The Ever King

L. J. Andrews

53 pages 1-hour read

L. J. Andrews

The Ever King

Fiction | Novel | Adult | Published in 2023

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Chapters 29-37Chapter Summaries & Analyses

Chapter 29 Summary: “The Songbird”

Content Warning: This section of the guide contains descriptions of violence and abuse.


Erik leads Livia into the palace. They are intercepted by Fione, a noblewoman whom Livia presumes to be Erik’s lover. However, he sweeps past Fione and doesn’t acknowledge her when she asks for his time at the feast. When Livia asks about her, Erik says that Fione presumes to be his mate, which horrifies Livia, given their recent intimate moments. Erik is dismissive of Fione and is not interested in her. He and Livia arrive in his bedchamber, where Erik unceremoniously strips his shirt to change, thus exposing his scars. Livia is adamant that her family would never scar a child so badly. He alludes to her previous comment about his “mangled” body, then orders her not to leave the room under any circumstances.

Chapter 30 Summary: “The Serpent”

Erik convenes with Alistair, his butler, and instructs him on how to take care of Livia. He then sees the ship of Gavyn Seeker, one of the heads of Houses, and uses the servants’ corridors to meet Gavyn. While on the way to this location, he overhears servants commenting that Livia will want to keep the light off if he sleeps with her. He dismisses them harshly and privately recalls that everyone in the palace failed to intervene when his uncle battered and beat him as a child in attempts to make him ruthless.


Now, Erik meets with his friend Gavyn and tells him everything about Livia. After prodding Erik about his feelings for Livia, Gavyn offers his services. Erik gives him a mission to infiltrate the Night Folk clans and to tell them that Livia belongs to Ever now; he then orders Gavyn to close off the Chasm. Gavyn comments on how rare it is for a noble to fight for their offspring: a fact of which Erik is keenly aware, given how his father behaved when Erik himself had been kidnapped. Before Gavyn leaves, Erik asks that he find a weakness in the other lords so that Erik can threaten them into submission. He then insists that Gavyn is injured when he visibly isn’t, and he orders Gavyn him to go to Murdock for healing, where Sewell happens to be receiving treatment. Gavyn takes his boot knife, cuts his hand, and thanks Erik for noticing his injury, then heads to the healers.

Chapter 31 Summary: “The Songbird”

Livia tears apart Erik’s bedchamber to get to know him better, and stumbles upon window paints and brushes. Celine finds her and confirms that Erik prepared these painting supplies for her. Livia is touched by this gesture. The servants then help Livia to prepare for the feast. Celine is wary of the event. She explains that women, with the exception of sea witches and sirens, are not valued beyond being bodies for heirs. Given the circumstances, Erik’s claim on Livia is the only way to protect her. Livia decides to stay with Celine as they confront prospect of the feast.

Chapter 32 Summary: “The Songbird”

Livia and Celine encounter Erik, Larsson, and Tait, and Erik escorts Livia into the great hall. When she becomes nervous, Erik reminds her of who she is, calming her. Eventually, Erik announces that he has discovered a way to heal the kingdom through Livia, and he is claiming her as his own. An old man wraps ribbons around their hands, and Livia feels pain running from her fingers to her heart. Erik demands that his people respect her and refrain from touching her. He then leaves her to Celine and exits the hall. She and Celine encounter Gavyn, who reminds Celine to remain cautious and avoid attracting attention. When they are alone, Livia prods Celine about her relationship with Gavyn. Celine reveals that he is her brother, despite their unequal social statuses. She also states that no one knows her true name because this knowledge would lead to both her and Gavyn’s deaths. Celine explains that this is why her siren’s voice was cut out. She asks Livia to keep this fact a secret and says that even though Livia might hate Erik, Celine and Gavyn owe him everything.

