The Ever King

L. J. Andrews

53 pages 1-hour read

L. J. Andrews

The Ever King

Fiction | Novel | Adult | Published in 2023

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Prologue-Chapter 9Chapter Summaries & Analyses

Prologue Summary: “That Night”

Content Warning: This section of the guide includes discussion of child abuse, imprisonment, parental neglect, abuse, torture, and brutal deaths.


When Livia, princess of the Night Folk, is a small child, she secretly reads her reworked tale of the serpent and the songbird to a boy named Erik Bloodsinger, who is imprisoned in her father’s dungeon. The boy wonders if her story is meant to represent the two of them, as the tale typically portrays the serpent eating the songbird, but Livia’s version has a happily-ever-after conclusion. She entreats Erik to end the war and stay with her and her people, then gives him a pendant featuring a silver charm of a swallow in flight. However, Erik tells her that he will leave after the trial the next day. She then offers his father’s golden talisman, knowing that the item is important to him, but he tells her to keep it and promises to retrieve it one day. When she scurries away, she trips and breaks the talisman. She keeps the pieces and doesn’t notice until much later that the talisman’s mark is embedded in her skin.


Years later, she only remembers Erik as the enemy of her people.

Chapter 1 Summary: “The Songbird”

On the day of the Crimson Festival, Livia wakes from another nightmare about a serpent eating a songbird. Her friend, Jason Eriksson, comes to retrieve her, and she shares her concerns over the nightmare, knowing that the serpent is meant to represent Erik Bloodsinger, the Ever King. Jason worries over her but eventually ushers her out of her room to share in the festivities.

Chapter 2 Summary: “The Songbird”

Livia and Jason join the rest of their family and friends to send off the kings and queens of fae folk for their yearly council meeting. Amidst the bustle, Livia feels a sense of foreboding when she looks at the Chasm, the barrier that divides her people (the earth fae) from the sea fae—Erik Bloodsinger’s people. Along with Livia’s friend Mira, Sander (Jason’s twin brother) watches the proceedings. Now, Alek, the fifth member of their friend group and Livia’s cousin, is arriving as a newly decorated captain of Rave warriors. Livia bids farewell to her parents, Valen and Elise, and to her uncles, Tor and Sol (Alek’s fathers). She also has parting words for Stieg, her father’s captain. Before Valen leaves, he discreetly tells Livia that the nobles are maneuvering to marry their sons to her. Livia is troubled by this because she has never wanted a match with anyone who didn’t inspire passion in her, but her father assures her that he would never commit her to a marriage against her will. When her parents leave, Livia and the others plan their customary visit to the Chasm despite Livia’s internal trepidations.

Chapter 3 Summary: “The Songbird”

Livia and the others travel by longboat to the beach and rocks nearest to the Chasm. As they drink, they banter over the noble’s plans for an arranged marriage. Later, Aleks finds Livia by the water, and she tells him of the foreboding feelings that she has had all day. Alek recommends that she be reckless at this festival and try something bold. Tipsy from drinking, Livia tells him of the one time she was bold: when she read stories to the imprisoned Erik Bloodsinger when they were both children. Alek tries to assuage Livia’s fears, reasoning that because the Chasm’s seal is made of Erik’s own blood, Erik cannot breach it. To prove this, Alek dives into the water, and Livia follows him. As she watches the cyclone of the Chasm, her hand, unbidden, rises to touch the current, and she feels a burning sensation in the scar left by Erik’s gold talisman so many years ago. As Livia and Alek hurry back to the festival, Livia reflects that she saw a golden city in the moment that her hand touched the Chasm. She believes that this is an omen.

Chapter 4 Summary: “The Serpent”

Erik Bloodsinger and his pirate crew of the Ever ship travel the village of Rusa, inspiring fear and terror. They capture Rusa’s lord, Murdo, who stole Erik’s swallow-themed necklace in order to enact a spell to counter the rot in their lands. Erik makes a show of killing Murdo in front of the townspeople. He uses his own blood on Murdo. (Due to Erik’s blood magic, this blood would heal Murdo if Erik were to sing, but because Erik declines to do so, the blood kills Murdo instead.) As Erik reclaims the necklace, he is reminded of his hatred for Livia’s father, Valen, as well as his desire to possess Livia herself. Suddenly, he feels a jolt, and when he tastes the water, he detects the presence of his own blood, so he directs his ship toward the Chasm.

Chapter 5 Summary: “The Serpent”

Erik and his crew sail to the edge of the Chasm and find it open. Emboldened, Erik directs the Ever ship through the Chasm, using his power as the Ever king to pass through the cyclonic waters without issue. When they emerge, he calls forth storm clouds to hide their arrival. As his desire for revenge surges, the crew sings out their Ever King crew’s famed sea shanty.

Chapter 6 Summary: “The Serpent”

Erik waits for his scouts, Larsson and Celine, to return. Celine reports that the earth fae are having a festival and recommends that they enter the city as tradesmen. Disguised to hide their sea fae traits, Erik, Celine, Larsson, and other crew members make their way to the city. As they speak with other merchants, Erik sees Livia from afar, and the merchants he speaks with tell him that King Valen and Queen Elise have already left for their council meeting. The merchant also tells him that all the fae men must wait for the king to leave before approaching Livia because she is so beloved by Valen. Scheming, Erik plans to infiltrate the ballroom and take Livia, believing that she belongs to him.

