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Content Warning: This section of the guide includes discussion of death by suicide, suicidal ideation, mental illness, and emotional abuse.
Kathy Maynard recounts her troubled early marriages during interviews conducted months after Nicole’s overdose. The narrative returns to the morning Kathy goes to wake Nicole so she can visit Gary Gilmore. After repeated knocking, Kathy has Nicole’s son Jeremy unlock the door and finds Nicole unconscious on the couch, lying on Gary’s photograph. An old letter rests nearby. An ambulance is called. Police search for pill bottles. Reporter Jeff Newman arrives expecting to take Nicole to the prison.
Nicole is hospitalized in critical condition. Kathy retrieves Nicole’s letters, but the police reclaim them. Boaz learns of the double death by suicide attempt from reporters and is identified by Warden Sam Smith as a possible source of the drugs, causing him fear and emotional distress. Boaz is “surprised” at Gary’s attempt, having recently discussed business matters with Gary. Investigators suspect Nicole smuggled Seconal into the prison. Kathryne Baker waits at the hospital as doctors warn that Nicole’s survival is uncertain. Public reaction and media pressure intensify.
Larry Schiller reads a Newsweek cover story on Gary Gilmore and identifies five people whose rights he must secure: Gary, Nicole, April, Brenda, and Vern. After hearing of the joint death by suicide attempt, he flies to Salt Lake and seeks backing from ABC, proposing multiple story angles depending on which rights he can obtain. Unable to reach Gary, he waits at the Provo hospital to contact Nicole’s family and leaves a written offer of at least $25,000 for her rights.
Meanwhile, David Susskind and Stanley Greenberg pursue film rights through Dennis Boaz. Boaz claims to control releases but faces skepticism about their legality. After the death by suicide attempt, Boaz reverses his position on execution during a televised interview, stating he can no longer support the State carrying it out. As media pressure grows, officials report that Gilmore remains hospitalized and will face tighter prison security upon return, while Nicole remains in “critical condition.”
Tamera Smith’s front page story is syndicated, and reporters contact her for background on Nicole. In the hospital, Gary is taken off a breathing tube. When awake, he becomes hostile and must be restrained. In one newspaper account, Nicole’s mother publicly compares him to Charles Manson.
Kathryne keeps vigil at the hospital and is approached by men seeking a better photograph of Nicole. She provides a swimsuit photo under the condition that only Nicole’s face be used, then learns one of the men misrepresented his affiliation and obtained the picture without payment. Separately, Earl Dorius is summoned to federal court when the Salt Lake Tribune seeks access to interview Gary. In an expedited hearing, Judge Willis Ritter declines their request.
Larry Schiller meets Vern Damico and presents a firm offer of $75,000 for the combined rights to the story, arguing that Nicole’s participation is essential and urging Vern to involve an hourly lawyer rather than share proceeds with Dennis Boaz. He also sets aside money “for the families of the victims” (618).
Gary is returned to prison under escort and is placed under constant watch in the infirmary. Cline Campbell urges Gary not to die by suicide, while prison officials keep the drug inquiry open to maintain pressure on Boaz and restrict physical contact visits. Nicole regains consciousness in intensive care, reacts angrily, then speaks with Sue and Kathryne. She expresses regret about the dosage and remains distraught.
Vern visits Gary, and Brenda confronts him by phone about the attempt to die by suicide and Nicole’s condition. Boaz faces interrogation and distrust from corrections leadership, is limited to monitored calls with Gary, and argues to the press for a plan that could keep Gary alive, while also attacking Schiller. Susskind and Greenberg consider withdrawing as the bidding and publicity escalate, but they keep limited contact in case conditions later stabilize.
