Revenge Wears Prada: The Devil Returns

Lauren Weisberger

54 pages 1-hour read

Lauren Weisberger

Revenge Wears Prada: The Devil Returns

Fiction | Novel | Adult | Published in 2013

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Chapters 13-18Chapter Summaries & Analyses

Content Warning: This section of the guide features depictions of sexual content.

Chapter 13 Summary: “I Could Easily Be Dead by Then”

In a taxi after her meeting with Elias-Clark, Andy feels physically well for the first time in weeks. Max calls, urgently asking about the meeting and revealing that he knew the publisher intended to buy The Plunge. Andy is terrified by the offer, but Max is triumphant, seeing it as validation of his investment. He announces he has arranged a family dinner that evening to share both the pregnancy news and the acquisition.


The dinner is a success. Barbara Harrison offers backhanded compliments about the surprise pregnancy and insists that a boy must be named Robert after Max’s father, a choice Max accepts without consulting Andy. Andy’s grandmother, Ida, jokes that they should name the baby after her if she dies before the birth. Against Andy’s quiet objections, Max announces the Elias-Clark offer to the assembled family. Reactions are mixed: Barbara is pleased Andy can abandon what she sees as a vanity project, while others express concern. Jill senses Andy’s distress and ushers everyone out.


Later, Andy and Max have sex for the first time since the wedding. That night, suffering from pregnancy insomnia, Andy discovers a documentary about Miranda Priestly on television. Despite her initial reluctance, she watches as Miranda berates staff and fires a terrified new assistant named Aliyah. The scenes trigger Andy’s trauma from her Runway days, and she turns off the television, disturbed.

Chapter 14 Summary: “Miranda Priestly All but Called You Gorgeous”

Five months pregnant, Andy attends a Knicks game with Emily, Max, and Miles. Emily is still recovering from an appendectomy she underwent during their New Year’s vacation to Vieques. During that trip, Andy took charge when Emily fell ill at a dilapidated clinic, chartering a plane to Miami and arranging emergency surgery. Miranda’s office sent an extravagant flower arrangement to the hospital, which further delayed discussions about the acquisition.


At the game, Emily spots Miranda Priestly with tennis star Rafael Nadal in the VIP lounge. Despite Andy’s protests, Emily drags her over to thank Miranda for the flowers. Nadal mistakes them for autograph seekers. After noticing Andy’s pregnancy, Miranda becomes uncharacteristically warm, offering to share her baby list and nanny recommendations. However, when Emily attempts to discuss business, Miranda’s demeanor turns ice-cold, snapping that discussing work in social settings is rude.


After Miranda leaves, Andy argues that Miranda’s behavior proves they cannot sell to her. Emily disagrees, focusing on Miranda’s positive reaction and the opportunity. Max joins them, expressing enthusiasm about the buyout, which frustrates Andy. To avoid conflict, Andy lies and agrees to postpone the decision until after the baby is born. Emily accepts the delay, planning to tell their Elias-Clark contact, Stanley, that they are taking a brief hiatus from negotiations.

Chapter 15 Summary: “I’m Here to Tell You That Not Not-Trying Is Trying”

At eight and a half months pregnant, Andy attends actress Olive Chase’s bachelorette party at a hotel spa to conduct an interview. Earlier that week, Elias-Clark made its first contact since January, increasing the offer by 12% and demanding an immediate answer. Emily called during Andy’s stressful obstetrics appointment; Andy refused to discuss the offer, and Emily told Stanley that they would wait until after the birth. Miranda then sent Hermès bangles to both women.


At the spa, Olive dismisses her publicist and speaks candidly. She reveals that she met her fiancé, Clint Sever, online through a profile without a picture. After weeks of emails and calls, she flew to Louisville to meet him at a Marriott and knew immediately that she would marry him. When Andy asks about wedding details, Olive says she has delegated everything to her stylist, including choosing her dress. She explains that finding her soul mate is what matters and that she doesn’t care about details like the flowers.


Olive’s words strike Andy deeply. She begins questioning whether Max is truly her soulmate or if their relationship was born of inevitability rather than passion. Andy dismisses these doubts as pre-birth anxiety and calls Max, leaving a loving voicemail to reassure herself that her marriage is solid.

Chapter 16 Summary: “Give Him a Test Drive”

After giving birth to daughter, Clementine Rose, Andy wakes in her hospital room, where a nurse checks her vitals and offers pain medication. Emily arrives, impeccably dressed, and immediately seeks out Miranda’s baby gift: an extravagant Bonpoint bag filled with luxurious items, including a rabbit-fur vest. Emily insists they must address the acquisition, but Andy deliberately begins breastfeeding, knowing it will make Emily uncomfortable. Emily hastily leaves.


