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Sigmund FreudA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Content Warning: This section of the guide includes discussion of sexual content.
In Part 3, Freud introduces the concept of the superego or the ego ideal in this essay. He argues that, like the ego, the superego also interacts with the unconscious.
He begins by discussing the internal mental dynamics that produce melancholia, a condition similar to depression. Melancholia begins with object-cathexis—the process by which individuals invest emotional energy in external objects (an object, in this context, may also be a person or an idea). If this object is lost, it may then be “set up” inside the ego through identification, or through the merging of self-identity with the object. Especially in early childhood, this process occurs frequently and shapes the ego.
When an individual is in their early stages of development, the object-cathexis, or the mental object that creates energy or tension through erotic impulse, is generated by the id. The ego can either give in to this impulse or repress it. One way the ego is able to work with the id to give up an object is through identification with it, that is by adopting aspects of the love-object. The history of “abandoned” objects thus shapes the ego, creating character. As an example, Freud contends that women who have loved many men contain “vestiges” of these objects (these relationships) in their character traits. Thus, it can be said that the ego takes on elements of the object, essentially ceding to the id. Freud describes this as “narcissistic libido,” as the ego becomes the thing that is desired. When the ego takes on too many of these aspects, and these aspects compete, mental illness can result.
Freud argues that the identifications formed as a result of this process in early childhood have a lasting impact on character. The Oedipus situation is the primary way this occurs. When a boy is very young, he “develops an object-cathexis for his mother” (21), that is, she becomes an object of erotic desire because he feeds from her breast. He thus identifies with his father, because his father shares his desire for the mother. Eventually, the boy’s erotic desire for his mother intensifies, and he sees his father as a competitor for his mother’s affections. He wishes to kill his father in order to take his place, creating an ambivalent attitude driven by his simultaneous identification with and hatred of his father. To resolve the Oedipus complex, the boy must give up his mother as an object of desire through either identification with his mother or deeper identification with his father. Identification with the mother leads to feminine character; identification with the father leads to masculine character. This dynamic is further complicated by the “bisexuality originally present in children” (23), that is children experience elements of both object-cathexis and identification toward both the mother and the father. He argues that most people in general go through this process and that the “precipitate” or residue of these two identifications has the most powerful impact on the character of the ego, contributing to formation of the superego or ego ideal. The repression of the Oedipus complex through education, religion, and other forms of authority contributes to the superego’s dominance over the ego by creating conscious or unconscious guilt.
Freud argues that the superego is a cultural response to environmental conditions. Tension between the ego and the superego is driven by the tension between the physical world and the internal mental state. The superego is at the core of all religions and morality more generally. Freud hypothesizes that the id is heritable and that when the ego creates the superego through the Oedipus complex, which is driven by the id and its impulses, it is actually “reviving” egos of generations past. This is why the super-ego is often unconscious: it is closely associated with and in communication with the id, which is itself unconscious.
In Part 3, Freud further develops the theme of The Conflict Between Ego and Id by introducing the concept of the super-ego. Returning briefly to the horse and rider analogy from Part 2, Freud argues that the rider (the ego) can control the much stronger horse (the id) only by means of “borrowed forces” (15). The super-ego is the intermediary through which the ego brings those borrowed forces—parental and religious authority, for example—to bear. Here, Freud turns to mythology for a theory of how this ego ideal is formed. Drawing from Sophocles’s tragedy Oedipus Rex, Freud argues that a child’s id reacts to an erotic impulse (Eros) toward the parent. Since this erotic impulse cannot be satisfied, the ego instead identifies itself with the parent, effectively offering itself to the id as a substitute object of desire. The super-ego results from this identification as the child’s psyche incorporates the parent’s authority. Thus, the super-ego initially is connected to the id, which is why they both share the characteristic of being unconscious. The super-ego is reinforced by authoritative institutions like education and religion. Though the super-ego is an internalized form of moral authority, the individual super-ego does not necessarily align with societal consensus on right and wrong. In a somewhat hyperbolic example, if an individual internalizes a parent’s notion that it is right to kill people, that notion becomes part of the individual super-ego’s framework even if society writ large sees murder as wrong.
The Oedipus complex, briefly discussed in this section, is one of Freud’s most famous and controversial theories. In Sophocles’s play, it is prophesied that the eponymous Oedipus will kill his father and marry his mother. Though Oedipus goes to great lengths to avoid fulfilling this prophecy, a series of tragic accidents makes it inevitable. Freud uses this plot as the basis for his theory of the formation of subjectivity and self-identity. He argues that in infancy, a child forms an erotic impulse toward the mother (this theory presupposes a male subject, a problem endemic to much of Freud’s work). This impulse should not be understood as precisely sexual in nature, but rather more generally connected to Freud’s notion of Eros as a life drive or life impulse, as described in Part 4 of this essay and in Beyond the Pleasure Principle in greater detail. The child feeds from the mother’s breast, thereby fulfilling the erotic or life-fulfilling drive. Initially, the child identifies with the father, who shares his erotic impulse toward the mother. However, as the child matures, he comes to see the father as a rival for the mother’s affections, and he wishes to “get rid of his father in order to take his place with his mother” (22), just as Oedipus does in the play. The resolution of this complex results in ambivalence: a feeling of both love and hatred toward the father. Having internalized the father-object, the child adopts the authority of the father as an element of the psyche; the identification of the father is now internally embedded in its mind, telling it what to do or not do. In this essay, Freud stresses that this Oedipus complex is actually more multi-valent than the brief outline provided above “due to the bisexuality originally present in children” (23). That is, a similar process occurs in children of both genders toward parents of both genders.
Freud’s claim about bisexuality in children is not the only point of controversy in this part of the essay. He also asserts that the id is “heritable.” What precisely Freud means by this has been debated by scholars for decades. As identified in the Analysis of Part 2, Freud broadly eschews material foundations for psychic dynamics, which would suggest that he would not think mental characteristics can be passed down through genetics. Further, his claims about what is termed phylogenetics, or the study of genetic heritability and its role in the evolution of species, are colored by his prejudices, as in his discussion of the beliefs of “primitive peoples” and their alleged practice of “cannibalism” described in Footnote 2 of Part 4 (19). For more background on this debate, see Francisco Pizarro Obaid, “The phylogenetic argument in Freud’s metapsychology of anxiety,” in History of Psychoanalysis, 2022.



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