56 pages 1-hour read

Tender at the Bone: Growing Up at the Table

Nonfiction | Autobiography / Memoir | Adult | Published in 1998

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Chapters 10-13Chapter Summaries & Analyses

Content Warning: This section of the guide includes discussion of mental illness and racism.

Chapter 10 Summary: “Tunis”

In her senior year, Reichl developed a friendship with a young woman from her art history class named Pat. Reichl admired Pat’s eccentric sense of style, describing her as “the most flamboyant creature I had ever encountered” (150). Partway through the year, Reichl moved into Pat’s apartment. Pat was very nice to her, but Reichl was miserable about the dissolution of her friendships with Serafina and Mac. Reichl was surprised and delighted when, out of the blue, Serafina called to ask her if she wanted to go on a trip to North Africa. Serafina’s plan was to stay with their friend Mohammad’s family in Meknes, Morocco. His mother had offered to teach her and Reichl to make bisteeya; Reichl includes a recipe for this dish.


The two women flew to Naples, Italy, and crossed the Mediterranean Sea into Tunis, in Tunisia. They immediately felt lost and overwhelmed. They met two men their age who directed them to a safe hotel and then took them out for tea. Both women were keenly aware of the risk they were taking by going anywhere with strangers, but they were also excited at the adventure and unsure how to proceed on their own. They fell into a quick friendship with the men, Taeb and Noureddine, and spent most of their time in Tunis with them, learning about the city and its food culture. Reichl could see that Taeb and Serafina were attracted to one another, but something seemed to be holding Taeb back from acting on this attraction.


At Noureddine’s house, his mother served Reichl and Serafina heaping platters of food. The men took Reichl and Serafina down the coast, into the Sahel, to show them the Great Mosque, the Ribat, and the region’s fabulous beaches. They ate at a tiny beachside restaurant, and Reichl noticed that the men drank wine with the meal—whereas in Tunis, they had never touched alcohol. Sarafina finally seemed to be making progress in her seduction of Taeb, which made Reichl jealous. When Taeb and Noureddine left the two women alone one day to go on a visit to family in the area, Reichl and Sarafina found that they could not get served in a local restaurant; later, Taeb explained that Arab women were not expected to eat on their own in public. When Serafina protested that they were not Arab women, Taeb insinuated that, given her appearance, he thought it likely that she had North African roots.


They returned to Tunis for Taeb’s sister’s wedding. During the festivities, Serafina briefly allowed Taeb’s female relatives to dress her in traditional Tunisian clothing, but when she saw Taeb’s pleased reaction, she immediately returned to her usual clothing. Two days later, Reichl and Serafina left Tunis for Algiers.

Chapter 11 Summary: “Love Story”

After graduation, Reichl decided to stay in Ann Arbor to attend graduate school for art history. She took over Pat’s apartment when Pat moved out. It was a large place in an otherwise abandoned building, and she was often lonely and frightened to be there on her own. One night, a man named Doug turned up, looking for Pat. Reichl invited him in and made him dinner. He came again the next night, and the two soon developed a romantic relationship.


Doug was an artist, passionate about sculpture, and Reichl felt that they “had nothing in common” and yet “he felt instantly familiar, as if [she] had spent [her] whole life waiting for him” (171). She found herself cooking many foods for Doug that were actually her father’s favorites. In retrospect, Reichl realizes that this is because Doug was very much like Ernst and getting close to him was a way to know her father better by proxy. She includes a recipe for “Sauerbraten for Doug and Dad.”


Doug took her home to meet his family. She noticed that although Doug seemed to like his parents and brother, he was not close to them. His very conventional, middle-class parents were supportive of his career as an artist, but they admitted that they did not understand his art at all. After Reichl finished her master’s degree, she decided that it was finally time to take Doug home to meet her parents, as well. Miriam had recently been diagnosed with bipolar disorder and was taking medication, but Reichl still nervously warned Doug to be careful about what he ate during the visit. The visit went well, but it was disconcerting to Reichl how quickly her father and Doug bonded.


Because of stories Ernst told Doug, Reichl learned about parts of her father’s life she had never heard about before—for instance, that as a child he had ridden in one of the Wright Brothers’ planes. Reichl noticed for the first time that Doug was built like her father. She watched her father come alive in Doug’s presence, noting that he seemed more passionate than she had ever seen him before as he described his work to Doug and showed him the books he had designed. Doug was delighted when Ernst showed the kind of interest in his art that his own family had never showed. Reichl was jealous of their quick bond, realizing that, in Doug, her father saw the son he had always wanted.