Chapter 33 Summary: “The Songbird”

Sparring with Sewell and Celine, Livia trains in the use of a sword. As she watches Sewell and Celine sparring with one another, Erik comes and offers to spar with her. They begin, and he quickly overtakes her. As he leaves, he asks if she misses him, and she denies this. For days afterward, she barely sees him at all, and she eventually paints a picture of Jormungandr, the World Serpent, in one of his windows to pass the time. Days later, Erik comes to the room at night to change while she is pretending to be asleep. He brushes away a lock of her hair, then leaves, which rattles her.


When Livia and Celine later compare the differences between earth fae and sea fae, Livia tries to jokingly sit on Erik’s throne, but Celine stops her because if anyone were to see this, the sight alone would weaken Erik’s position and power. As Livia reflects on the type of kingship endorsed by the sea fae, she realizes how isolated Erik is from everyone.


In the garden that Livia is now mending, Celine reveals that most sea fae believe earth fae to be bloodthirsty, given that Erik’s uncle used to strip and parade him at noble gatherings to show off the scars on his body. Just then, Erik arrives and comments on the state of the garden, which belonged to his mother. He and Livia walk together, and he mentions wanting to understand her power so that he can better protect her. She explains that her magic has a darker cost. When she first used it as a child, she felt the effects of the war between their peoples, and during one of the battles, she saw her uncle slain, which gave her nightmares despite his survival. Erik is sympathetic and tells her that he was born into brutality because of his father. He then takes her along to go heal the Ever.

Chapter 34 Summary: “The Serpent”

They go to one of the Glass Isles to heal the darkening. As they ready to plunge the ship into the tides, Livia easily takes hold of Erik. Unlike when he’d kidnapped her, he notes that she now looks at him with warmth. People gather to watch, and Erik tells her that if this attempt fails, he will willingly give himself over to her people in exchange for refuge for his own people. He watches her preparations and realizes that he has fallen in love with her. When she begins to use her magic to force the darkening to retreat, Erik understands they must draw strength from each other, physically touching in order to give her magic a greater effect. They then hypothesize that he might be able to take some of her magic.


Erik recalls a memory of planting seeds with his mother. Now, while touching Livia, he finds that he is able to renew the land, too. Together, they clear a large patch of the darkening away and give the people hope. He asks Livia if she saw anything in her visions. She asks if he has a brother since the person she sees in her vision insists that the throne belongs to him. However, Erik does not have a brother. At the revelry afterward, Narza arrives and needles Erik on the nature of his relationship with Livia, and Livia defends him. She tells everyone that a curse lies at the root of the darkening. Narza warns that the last woman who held “such fire” for an Ever king was Erik’s mother, and she died. Erik argues with Narza, and he eventually tells Livia that his mother died because she was deemed too gentle, which would make him weak; he was forced to kill her.

Chapter 35 Summary: “The Songbird”

Erik leaves the hall, and Livia accuses Narza of abandoning Erik as a child. Narza, however, states that she was barred from the palace by Erik’s uncle. She believes that this development led Erik to become the man who would one day find Livia. Livia assumes that this dynamic is a result of the fact that she is the mantle, but Narza admits that there never was a mantle; instead, the gift was a bond between two hearts. Narza explains that if Erik’s father had truly loved Erik’s mother, he would have gained unimaginable power over the sea. Now, Livia refutes the idea that Erik will become like his father. She runs after him and instead encounters Fione, who admonishes her for her behavior. When Fione shows that she clearly does not care for Erik, Livia defends his honor once again. Suddenly, Celine appears and directs Livia to Erik’s location.

Chapter 36 Summary: “The Songbird”

Livia finds Erik in a narrow cove. She wants to know what happened with his mother, but Erik tries to dissuade her from thinking of him as anything but a monster. Eventually, however, he tells her that he killed his mother because he loved her. He reveals that the boneweavers figured out the nature of his power when he was four, and his father then spent years testing it. Erik grew very close to his mother, and one morning, his father took him to meet her in the garden. He forced her to share a drink from a horn of wine that had been poisoned with Erik’s blood; Thorvald himself also drank from the horn, then asked Erik to choose between saving him and saving his mother. His mother pleaded with Erik to sing his father back to health, and he did so, but he was not quick or strong enough to save her in the end. His hesitancy caused his father to hate him from then on. After the torture, the war, and his father’s death, his uncle continued to brutalize him until he remembered his mother only as a weakness. Now, Livia attempts to comfort him, enticing him to swim with her.

