The Bronze Horseman

Paullina Simons

66 pages 2-hour read

Paullina Simons

The Bronze Horseman

Fiction | Novel | Adult | Published in 2000

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Symbols & Motifs

Content Warning: This section of the novel includes discussion of war and illness.

Food and Hunger

Images of and references to food and hunger pervade the novel. In the early half of the text, food offers the characters a meaningful way to connect. Tatiana cooks for her family and friends. Testing new recipes and serving her loved ones helps her show them love, while also demonstrating her resourcefulness. The meals she prepares for her family reflect Tatiana’s attempts to prove herself useful, and her innate tendency to focus on the needs of others before her own, highlighting the novel’s thematic interest in The Ways One’s Choices Reveal One’s True Character.


As the war stretches on and Germany’s control of Leningrad intensifies, food becomes more and more scarce. Book 1, Part 2, “Winter’s Fierce Embrace” is rife with references to hunger and starvation. The characters have so little food that Tatiana is forced to feed them broth with almost no nutritional value and bread fortified with sawdust. She obsessively calculates their rations and supplies, each day worrying that she will have nothing to serve her family. Such imagery underscores her feelings of longing, loss, and scarcity. The family’s physical hunger echoes their emotional sorrow and devastation.


In Book 2, Simons uses food imagery to emphasize the contentment and love Tatiana and Alexander feel once they’re reunited in Lazarevo. They spend time in the village, enjoying preparing fish and cooking pies. They eat more plentifully and at their leisure, casting their starvation in Leningrad in sharp relief. The detailed descriptions of food frame their honeymoon in Lazarevo as a reprieve from the ongoing horrors of the war around them, as the characters’ emotional happiness mirrors their physical satiation.

White Dress

Tatiana’s white dress is a symbol of childhood and youth. Even at the start of the novel, the dress is too small for Tatiana. Although she longs to grow up, she resents her body for outgrowing the dress, positioning her on the threshold between childhood and adulthood—longing for one while lamenting the other. Tatiana initially wears the dress when her father sends her out to buy food for the family—a task that highlights her naïveté and under preparedness for the harrowing life ahead as the war continues. The dress has “crimson roses embroidered on the thick, smooth, snow-white cotton. The roses weren’t buds; they were blooms” (23). The white color symbolizes Tatiana’s innocence, while the red blooms foreshadow her coming loss of innocence as she begins to come of age.


Later in the novel, the women have received pamphlets telling them to wear white so the German pilots don’t bomb them, and Tatiana wears the white dress in anticipation of going out to the ration shop. Alexander reveals that the pamphlets are German propaganda, designed to make the women more visible targets for attacks from the air, underscoring Tatiana’s innocence and naïveté.

The Bronze Horseman and Other Poems

Early on in Tatiana and Alexander’s relationship, Alexander gives Tatiana a copy of The Bronze Horseman and Other Poems by Aleksandr Pushkin, a 19th century Russian poet, playwright, and novelist. The book operates on multiple symbolic levels. The title poem in the collection, “The Bronze Horseman,” is about the conflict between the individual and the State; it contrasts the statue of Peter the Great (and all of his grand ideas for Russia) with the life of a lowly, repressed Russian citizen—the same tension echoed in Simons’s The Bronze Horseman. Although Alexander receives multiple medals of honor during the war and although Tatiana risks her life repeatedly for her countrymen, their country does little to ensure their well-being.


Tatiana’s copy of the book also represents her connection to Alexander. He gives her the book, which once belonged to his mother, to convey his feelings for her. Tatiana is so protective of the book—lunging at Dasha and wresting the book from her when she tries to burn it—because it helps her sustain her connection to Alexander when they are apart.

Ice Cream

Recurring images of ice cream act as symbols of hope, innocence, and possibility. At the start of the novel, Tatiana is eating an ice cream when she and Alexander meet for the first time. The act of buying the ice cream reflects her innocence as she doesn’t yet realize the inherent danger of the German invasion or how scarce food will soon become. Later in the novel, Alexander often buys or makes Tatiana ice cream, referencing a shared memory of their first meeting in an attempt to recapture the youthful sense of hope and possibility they once felt.

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