Gary again asks Vern to replace Dennis Boaz and says he intends to turn everything over, keeping only “a few thousand dollars” for personal obligations (631). Vern hesitates but contacts local attorney Bob Moody, who agrees to help and recommends Ron Stanger to handle the legal defense. Vern meets both lawyers and brings them to the prison. Gary appears gaunt, fasting, and suspicious. Stanger states he opposes capital punishment but will follow Gary’s wishes. Gary says he will fire Boaz. Nicole remains unstable in Intensive Care, demanding cigarettes and speaking ambivalently about living. Doctors secure signatures declaring her incompetent and suicidal. She is committed to Utah State Hospital. She regrets signing and reacts angrily to the ward’s restrictions. Psychiatrist John Woods objects to placing her in Maximum Security but accepts that constant supervision is required, even if it interferes with the treatment of his other patients.
Boaz meets Gary, accepts his dismissal, and says he only wants to write about the case. Barry Farrell contacts Larry Schiller, who says negotiations remain unsettled.
Larry Schiller moves from Salt Lake City to Provo and arranges meetings with Phil Christensen, attorney for Kathryne Baker, and with Robert Moody. Discovering both lawyers are in the same firm, he proposes structured payments totaling $75,000, allocating $26,000 to Nicole and additional funds for medical bills and other family members, contingent on court approval and guardianship arrangements. He seeks simple releases from relatives and presses Vern to gather signatures. Vern warns that Gary will not sign without meeting Schiller.
As bidding intensifies after a national magazine cover story, David Susskind attempts to secure support through prominent attorneys and negotiates separately with ABC. The TV network withdraws exclusive backing from both producers, so that whoever secures the contracts first will “get the money” (654). Universal expresses interest but conditions payment on the execution occurring, which angers Gary. Moody and Stanger arrange Schiller’s prison visit under the pretext of an estate consultation.
In a long meeting, Gary alternates between charm and volatility, berating guards over minor issues yet speaking candidly about the murders. After further negotiations, Gary agrees to sign, except for restricting access to his letters without his consent. Contracts are finalized. Gary begins distributing money—including $2,000 to Gibbs—and invites friends to his execution.
Part 1 of Book 2 ends with Nicole attempting to die by suicide, having been convinced to do so by Gary. This culmination of Gary’s emotionally abusive influence over Nicole speaks to The Influence of Love and Hate in Human Lives, with Nicole remaining in thrall to what she regards as their enduring love. Gary manipulates her through his letters, framing his possessiveness as love and reassuring her that they will be able to reunite in their next lives.
Having been denied his execution by bureaucratic wrangling, Gary insists that he will take matters into his own hands. However, Gary does not take the required number of pills, which implies that he is eager for her to risk her life for him but is unwilling to do the same for her. He barely spends any time at all in the hospital, whereas Nicole very nearly dies. Neither attempt is successful, but several characters (and the narration of the book) imply that Gary may not have been truly sincere in his desire to die by suicide. As such, his cynical manipulation of her emotional state becomes another demonstration of his controlling tendencies and speaks to how toxic and abusive behavior can sometimes be mistaken for love by vulnerable individuals.
The fenagling over the rights to Gary’s story reflects The Death Penalty as Public Spectacle. Various media outlets are beginning to pay more attention to Gary and his case. Since Gary is actively petitioning for his own execution, he inverts the expectations of a man on death row and creates a heightened interest in the media. While Gary is not an admirable figure, the book also critiques the role of the media in the situation, portraying the various media representatives (such as Dennis Boaz and, later, Larry Schiller) as vulture-like figures who are feasting on the suffering and death of others.
The sums of money illustrate the scale of the problem. Throughout Book 1, many of the characters experienced financial difficulties. Small sums—such as $10 or less—were swapped about between Gary, Vern, and others for food, clothing, and other essentials. For people with so little, these small sums meant a lot. After Gary becomes famous as a murderer on death row, however, thousands of dollars are suddenly being offered to people who were scraping by. The media’s lurid fascination with death and violence is backed by sums which, to the struggling characters, are potentially life-changing, leaving them vulnerable to exploitation by the media. The media’s fascination with the story puts a price on suffering, so much so that the book becomes a critique of a media apparatus—of which The Executioner’s Song itself is also a part—that fetishizes death and financially incentivizes violence.



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