53 pages 1-hour read

The Ever King

Fiction | Novel | Adult | Published in 2023

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Chapters 38-49Chapter Summaries & Analyses

Chapter 38 Summary: “The Serpent”

Content Warning: This section of the guide contains descriptions of violence, murder, and kidnapping.


Erik and Livia dress quickly and return to his bedchamber, kissing along the way. As they are about to have sex, they are interrupted. When Erik goes to the door, he encounters an assassin, then hears Livia screaming by the bed.

Chapter 39 Summary: “The Songbird”

Three men enter the bedchamber and try to capture her, but she escapes to the garden below and uses the soil and the plants that she has revived to kill one of the men. The other two assault her and promise that she won’t be healing the land for Erik. As they are about to brutalize her, Erik arrives and protects her, suffering a stab wound. The assassins try to run, but Livia uses her magic to trap them in vines. Livia tries to staunch Erik’s bleeding wound, but when Tait and others arrive, they mistake her for Erik’s assailant. They think to call the royal boneweaver, but the man is drunk from the revelry and unfit to heal Erik. Livia then thinks to take on some of Erik’s healing powers, just as he took on her earth powers earlier. She then heals him. She and Tait argue, and they eventually move Erik to his room and collect herbs for Livia to use.

Chapter 40 Summary: “The Songbird”

Livia gives Erik her blood. When Erik sings, the blood slows the bleeding, but he is too weak to fully heal himself. Livia and Tait work together to make a poultice out of the medicinal herbs, then remove the blade from his body. After they stabilize him, Tait tells Livia to clean herself, but she refuses to leave, because she doesn’t trust anyone but herself with Erik’s safety. They compromise, and while Livia stays with Erik, Tait guards them from outside the bedchamber. Livia keeps watch as Erik sleeps.

Chapter 41 Summary: “The Serpent”

Erik wakes to find Murdock the boneweaver checking his wound. They bicker, and Murdock tells Erik that he has been unconscious for two nights. Erik asks for Livia, who is off wandering. He finds her in the secluded cove by the water, and she berates him for getting out of bed. They talk of the man she killed and the emotional toll that this act has taken on her. He comforts her, and they lie in the sand together, discussing her hatred of what was done to Erik in the past. As they look at the stars, he tells her the tale of their star constellations. He points to Nightfire, the man chained to the skies in punishment for saving his love from an arranged marriage; Nightfire’s freedom depended on his lover finding him. His lover, in turn, made a deal with the goddess of hearts, trading her life to become a beacon for Nightfire to find her. Livia questions whether the lovers were ever reunited. While looking intently at her, Erik states his belief that they were.

Chapter 42 Summary: “The Serpent”

Celine finds Erik and Livia in the cove and tells Erik that Gavyn is back. He leaves Livia behind to sleep and finds Gavyn severely injured. Gavyn explains that although he made it through the Chasm with his magic, Alek was there, waiting for him. Gavyn tried to return, but Alek followed him. When Erik looks at Alek, who is dying, Erik recognizes him from when he was a child. Erik debates whether to keep him alive, and Livia arrives and begs him to save her cousin Alek’s life. Erik uses his power to heal Alek. He orders Tait and Sewell to escort Livia out.

Chapter 43 Summary: “The Songbird”

Feeling betrayed, Livia asks to be taken back to her cousin, but the others refuse, claiming that she was straining Erik’s song. When she returns, Alek is awake and lucid. He explains that he and the other earth fae have been trying to reach her for weeks, leading to many losses. Alek states that he worked a magical glamour on Gavyn in order to come through the Chasm along with him. Alek offers to take Livia’s place as a captive, invoking the penance that his family owes to Erik for saving his father. Erik tries to suppress this conversation, but Alek explains that Livia’s vision as a child had been accurate: Her uncle Tor had nearly been slain, and Erik had used his blood to save Tor. Alek then reveals that when Erik was a child, their family had saved him from a different earth fae clan and had brought Erik to his father. Livia demands to know how Erik knows Stieg, and Erik eventually capitulates.

Chapter 44 Summary: “The Songbird”

In their bedchamber, Livia expresses her anger with Erik, who allowed her to believe that her family had been the ones to torture him while they held him captive. They have sex.

