’s success in dominating its niche market ironically transforms it into a prime acquisition target for Elias-Clark, drawing Andy directly back into the corporate sphere she sought to escape after Paris. 


After her wedding, Andy conceals her pregnancy from Max while grappling with his admission that he saw Katherine in Bermuda during his bachelor party. Her profound distrust drives her to secretly request a full panel of STI tests from her doctor, an action that highlights the fracture in their relationship and her inability to accept Max’s explanation at face value. Her anxiety is rooted in the contents of Barbara’s letter, which has undermined Andy’s confidence with its classist and sexist attitudes. Barbara’s letter makes clear that she sees her son’s wife as window dressing for the Harrison family business, and Andy worries that Max secretly feels the same. When Andy finally attends the initial ultrasound appointment, the sound of the fetal heartbeat—which she notes “sounded like a galloping horse” (163)—moves both of them to tears. This moment prompts Andy to suppress her unresolved doubts about Max’s fidelity and his mother’s contempt, choosing instead to prioritize a traditional family structure for her unborn child. The letter’s ongoing emotional fallout demonstrates the harm that comes from treating marriage as a means to consolidate wealth and status. Andy’s decision to forgive Max stems from a desire to provide stability for the baby, demonstrating how familial and social pressures complicate personal commitments and force individuals to navigate an idealized marriage even when its foundation remains fractured and uncertain.

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