Chapter 7 Summary: “The Songbird”

Livia attends the great hall with her friend Mira as their other friends mill about. Privately, Livia believes that the men approaching her are doing so because of who her father is, not because they are interested in her as a person. She spies a man watching her in the ballroom and feels an instant and dangerous attraction to him. Though she doesn’t recognize him behind his mask, she accepts his dance request. Livia decides to be daring with him and insinuates that she could be his for the night. They speak as they dance, and Livia tells him of her window-painting hobby. She invites him to her room, propositioning him discreetly. When he accepts, she warns Mira of her intentions, then finds the stranger in the corridor, waiting for her.

Chapter 8 Summary: “The Songbird”

Livia brings the stranger to her room, and as they engage in foreplay, the man discovers the scarred symbol of the gold talisman on her arm. She treats the topic dismissively. He asks her to play a game—two truths and a lie—the winner of which gets to do as they please with the other. However, when he mentions that his favorite story was that of the serpent and the songbird, Livia’s doubts arise. Then, when he calls her “Songbird” and lets his mask fall, she finally recognizes him as Erik Bloodsinger. He demands to have his mantle back—the mantle of kingship that Valen took from his father, Thorvald. Livia claims not to know where it is and struggles to get away, but he captures her and offers her an ultimatum: come with him quietly or he’ll have his crew slaughter everyone she loves. He then sets her room on fire and drags her out the window with him.

Chapter 9 Summary: “The Songbird”

Erik drags Livia away from the castle, but as he is about to make his exit, Livia manages to wrangle herself away from him by kicking him in the leg. She flees and discovers that Erik’s crew is already attacking her people. When Livia sees no Rave warriors where the children are, she moves to check on her younger brother, Rorik. However, Erik catches up with her. Livia offers to go with Erik in order to keep Rorik safe. As Erik drags her away, Livia’s friends and family fail to rescue her, but Stieg confronts Erik and tries to stop him. When Stieg calls Erik by name, Livia is confused to realize that the two must have some shared history. Stieg warns Erik against starting a new war, but Erik dismisses him and throws himself off a cliff and into the sea, taking Livia with him.

Prologue-Chapter 9 Analysis

In this section, L.J. Andrews uses the structure of her narrative to signal the conflation of several genres. The fable that Livia reads to Erik during the Prologue chapter delivers a broader sense of the folklore underlying the world of The Ever King, but Livia actively changes the ending, transforming the serpent and songbird’s story from a fable to a fairy tale. Because the story features anthropomorphized animals as its main characters and has been popularized for children, its underlying purpose is clearly aligned with the conventions of a fable; the overall story even suggests a maxim about being wary of false intentions. For example, the narrator notes that the serpent had befriended the songbird and that, “in [Livia’s] version, the snake never devoured the bird” (14) after befriending it. This pointed description implies that in the original iteration of the story, the serpent eats the songbird. Because Livia’s dream in Chapter 1 establishes that she is the songbird and Erik is the serpent, Livia’s rewriting of the original tale foreshadows her future relationship with Erik, and her decision to include an ending in which the characters “lived happily ever after” also suggests that despite the two protagonists’ essential status as enemies, they will eventually overcome that which stands between them and develop a deeper connection.


Thus, Livia’s revision of the fable to include a fairy-tale ending conflates the hallmarks of various genre conventions. Although the duplicitous nature of the snake and the caution that the songbird must learn remain important lessons in the tale, Livia’s revised story effectively embraces the idea that love will prevail over such duplicity and distrust, and Andrews implies that the same will hold true for Livia and Erik’s relationship. The author even officializes this plotline by having Livia herself rewrite the story. By all accounts, Erik is poised to harm and possibly kill Livia in his quest to avenge his father’s death, and just like his symbolic analogue, the serpent, he engages in deceptive behavior to achieve his violent ends. However, because Livia herself has rewritten the ending of the fable to envision a conclusion filled with love and joy, Andrews signals that Livia is the key player who will dictate the outcome of her relationship with Erik. In essence, she wields the pen and can rewrite the terms of their romance.


Andrews also uses the prologue to map out the first stage of Livia’s character development as she leaves behind her childhood innocence and develops jaded preconceptions of Erik and the sea fae, based upon her own people’s biases. As a child, Livia exhibits the typical romance protagonist’s desire to find a best-case scenario ending—both in her revision of the fable and in her dealings with Erik—and the young Livia hopes that he will remain with the earth fae and stop the war between her people. However, her optimistic belief is lost when Erik leaves and Livia is left to be influenced by her people’s historical narrative and long-held prejudices against the sea fae. The author makes this shift in perspective explicit when she states, “In time, the more [Livia] learned of the viciousness of the sea fae who attacked her people, the more the girl looked back on that night [reading to Erik] like a shameful secret. […] The girl would start to think of him as everyone else [did]—the enemy” (17). Thus, part of Livia’s journey will be to reestablish her innocent childhood belief in justice and to focus on Breaking Cycles of Violence, for as the story unfolds, she must fight for everyone’s happiness—including that of her so-called enemy.

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