69 pages 2-hour read

The House of the Scorpion

Fiction | Novel | YA | Published in 2002

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Part 3, Chapters 15-18Chapter Summaries & Analyses

Part 3: “Old Age: 7 to 11”

Part 3, Chapter 15 Summary: “A Starved Bird”

The days following María’s departure are monotonous, and the house is quiet. Matt can no longer look forward to María’s visits, as she and Emilia have been sent to a convent to become ladies. Matt wonders if María misses him or has forgiven him. When Matt orders for a Safe Horse at the stables one day, he is terrified to see that the eejit bringing the horse is Rosa. She moves about without any evidence of her past hatred and cruel treatment of Matt. Matt realizes that being turned into an eejit is a terrible fate. He rides out into the poppy fields, where the plants are still young. He wonders what would happen if the eejits suddenly woke up and attacked him. He knows, however, that eejits will never do anything unless they are ordered to by their master. He looks for the house he once lived in with Celia, but it is nowhere to be found. When Matt arrives at the oasis, he orders the horse to drink and walks to the mountains alone for the first time. As he eats his lunch, he spots a large metal chest with a blanket and water bottles. The chest is filled with packages of dried food, camping supplies, and a few books, including one called The History of Opium. He finds a letter from Tam Lin explaining in his messy, misspelled writing that Tam Lin left the chest in case Matt ever needs it.


Upon returning home, Matt finds the servants in a frenzy and hovercrafts landing—El Viejo has died. Though Matt barely knew the man, Celia is distressed. Matt accompanies her to the funeral. The Alacrán family is gathered around the coffin, and MacGregor looks much younger. María looks more beautiful than ever and is holding Tom’s hand. Matt wishes he could thank Tam Lin for the chest but knows it is a secret. An eejit children’s choir sings sweetly at the head of the casket. When Matt reaches the casket with Celia, the priest angrily protests, stating that just as a dog wouldn’t be allowed in a church, neither should Matt be. Celia explains that El Patrón wanted Matt present. Suddenly, María appears and argues that Saint Francis brought a wolf to church. When the priest debates on whether the wolf was inside or outside the church, María grabs Matt’s hand and leads him outside.


María drags a dazed Matt into the music room. While she complains about the lack of air conditioning, Matt is overjoyed that she is talking to him. María hugs and kisses him—she has missed him and forgives him. When Matt asks why she avoided him after seeing MacGregor’s clone, she grows solemn and is unable to answer because people are listening in the hallway. Matt pulls María to the closet and leads her into the secret passage.

Part 3, Chapter 16 Summary: “Brother Wolf”

Inside the secret passage, María concludes that El Patrón made the secret passage to spy on people. Matt defends El Patrón, saying that he probably needed to. They reach an air-conditioned computer room, where María shares that she decided to forgive Matt after reading about the Catholic saint Francis. Saint Francis convinced a wolf to stop terrorizing people and become a vegetarian. Instead of punishing the wolf, Saint Francis told “Brother Wolf” that he could start his life anew. Though Matt wants to say he didn’t poison Furball and doesn’t need forgiveness, he doesn’t want to ruin the mood. María makes Matt promise to be good, and he agrees. María calls Matt “Brother Wolf,” and Matt asks if he can call her Saint María. María responds that she has too many faults to be a saint and proceeds to share her mistakes at the convent. When Matt asks if María has been baptized, she shares that she wouldn’t be able to go to heaven if she hadn’t been. She then explains that the priest was harsh to him because society believes that like animals, Matt doesn’t have a soul and can’t go to heaven. However, María disagrees.


María admits she likes being with Matt because he is easy to talk to. When the two hear voices approaching, they run and hide in the passageway. From a peephole, they watch Tom and Felicia enter the room to look for Matt and María on the cameras. The two observe El Viejo’s body in the empty salon and laugh—he is useless because no one can get transplants from a cancer patient. As they search the security footage, they see María’s black hat in the music room and watch Celia and Tam Lin wondering where Matt and María could have gone. Celia and Tam Lin are aware that someone is listening and are careful with their words, frustrating Tom.


