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Tender at the Bone author Ruth Reichl was born in 1948. She was raised primarily in New York’s Greenwich Village and at her family’s summer home in Connecticut, with some of her childhood also spent at a boarding school in Montreal, Canada. She later earned degrees in sociology and art history from the University of Michigan. She met her first husband, artist Doug Hollis, while she was a student at the University of Michigan. Although she would later divorce Hollis and marry investigative reporter Michael Singer, it is the early days of her relationship with Doug that Reichl explores in Tender at the Bone.
After finishing college, Reichl and Doug lived for a time in Berkeley, California, where Reichl became co-owner of a highly regarded restaurant called The Swallow. Although she had worked in various restaurants in the front-of-house, this was her first foray into professional cooking. She published her first cookbook, Mmmmm: A Feastiary, in 1972. Two decades as a food critic for prestigious publications like the Los Angeles Times and The New York Times turned Reichl into one of America’s foremost food writers. She served as editor-in-chief at Gourmet magazine for 10 years, hosted the PBS show Gourmet’s Adventures With Ruth, and co-produced PBS’s Gourmet’s Diary of a Foodie. Among her many awards and recognitions are numerous James Beard Foundation Awards, including the prestigious lifetime achievement award.
Besides Tender at the Bone, Reichl has published several other works of nonfiction. Her memoirs include Save Me the Plums (2019), Garlic and Sapphires: The Secret Life of a Critic in Disguise (2005), Comfort Me with Apples: More Adventures at the Table (2001), and For You, Mom. Finally (2010). Her cookbooks include My Kitchen Year: 136 Recipes That Saved My Life (2015) and Gourmet Today. Reichl has also published two novels centered on food culture: Delicious! and The Paris Novel (2024). In addition to her own writing, Reichl has frequently served as editor for various cookbooks and anthologies of food writing. More of her food writing can be found in her Substack newsletter, La Briffe.
Reichl’s memoir is set in the 1960s and 1970s, and her attitudes toward food—as well as many of the recipes she includes—reflect the perspective of this era. For much of American history, the average person had few options about what to eat. People cooked the traditional recipes they learned from their elders using seasonal ingredients that happened to be available in their local area. Food was seldom abundant, and specialty ingredients were not generally available. Only those with the resources to travel or hire cooks from other places were exposed to a variety of cooking styles and ingredients. For these people, French cooking was often highly prized because of the prestige many Americans associated with French culture.
In the early 20th century, the widespread availability of refrigeration and commercial trucking meant that for the first time, ingredients could be transported easily from place to place and stored for longer periods in the home. The rise of factories and commercial foods created a tremendous number of new potential ingredients. Large waves of immigration and a trend toward urbanization exposed Americans to a wider variety of cultures. Just as Americans began to explore the abundance of foods made possible by these changes, however, the Great Depression and World War II created serious privation.
After the economy and food production recovered during the late 1940s and early 1950s, Americans were ready to celebrate and indulge. At first, this largely took the form of consuming more and more processed commercial foods, which were still something of a novelty. At the end of this decade, however, commercial air travel became more accessible—and travel exposed Americans to new possibilities. Most of the early overseas routes were to Europe, and Americans acquired a taste for European foods.
This was especially true of French cuisine, which by now was firmly associated with the American upper classes that many middle-class families longed to emulate. When new President John Kennedy and his wife installed a French chef in the White House, French cuisine became even more fashionable. At just the right cultural moment, a charismatic American chef who had trained in Paris—Julia Child—brought French cooking techniques to the American public through her bestselling book Mastering the Art of French Cooking (1961). In Tender at the Bone, Reichl explores this shift toward more sophisticated—and more French—foods in her description of L’Escargot, a fictionalized restaurant based on her real-life experiences working at Ann Arbor’s La Seine, a restaurant that opened in 1965 and failed just over a year later.
Political upheaval and cultural changes in the 1960s and 1970s made Americans more conscious of non-European foods and of the variety of foodways within their own nation. Young people also grew interested in growing their own produce and making more foods from scratch. Reichl’s descriptions of her time in Berkeley and at The Swallow, as well as her exploration of New York’s neighborhood food scene, capture these shifts toward greater diversity and higher quality foodstuffs.
Some books that explore the changes in American food culture over time are Harvey Levenstein’s Revolution at the Table (1988), Sherri Machlin’s American Food by the Decades (2011), Sylvia Lovegren’s Fashionable Food: Seven Decades of Food Fads (1995), Elizabeth Aldrich’s Casseroles, Can Openers, and Jell-O: American Food and the Cold War, 1947-1959 (2023), and Daniel Stone’s The Food Explorer: The True Adventures of the Globe-Trotting Botanist Who Transformed What America Eats (2018).
A notable feature of Tender at the Bone is its blending of food writing with memoir. The earliest form of food writing that enjoyed widespread popularity was the cookbook. Cookbooks first became popular in the 19th century and were targeted mainly at women. Because women and their work has been historically marginalized, food writing was similarly marginalized and not considered to be a serious art form. Those who wanted to write about food were encouraged to stay focused on ingredient lists, directions, and notes on technique—and to not stray outside of this formula.
In the late 1930s, however, author M.F.K. Fisher began to experiment with blending food writing and memoir. Her books explored the ways in which cooking and eating interact with culture, history, and personal experience. Her influential 1942 book How to Cook a Wolf, for example, blends literary technique with practical instruction in its exploration of life and food amid disaster. Fisher’s writing is one of the inspirations Ruth Reichl credits with her own interest in blending memoir with food writing, but Fisher’s books did not enjoy the huge audiences that today’s food writers enjoy. Reichl’s own books, in fact, were not initially as popular or as highly regarded as they are today, because it took time for audiences to understand and appreciate the hybrid form she writes in.
Reichl is part of a late-20th-century trend in which food writers became more and more interested in the artistic possibilities of food writing. A turning point for genre-blending forms of food writing came in 2000, with the publication of celebrity chef Anthony Bourdain’s Kitchen Confidential: Adventures in the Culinary Underbelly (2000). Its publication coincided with rising interest in celebrity chefs generated by television and the internet, and the book was tremendously popular.
As reality television and the internet continue to increase the visibility of highly-regarded chefs and offer platforms for sharing their personal lives along with their thoughts about food, audiences have become more interested in seeing the same melding of food, ideas, and personal experiences in food writing. Some well-known examples are David Chang’s Eat a Peach (2020), Gabrielle Hamilton’s Blood, Bones, and Butter (2011), Marcus Samuelsson’s Yes, Chef (2012), Edward Lee’s Buttermilk Graffiti (2018), and Kwame Onwuachi’s Notes from a Young Black Chef (2018).



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