Months later, Andy struggles with the loneliness and drudgery of maternity leave. Her oldest friend, Lily, visits, and they commiserate about the realities of childbirth that women seldom share. Andy takes Clementine to her weekly new-moms support group, where the mothers ignore their life coach facilitator to discuss real struggles.


Sophie, a non-mother who brings her niece, Lola, to the group, confesses that she cheated on her long-term boyfriend, Xander, by making out with Tomás, a student in her photography class. The group offers various advice. Andy encourages Sophie to explore her feelings, telling her to give Tomás a test drive before making any decisions. At home, Andy has a tense exchange with Max about childcare, but later finds him playing lovingly with Clementine, who makes her first laugh-like sound. The heartwarming scene reassures Andy, making her earlier anxieties about the marriage feel like distant memories.

Chapter 17 Summary: “James Bond Meets Pretty Woman, With a Little Dash of Mary Poppins”

Four months postpartum, Andy prepares for The Plunge’s three-year anniversary party, her first night out since giving birth. She is anxious about leaving Clementine with new babysitter, Isla. Barbara Harrison arrives unexpectedly, adding to Andy’s stress as she struggles with body image while getting dressed. Jill calls with moral support. Barbara discovers Miranda’s Ultimate Baby List, a comprehensive, 22-page document, and an extravagant mink baby blanket Miranda sent. Impressed by Miranda’s regard for Andy, Barbara even calls her a wonderful mother.


At the glamorous rooftop party, Max frames the event as a strategic opportunity to impress Elias-Clark, annoying Andy. Emily greets them, and Andy notes the continued coolness in their friendship. Andy runs into her ex-boyfriend, Christian Collinsworth, and they engage in a tense, flirtatious conversation. Nigel interrupts, announcing that the Runway team is present, but Miranda is not. He reveals that he and his partner, Neil, are getting married. Andy excitedly offers to feature their wedding in The Plunge.


Nigel says that he and Miranda have already discussed it and agreed it will be a cover story, suggesting that the acquisition is essentially complete and that Miranda is already making editorial decisions. Andy is stunned. Max remains silent during the exchange. The encounter solidifies Andy’s resolve never to sell. At home, she rushes to Clementine and breastfeeds her in bed. Feeling reassured by the peaceful domestic scene, she tells Max she loves him.

Chapter 18 Summary: “Stop Talking and Step Away”

On her third day back at work, Andy says an emotional goodbye to Clementine. Max wishes her luck with her meeting with Emily about the acquisition. At the dry cleaner, Andy runs into Alex. They share a warm reunion, and he invites her for coffee. At a hidden bakery, Alex reveals he has moved back to New York and is starting a job as vice-principal at an elite private school called Imagine. He explains that he chose the better-paying position because his girlfriend, an artist, has become fixated on babies after her brother had a child, implying financial pressure for their future together.


Andy is privately dismayed by this news, feeling possessive over her first love despite her own marriage. Emily repeatedly calls, but Andy ignores her. Alex invites Andy to breakfast at a diner. She asks directly if he plans to marry his girlfriend, which makes the conversation awkward. Outside, they share a significant hug, and Andy impulsively suggests that the two couples should get together, a polite suggestion she immediately regrets. Alex gives a noncommittal response.


In the taxi, Andy is shaken. Max calls, worried because she is late and not answering her phone. Andy lies about running errands. The secrecy makes her understand for the first time why Max might have hidden his encounter with Katherine in Bermuda. Max reveals that he was calling to check on the Elias-Clark discussion, confirming that he and Emily are coordinating. Emily calls again; Andy sees her waiting impatiently outside their office building. Emily confronts her about being late and insists that they finally have the conversation they’ve been avoiding. Andy keeps Alex a secret but misses him already, feeling that this is a very bad sign.