Felicia then switches to the outside cameras and shows Tom the lotus pond. She shares that she saw Matt taking Furball out of María’s apartment and followed him. When Tom asks if she saw Matt kill Furball, she admits that she killed Furball and blamed Matt. Felicia was angry at Matt’s behavior with Tom at the birthday party and poisoned Furball with her own laudanum. María slides to the floor, horrified by the discovery. Matt reassures her that Furball didn’t suffer before leading her along the passage. Tam Lin intercepts them, calling them fools. El Patrón told him about the passage after having guessed that Matt somehow found it. María interrupts Tam Lin to share their discovery and Matt’s innocence. Tam Lin starts escorting María out. María is humbled that Matt let her forgive him for something he never did. Matt shares one of Celia’s favorite sayings: “A little extra forgiveness never hurts” (164). María apologizes for being unfair to him. After reminding him of his promise to be good, she tells Matt she will miss him.

Part 3, Chapter 17 Summary: “The Eejit Pens”

After María leaves, Matt is left alone once again. He reads books that María and Tam Lin would approve of, including survival manuals and one about Saint Francis. Saint Francis cares about and speaks to everyone from criminals to insects. He wonders if Saint Francis would care for him—as a clone, his existence isn’t natural. Matt now always feels like he is being watched. After learning that Felicia is as awful as Tom, he wonders why he didn’t realize how much she hated him before. Once a week, Matt takes a Safe Horse to the oasis and converses with Rosa each time, and he wonders what might be going through her mind. At the oasis, Matt thinks about how Saint Francis gave away all his possessions and how El Patrón would have a heart attack if someone told him to do the same.


Matt starts reading A History of Opium and learns that 100 years ago, the United States and Mexico, now Aztlán, were in conflict about the thousands of illegal immigrants crossing the border. Matteo Alacrán, the most powerful drug dealer in the world, joined forces with other drug dealers and convinced the nations to grant them land along the border. Alacrán promised to capture the illegal immigrants and to stop selling drugs in North and South America. The author, Esperanza Mendoza, condemns El Patrón’s plans and calls him evil. The book examines the different families ruling the Farms in Opium and how a government formed with El Patrón as its absolute dictator. Angered by such accusations, Matt throws the book. He doesn’t see anything wrong with El Patrón’s genius plan and thinks Esperanza is jealous. Matt thinks the old man has a higher destiny and that El Patrón has been educating Matt to one day help the family run Opium. He decides to free the eejits once he is in charge.


On the way back to the house, Matt stops to ask the foreman of the water purification plant why the water smells so bad. The foreman shares that dead fish and chemicals are filtered from the water and dumped to the ridges in the distance, known as the wastelands. Matt rides towards the wastelands. The stench is unbearable, and Matt sees buildings with iron bars on the windows—the eejit pens. Struggling to breathe, he uses his inhaler. His horse collapses, and Matt himself is about to faint when a man grabs him and throws him into a truck. The men in the truck, who Matt realizes are Farm Patrol agents, discuss whether Matt is an eejit or an immigrant. As Tam Lin taught him, Matt acts tough. He tells the men he is El Patrón’s clone. Realizing he sounds just like El Patrón, their demeanor immediately changes, and they become friendly. The men, Hugh and Ralf, talk about soccer as they take Matt back to the estate. Matt learns the two are from England and Wales, and another agent in the truck is Scottish. When Matt asks if Tam Lin ever murdered anyone, they share that Tam Lin was a Scottish nationalist and terrorist with a social conscience. After he placed a bomb in the prime minister’s house, the blast accidentally killed a busload of children.