Chapter 45 Summary: “The Serpent”

In bed, Livia once again asks Erik how he knows Stieg. He explains that, like himself, Stieg had been a captive and had tried to protect him. Erik had trusted him thereafter, and he acknowledges that Livia’s family had indeed saved him. Erik’s own father, Thorvald, had been disdainful of the scars left from his torture, and Livia’s father (Valen) had defended Erik and offered him a home in recompense for saving Livia’s uncle Tor. Erik had been convinced that he needed to gain favor with his father, and when Thorvald died, Erik swore to avenge him; for this reason, he refused Valen’s offer.


Erik also explains his relationship with Gavyn, who was the son of the previous lord of the House of Bones. Gavyn should have died for being born a seeker—one with a travel-based power that allows him to enter any space undeterred. However, Gavyn’s father kept Gavyn’s power a secret. Then, Thorvald decided that Gavyn’s father needed to kill his mate, a siren, in order to show his devotion to the Ever kingdom, so Gavyn’s father hid her instead. His trickery—and Celine’s birth—was eventually discovered by Erik’s uncle, who killed the siren and tortured Celine. By then, Erik had become king himself, and through a series of clever lies, he managed to hide Celine among the servants, then on his ship. Gavyn’s father allegedly disappeared not long afterward.


Later that night, while Livia is sleeping, Erik finds Alek, and they discuss whether Livia has a choice in their relationship. Erik explains that her wounds were caused by the assassins that they captured, and he offers Alek a chance to help him torture the assassins for information. Alek accepts.

Chapter 46 Summary: “The Songbird”

Livia meets Alek and the others in the great hall. They promise to exchange news, but then Erik arrives in full regalia and the king’s crown. He addresses the nobles and speaks of the attack on Livia. The assassins are dragged into the main hall. One of them, dubbed Snake Eyes, questions Erik’s claim to the throne. As everyone watches, Erik tosses Livia onto that very throne, visually marking her as his equal. He claims that he will not bow to the legacies of his forefathers, and he then names Livia the first Ever Queen. He offers Livia the choice to stay with him if she wishes, and although she knows that she will miss her family, she believes that she needs Erik in her life and therefore chooses to stay. He then slaughters the assassins in front of everyone, as punishment for the men’s attack on her.

Chapter 47 Summary: “The Serpent”

Erik confronts his noble council members, who disagree with his decision to name an Ever Queen. However, he has Gavyn and Narza’s support. Erik uses the damning information that Gavyn provided in order to pressure the other House lords into submission. Alistair finds Erik and discusses the possibility of peace talks with the earth fae, cautioning him against angering the House lords, who will need to be involved in the process. Narza then finds him and asks if he has given his heart. He confirms this and promises to burn his kingdom and start fresh if he cannot have Livia. He enters his room to find Livia, Tait, Alek, and Celine working on a missive to her father. He kicks everyone out and gifts Livia a necklace and matching earrings made from the bones of her assassins. They have sex.

Chapter 48 Summary: “The Songbird”

Weeks later, Livia and Alek speak of her choice to remain with Erik, and they also discuss the debt that Alek has felt toward Erik since he was a child. Larsson arrives to inform Livia that the darkening is spreading to the Black Isles and that she is to meet Erik there. She goes to the dock with Larson but finds the area oddly empty. Tait arrives, and when Livia informs him of their destination, he tells her that Erik is still in the palace and has no idea what Larsson is talking about. Larsson stabs Tait in the stomach, and although Livia struggles to escape, Larsson contains her and tells her that it is time for her to be of use to him, the true Ever king, instead of to his brother. She accuses him of starting the darkening, and he confirms this, calling it an unfortunate accident. As he gives her over to his minions, she promises him that Erik will slaughter them all.