Chapters 13-18 Analysis

As Andy watches a documentary about Miranda late at night, the sound of her former boss’s voice triggers intense panic, highlighting The Lasting Scars of a Toxic Workplace. Hearing Miranda berate staff and fire a terrified new assistant triggers an immediate physical reaction in Andy, whose “fingernails [dig] into her palm” as she “death-clutch[es] the remote control” (205). These physical manifestations of fear underline the degree to which Andy’s trauma remains latent in her body even a decade after she left Runway. Miranda’s voice and image function as an auditory and visual motif throughout these chapters, instantly transporting Andy back to the anxiety of her year at the fashion magazine. When Miranda uncharacteristically praises Andy’s pregnancy and offers to share baby recommendations, the sudden warmth creates cognitive dissonance that intensifies Andy’s confusion. This persistent bodily reaction proves that Andy’s escape from the media empire was solely physical; psychologically, she remains captive to the fear instilled by her former boss as she builds a business that replicates Miranda’s industry-defining magazine. This enduring trauma complicates Andy’s current professional success, framing the Elias-Clark acquisition as a direct threat to her mental stability.


Andy and Emily’s divergent reactions to the Elias-Clark buyout highlight the theme of The Conflict Between Ambition and Personal Well-Being, revealing how their shared trauma has produced opposing survival strategies. While Emily views the acquisition as the ultimate career validation and proof that they have transcended their past humiliation, Andy repeatedly delays negotiations to protect her psychological boundaries. The tension crests during the magazine’s third-anniversary party, when former colleague Nigel casually reveals that he and Miranda have already discussed featuring his upcoming wedding to Neil as a cover story: Miranda is already dictating the publication’s future editorial content as if the acquisition were complete, treating Andy’s autonomy as irrelevant. Miranda and Emily measure career success in fundamentally different ways. For Emily, surviving the toxic culture of high-fashion media was a necessary trial to secure industry status, and selling the magazine represents the pinnacle of that ascent. Her eagerness to surrender control demonstrates the seductive nature of corporate validation. Conversely, Andy perceives the buyout as a total loss of the independence she spent a decade building. The Plunge is the tangible product of Andy’s professional self-reinvention, yet its high-end, consumerist aesthetic—closely modeled on Miranda’s Runway—naturally attracts her former tormentor. By creating a publication that mirrors Elias-Clark’s values, Andy unwittingly engineers her own entrapment.


Andy’s interactions with celebrities and ordinary mothers interrogate the theme of The Commodification of Love, contrasting heavily curated public images with private emotional realities. After dismissing her publicist, actress Olive Chase speaks candidly about her upcoming wedding, revealing that she met her fiancé, Clint Sever, through an online profile without a picture and has delegated all wedding planning to her stylist, including choosing her dress. Olive insists that finding a true soulmate eclipses the superficial details of the ceremony, declaring she does not care about aesthetics like flowers. Later, at a weekly new-moms support group, a woman named Sophie confesses that she kissed Tomás, a student in her photography class, despite her long-term relationship with Xander. The group offers various advice, and Andy encourages Sophie to “give Tomás a test drive” (255) rather than settle into a passionless partnership without exploring her feelings. Olive’s dismissal of her wedding’s visual elements subverts the aspirational fantasy that Andy’s magazine markets to its readers, prompting Andy to question her own motives in marrying Max. This internal doubt echoes the lingering anxieties created by Barbara Harrison’s class-based judgments, which frame Andy and Max’s union as a strategic mismatch rather than a genuine romantic partnership. The emphasis on curated perfection transforms the personal milestone of matrimony into an external performance, critiquing how the commercial packaging of marriages can mask a lack of emotional fulfillment.


As the pressure to finalize the acquisition mounts, Andy’s increasing isolation exposes shifting loyalties and the pervasive influence of wealth and corporate interests within her private life. Max persistently advocates for the sale from a business perspective, using the family dinner to announce the offer against Andy’s explicit wishes and treating the magazine’s anniversary party as a strategic vehicle for impressing Elias-Clark executives. His actions show that he prioritizes his family’s business over Andy’s stated wishes, just as his mother’s letter urged him to do. Meanwhile, Miranda’s extravagant baby gifts—including a comprehensive 22-page document called Miranda’s Ultimate Baby List and an expensive mink blanket—manage to impress the highly critical Barbara, ironically creating an alliance between Andy’s mother-in-law and her former boss based on shared elite consumer values. Andy’s secret breakfast meeting Alex Fineman comes at a moment when her alienation from Max’s elite world has reached its peak. Her decision to hide this encounter from Max mirrors Max’s earlier choice to hide his unplanned reunion with his own old flame, Katherine von Herzog, but it also represents Andy’s reclamation of privacy in a life increasingly dominated by corporate interests and familial pressures. Miranda’s acquisition of The Plunge becomes a crucible that tests the integrity of Andy’s marriage and friendships, forcing her to constantly negotiate boundaries as those closest to her prioritize their own financial advancement over her stated needs.

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