Chapter 12 Summary: “Eyesight for the Blind”

After Reichl and Doug married, they returned their wedding gifts for cash and used the money to spend time in Europe. In Greece, they stayed at the home of a former professor, Milton. Reichl suspected that Milton had chosen to retire to Greece because of romantic feelings for a woman he had known in Ann Arbor, Hilly, who had recently moved to Europe. Reichl remarks that “all the best meals of [her] life were with Milton,” and she includes his recipe for liver pate (187).


Milton took them to visit a locally famous cook, Ephrosike. He traded fresh olive oil he had pressed from his own olives in return for their lunch. While they sipped wine and waited, the older woman went fishing to catch the fish she intended to serve them. She picked oregano fresh to use as she grilled the fish. Before they left, Ephrosike gave Reichl some yarn made with wool from her own sheep and mimed that Reichl should use it to knit something.


Because Milton believed that Hilly would visit from Spain soon, Reichl and Doug made up their minds to stay until she arrived. They spent their time touring Crete, and Reichl tried to knit a pair of socks from Ephrosike’s yarn. Reichl learned many new recipes from locals. She grew used to bargaining in the market for fresh, high-quality ingredients and cooked for the men each night. Eventually, Milton learned that Hilly was not coming after all, and he suggested that he, Reichl, and Doug try to meet Hilly in Rome at Christmastime.


Reichl and Doug toured Spain and Portugal, where Reichl continued to collect recipes and try new foods. Finally, they met Milton in Rome. He showed them the sights in a city he knew well and introduced Reichl to Italy’s food culture. Milton seemed sad, however, and they discovered that Hilly had canceled her plan to come to Rome. Hoping to cheer Milton up, Reichl and Doug used the socks she had been knitting to make Milton a Christmas stocking, which they filled with food, wine, and a Saint Christopher medal.


Milton took them to the mountains of Tuscany for a short time. There, they ate a delicious chicken liver pate while they waited for another restaurant proprietor to catch fresh fish for their meal. Afterward, on their way to visit Milton’s friend Gillian, they drove past several works by a local sculptor. Doug insisted that they stop, and they spent time talking with the elderly stone carver. In a beautiful grove of trees filled with the man’s magical creations, Reichl noticed that for the first time in a long time, Milton looked happy, and she felt that the time had come for her and Doug to go home.

Chapter 13 Summary: “Paradise Loft”

Reichl and Doug moved into a lower Manhattan apartment with Pat. The apartment, which they called “Paradise Loft,” was in a run-down neighborhood—but it was surrounded by the things the three residents were most passionate about. Pat was close to Orchard Street’s fabric shops, Doug was close to Canal Street’s artists’ district, and Reichl was surrounded by a vibrant food scene reflecting the area’s diverse ethnic makeup. She spent hours combing the small neighborhoods, learning about ingredients and collecting new recipes. One of these was “Mr. Bergamini’s Sliced Veal Breast,” which she includes.


She met the owner of a tiny quilt shop, Mr. Izzy T., and was amazed at the quality of his work. She decided to order a quilt of her own and thereafter visited frequently to check on his glacial progress. Izzy suggested several local food sellers for Reichl to visit; a customer at the fishmonger Izzy sent her to gave her a recipe for gefilte fish, but it was the one dish that everyone at Paradise Loft found disgusting. Izzy also sent her to Joseph Bergamini’s butcher shop, and Bergamini gradually taught her everything he knew about each cut of meat he sold.


Through friends, Reichl, Doug, and Pat were invited to visit Andy Warhol’s studio, The Factory. There, they met a woman named Jerry, whom they referred to as “The Superstar” (model and actress Jerry Hall, who later became the long-term romantic partner of Rolling Stones frontman Mick Jagger). Pat insisted that Reichl invite Jerry for dinner, because Jerry had told Pat that Warhol was looking for a costumer for his next film, and Pat wanted the job. Jerry was amazed at Reichl’s cooking ability and decided that this was what caused Doug to marry Reichl. Scheming to get her own boyfriend to propose, she begged Reichl for cooking lessons. She most wanted to learn to make a lemon meringue pie, because it was her boyfriend’s favorite.


Jerry’s skills were rudimentary, and Reichl had to start with simple recipes and gradually work up to the pie. Izzy teased Reichl that if she could teach Jerry to cook, she should write a book. Jerry’s boyfriend enjoyed each new meal Jerry learned to cook, and finally she was able to present him with a lemon meringue pie she made herself. Still, he did not propose—and Jerry never followed through with her promise to bring Warhol by to look at Pat’s designs.