Chapter 49 Summary: “The Serpent”

Erik hurries to the docks and finds Tait, then heals him with his blood. They quickly figure out that Larsson is Thorvald’s bastard son and Erik’s half-brother. Erik suspects that Larsson is bonded with a sea witch who helped him to inflict the darkening on the world. They desperately search for Livia, but Erik can no longer feel her through their bond. Gavyn uses his power to seek her out and bids farewell to Celine and his father, Sewell. Before leaving, Gavyn and Alek convince Erik to ask Valen, Livia’s father, for help. Although Tait cautions Erik against this path, Erik travels across the Chasm anyway. He and Alek disembark from the Ever ship onto a smaller boat and are immediately captured by Livia’s friend, Jason, and his illusions. Jason promises Erik that he will die at Valen’s hands.

Chapters 38-49 Analysis

In this final section of the narrative, Andrews uses another story-within-a-story to foreshadow the developments in Erik and Livia’s relationship. Just as the tale of the serpent and the songbird hinted at their initial encounters and nascent romance, the tale of Nightfire and his lost lover aligns with the disaster that befalls the pair at the end of the novel even as it offers a hint of hope for redemption in the sequel, The Ever Queen. Although the precise parallels between the Nightfire story and Andrews’s sequel are not made explicit within the context of The Ever King, the author has nonetheless laid the groundwork for the narrative structure of the next installment. This dynamic becomes explicit when Erik explains that Nightfire “saved his love from the clutches of arranged vows” and “slaughtered the whole of the vow feast and hid his love away, deep in the skies” (353). Although Erik did not save Livia from arranged vows, the early chapters of The Ever King do make it clear that just before he kidnaps her, she is under significant pressure from her people to enter an arranged marriage. Likewise, although Erik does not hide Livia in the skies, he does hide her in the equally unreachable realm of the deep seas. Most telling, however, is Andrews’s invocation of Livia in the figure of Nightfire’s lover, who is claimed to have “loved him for his darkness” and to desire him “[e]ven after the blood he’d spilled,” calling him “a beautiful monster” (353). Much of Livia’s emotional development in The Ever King is focused on her struggles to align her pacifistic nature with her conflicting appreciation for Erik’s brutality and her growing love for him. Andrews signals the completion of this alignment when Livia adopts a new nickname for Erik and pointedly calls him her “beautiful monster.” As both Livia and Erik find themselves separated and at the mercy of their enemies, the narrative makes it clear that, like Nightfire and his lover, they too will need to find themselves in the darkness and become each other’s beacon of light.


This section also illustrates the complexities involved in Breaking Cycles of Violence, and the theme is explored both in the conclusion of Erik’s origin story and in the protagonists’ deliberate dismantling of the Ever kingdom’s misogynistic traditions. As Livia discovers the horrors of what happened to Erik’s mother—as well as the abuses suffered by Gavyn, Celine, and Sewell—Erik suddenly takes on the role of a tragic hero—an essentially noble character who is hampered by critical flaws. In effect, Erik’s greatest failure is his lack of authority to control the villainous figures—like his father and his uncle—and prevent them from exploiting him and the citizens of the Ever kingdom. Specifically, the young Erik is powerless to stop his father from ordering the death of Celine and Gavyn’s mother, and he cannot stop his uncle from executing her and torturing Celine. However, Erik proves himself heroic in unconventional ways when he weaponizes his parental figures’ desire to make him ruthless, using these brutal impulses to protect his loved ones. As he explains, “I didn’t want [Gavyn] to lose his father and sister, so I told my uncle I wanted Celine as practice for my poison” (380). Erik’s actions prove that although he might have appeared callous and cruel at the beginning of the narrative, he is in fact cunningly kind and protective even when he finds himself limited by his own power and his people’s expectations.


This hidden motivation also explains in his decision to make Livia the Ever Queen. Because the conventions of the Ever Kingdom do not recognize the “claimed” women of an Ever King beyond their capacity to bear an heir, Erik’s only way to safeguard Livia from external threats is to break his kingdom’s traditions and uproot his people’s social history. Erik first signals his willingness to do this when he privately muses, “For Livia, I’d burn the kingdom and start any war if it meant she was safe” (380), and he achieves this upheaval by making the symbolic gesture of seating her on the throne. Doing so publicly and of his own volition delivers an undisputable spectacle that guarantees her the rights of a monarch. Although the political ramifications of this decision are not yet explored, this event nevertheless suggests a complete social realignment in which women may no longer be subjected to a violent patriarchal system and will instead have a way to gain their independence and power.

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