Chapter 37 Summary: “The Songbird”

Livia strips and goes into the water. Erik, however, is very self-conscious about the scars on his body. Livia emerges and shows the scars that her own body carries. She tries to make him view his scars as signs of strength rather than weakness, and she expresses her desire for him. Enthralled, Erik admits that he loves her. In the water, Erik demonstrates his power over the water as they grow more passionate toward each other.

Chapters 29-37 Analysis

In this section, Andrews portrays The Impact of Toxic Parental Relationships by revealing the true depths of abuse that Erik suffered as a child; these descriptions are designed to mitigate his innate brutality and offer a logical explanation for his persistently negative self-esteem and hidden vulnerability. The author achieves this effect by repeatedly invoking the symbol of Erik’s scars and stressing the repeated use of the word “mangled” in connection with his physical appearance and psychological well-being. Although the scars on a warrior’s body are often depicted positively, as a source of honor or a memory of a battle survived, Erik sees his scars as a visual representation of the torture he endured at the hands of his father and uncle, and they also come to represent the abandonment he faced from his entire kingdom. As he explains, “the men and women of this palace were witness” to his uncle’s abuse “and did nothing” (257). The psychological damage that Erik sustained from this systemic absence of empathy is further reinforced when Fione explains that Livia’s speech at the revelry has rendered Erik weaker than everyone already deems him to be. As Fione asserts, “No one holds up an Ever King. They are born to be brutal, unfeeling, and your presence has revealed our king is not. […] I will claim a place alongside the king, and […] I will never ruin my heir like Erik’s mother ruined him by giving him too much heart” (306-07). With these cruel words, Fione reveals the true nature of Erik’s upbringing and the brutal rationale behind the abuse that he suffered.


The author therefore creates a tense relationship between Erik and the people of his kingdom; although his father, uncle, and the earth fae may have inflicted the wounds that led to his scars, his citizens are also complicit in his childhood torture because they were aware of what he endured but chose to remain silent and offer no help. The pointed use of the term “mangled” emphasizes this grim reality. While Livia may have first used the word in a dishonest tirade, the image of being “mangled” nevertheless encapsulates the fact that Erik has been forced to twist his own nature in order to fit the mold that he was expected to fill. To be the perfect heir, he had to kill his mother. To be ruthless, he had to quash his heart. To be king, he had to learn to be alone. Thus, the gentler parts of himself, which Fione identifies as having “too much heart” (307), have become even more twisted than the scarred skin that so shames him—all in his attempt to retain what little authority he has managed to gain.


This section also addresses new aspects of Livia’s character development as she takes on a more heroic role, defending Erik’s character multiple times. In her confrontations with Narza, for example, Livia directly challenges the societal biases levied against Erik and the Ever kingdom’s misogynistic conventions, which characterize “women as bodies meant for heirs, nothing else” (268). Though the dynamics of her relationship with Erik are on the cusp of reaching new heights, Livia still remains a reluctant captive in Erik’s kingdom. Her actions therefore illustrate her sense of justice and righteousness, for she is willing to publicly shame the highest-ranking woman in the Ever kingdom—Narza—for her negligence toward her grandson when he was abused as a child. Narza’s choice to turn away from her grandson, as others in the kingdom did, is especially significant, given that she, according to Erik, was “powerful enough to demand things of a king” (311). By publicly speaking against her, Livia addresses Narza and the Ever nobility’s complacency in allowing a child to bear such brutality in order to uphold their twisted social norms. Her decision to take a stance in Erik’s defense despite her status as his prisoner shows her attempts at Breaking Cycles of Violence and shows that at least one person supports him, as he so desperately needs.

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