Part 3, Chapter 18 Summary: “The Dragon Hoard”

That night, Celia wakes up Matt in a frenzy. While trying to wake up, Matt struggles with the conflicting images of the Farm Patrol. On one hand, Celia’s terrifying stories equated them to Chupacabras. On the other hand, the agents he met that day became good-natured boys when they learned he was El Patrón’s clone. After forcing Matt to eat strange-tasting food, Celia rushes him to the hospital. At first, Matt objects, saying that he isn’t sick. One of the bodyguards accompanying them tells him that El Patrón is sick. As soon as the guard tells Matt that El Patrón had a heart attack, his vision blurs and he vomits. At the hospital, Matt is lifted onto a stretcher. Tam Lin shows up in the room and tells Matt that El Patrón is alive because the doctors used a piggyback transplant to regulate his heartbeat, but the heart is too small to do the job itself.


When Tam Lin learns Matt is sick after visiting the wastelands, he scolds him for his stupidity and makes him promise never to go there again. He wonders how Tam Lin can criticize him after he murdered those children. Celia arrives shortly thereafter, crying over Matt’s bed. Matt is taken to meet El Patrón, who has lost his previous energy. Unsure how to comfort him, Matt suggests that he give things to the poor as Saint Francis preached. Enraged, El Patrón can’t believe his ears. He didn’t build an empire larger than El Dorado’s to give it away; he built it to be worshipped like a god just like him.


Later, Tam Lin compliments Matt for cleverly filling El Patrón with emotion again by suggesting he donate his “dragon hoard.” When Matt asks what a dragon hoard is, Tam Lin explains that a dragon amasses wealth from pillaging castles and hides it in a dark cave in the mountains. Despite how uncomfortable it is to sleep on the treasures, the dragon can’t feel it because he is covered in scales. Matt questions if this actually makes the dragon happy. Tam Lin explains that the dragon knows when anything goes missing from the hoard, no matter how small, and burns the thief in an instant. Understanding that the dragon is a metaphor for El Patrón, Matt asks if El Patrón knows how much he has in his storeroom. Though Tam Lin doesn’t think El Patrón does, he wouldn’t take a chance on it.

Part 3, Chapters 15-18 Analysis

When the priest at El Viejo’s funeral does not tolerate Matt’s presence, it is understood that society believes Matt to be without a soul. Though Matt seems to internalize this belief and wonder whether making good choices even matters, María’s education about Saint Francis has convinced her that even the lowest of animals must be treated humanely and with care. Upon learning that it was Felicia who murdered Furball, María is humbled that Matt allowed her to forgive him for a crime he never committed. The exchange and setting serve as a deeper commentary on just how human a clone can be—Matt is forgiving, remorseful, and aware of the morality of his actions when making choices. The difference between clones and humans is blurred in the further development of Matt’s character. When faced with losing the love and respect of those closest to him, Matt realizes just how important it is for him to be a good person. In an attempt to be the kind of person that María would approve of, Matt thinks about Saint Francis’s teachings. He wonders if Saint Francis would consider him humane as he would other animals and goes as far as to preach the saint’s practices to El Patrón.


Opium’s setting is further examined when Matt starts reading the book about its history. Matt does not see anything wrong in El Patrón’s choices so far and can’t bear to read such scathing remarks about the revered old man. Rather, Matt thinks that El Patrón intelligently solved a grave issue for two nations, elevating his regard of the old man. While the reader and Matt are not made entirely aware of Matt’s true purpose in El Patrón’s life, subtle hints lie in Celia’s repeated panic as well as Matt being rushed to the hospital when El Patrón falls ill.


Tam Lin uses the metaphor of the dragon’s hoard to explain the true nature of El Patrón’s greed. Like mythological dragons, El Patrón loots and gathers his wealth, willing to attack anyone who might threaten his possessions. At the same time, El Patrón is as terrifying to those around him as a dragon might be. The true human cost of the scientific innovation of eejits is further examined in the horrifying setting of the eejit pens. While Opium is situated in a futuristic world full of scientific advancements, it is also clear that there are multiple human and natural costs to such miracles. The chemical pollution that is hidden from plain sight is a side effect of the technological developments of the novel’s setting.

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