Chapters 10-13 Analysis

Chapters 10-13 chronicle the significant changes that take place in Reichl’s life during the first few years following her graduation from the University of Michigan. Initially, the changes in her life make her miserable: Her relationships with both Serafina and Mac fall apart. That, at least for a time, she feels she cannot be a happy person without them demonstrates The Role of Relationships in Shaping the Self.


For a moment, her relationship with Serafina seems like it may be saved when the two decide to travel to North Africa together. In Tunis, however, Reichl watches as Serafina is momentarily transformed into a Tunisian woman at Taeb’s sister’s wedding—and suddenly, she feels like an outsider. “I watched as this new, softer woman emerged,” she says, “Serafina looked as if she belonged in the garden. I was alone” (166). Serafina seems “softer” in this moment because, unlike in Ann Arbor, she has a sense of belonging in Tunis, where she looks like everyone else. She does not have to constantly strive to be perfect in order to fit in—she can simply exist as her natural self.


Now, Reichl is the one who does not fit in, and she feels utterly alone. In Tunis, Reichl’s white skin, her social class, and her family’s money do not offer the same privileges they do in America. This unfamiliar experience helps to demonstrate The Impact of Privilege on Understanding the Self and Others. Because Reichl does not speculate about what this moment means for Serafina, it is impossible to know whether Reichl appreciates how their roles have been reversed and discovers a deeper empathy for what Serafina has been struggling with all these years. After their return to Ann Arbor, however, it is not long before the two essentially fall out of touch entirely—suggesting that the racial and class divide between the two women is not surmountable.


Reichl is also miserable because she does not want to leave Ann Arbor and return to her life with her parents. Her decision to enroll in an art history master’s program at the University of Michigan may have started as a way to head off a return to New York, but it actually becomes a turning point in her coming-of-age story. Miriam views graduate school as a waste of time for a woman and wants Reichl to come home to keep her company—but Reichl openly defies Miriam for the first time and stays in Ann Arbor. This ends up changing her life in significant ways. Staying in Pat’s apartment in Ann Arbor begins a chain reaction: It leads to her meeting Doug and finally establishing the close romantic partnership she has been yearning for.


Chapter 11’s title, “Love Story,” has an ironic double meaning. The chapter tells the story of how Reichl and Doug fall in love—but it is also about a love story of a different kind: that between parents and children. Neither Doug nor Reichl has an ideal relationship with their parents. Doug yearns for parents who understand his passion for art—and ironically, it is in Reichl’s parents that he finds the appreciative audience he craves. For her part, Reichl gradually comes to realize that part of what attracts her to Doug is his similarity to her father, whom she has always found somewhat distant and unapproachable. It is understandably painful to her to discover that her relationship with Doug is not really drawing her any closer to Ernst. Instead, Doug becomes the son that Ernst has always wanted, and Reichl is left on the outside looking longingly in.


This unfortunate aspect of her relationship with Doug does not stop Reichl’s forward motion. The next step in the chain reaction begun by her enrollment in graduate school is Reichl’s marriage to Doug. This, in turn, leads to her travels in Europe, where she learns a great deal that she will later put to use in her restaurant career and food writing. She continues educating herself after returning to New York with her new husband, taking advantage of the location of her new apartment to investigate lower Manhattan’s food scene even more thoroughly than she investigated Europe’s.


During this period, Reichl learns something new about Food as a Form of Self-Expression: Through her cooking lessons for Jerry, she discovers that food can also be a way to mentor others and teach them something valuable about the world. It is at this point that Reichl transitions from being a student of food to a teacher and critic. She takes Izzy’s comment that she should write a book as a joke, but Izzy tells her he is serious—and indeed, it will not be long before Reichl begins putting her newfound teaching skills to use in exactly this way.


Reichl’s time in New York is described in this section’s final chapter, “Paradise Loft.” Although “Paradise Loft,” is, on a literal level, simply the nickname Reichl and her friends gave to the apartment, the title is amusing as an eggcorn that plays on John Milton’s famous text Paradise Lost (1667). For readers aware that Reichl’s relationship with Doug will not last, the humor of this title takes on a slightly darker tone—the heady days the young couple spends together in this apartment will indeed, one day, seem like a lost paradise. The dissolution of her marriage is still far in the future, however, and by the end of this period Reichl’s life has changed dramatically. By Chapter 13, she is no longer the lonely, depressed, and slightly lost young woman that she was in Chapter 10. In the wake of her first significant act of defiance—enrolling in graduate school—Reichl’s passions have powered her forward into an independent and rewarding life.

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