69 pages • 2-hour read
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Matt wipes the black slime off his face as two men make their way to him. Matt tells them that the Farm Patrol took his family. The men take Matt to a bathroom to wash up and change into a uniform. Matt can’t believe how nice the men are and thanks them when they give him food to eat. One guard comments that Matt must be an aristocrat due to his manners. When Matt tells a man named Raul that he needs to get to San Luis, they ask Matt what kind of work he can do. Confused, Matt says he can play the piano. Another guard remarks that Matt is definitely an aristocrat. Raul clarifies that they have to contribute to the general good of the people in the new Aztlán and asks if he has any productive skill. Matt racks his brain before saying he studied water purification. One guard replies that they are automated before another remarks that the plankton factory in San Luis always needs new workers. Matt agrees, thinking he can leave for the convent upon his arrival.
The next morning, Raul leads Matt to a room where guards are playing a game with tiny images hanging midair. When they turn it off, Matt asks where the picture went. A surprised guard asks whether Matt has ever seen a holo-game. Matt pretends he has. Matt asks the guards why all the doors are locked, to which they respond by citing the importance of “orderly production” for the “good of the people” (263). Matt finds this an odd thing to say but is distracted by the room full of boys working at tables. They all stop to look at Matt before gathering around him and excitedly asking questions. Matt has never interacted with children his age other than María and worries about their reactions. Raul tells the boys to go away, as Matt just lost his parents and needs some time alone.
Matt stands next to the door as Raul walks around, examining and commenting on the boys’ work. The boys fit bits of machinery together, weave sandals, measure powder into capsules, and fill bottles with finished pills. Raul scolds a boy named Chacho for carving a piece of wood, stating that hobbies take away valuable time from contributing to the good of the people. He recites the phrase, “Work is freedom. Freedom is work. It’s hard but it’s fair” as the rest of the boys rowdily repeat after him (265). Raul brings Matt to the center of the room and announces that he is going to San Luis and to make him feel welcome. When Raul leaves and locks the door behind him, Matt wonders why they are locked in. Matt remembers El Patrón’s advice to establish his authority before anyone can question it and confidently walks towards the tables. A skinny little kid named Fidelito invites Matt over. Chacho tells Matt to relax while he can, as tomorrow they will have to work on the way to San Luis, and they must reach their production quota to receive dinner. As Fidelito’s output is less than everyone else’s, he is starving. Fidelito then asks if Matt saw the Farm Patrol take his parents. Though others try to quiet Fidelito, Matt starts telling a fake story and realizes that all the boys actually lost their parents to the Farm Patrol. Chacho bitterly says the orphanage is a part of the system for producing resources.
For the rest of the day, Matt drifts from group to group, listening to conversations to gather information. He learns that the Keepers are in charge of caring for the orphans, known as the Lost Boys. The boys refer to Opium as “Dreamland” and tell stories about the zombies and vampires that live there. While many believe their parents actually made it through Opium to the United States and will send for them, Matt knows the Farm Patrol is too efficient for that to be possible. Matt feels bad for Fidelito and helps him complete his work. When the guards bring in lunch, the boys recite the principles of citizenship before eating. Matt switches to a new job, and Chacho tells him to enjoy it while he can, as Keepers only let the boys do one job once they settle in.
Matt asks about the piece of wood Chacho was working on. Chacho hesitantly shares that he is making a guitar. Chacho believes that his father, who plays the guitar, is living a wealthy life in the United States and will soon send for Chacho. At dinner, the same ritual from lunchtime is repeated. The boys then bring out their mattresses to sleep. They use a communal shower, where Matt hides the writing on the sole of his foot.
Raul tells the boys a bedtime story about a five-legged horse. In the story, the fifth leg is individualism and does whatever it wants. This makes the horse fall over repeatedly until a vet cuts the fifth leg off. Raul explains that a horse, like society, runs fine on four legs and is ruined by individualism. Matt asks why they don’t just put a computer chip into the horse’s brain, suggesting they turn the horse into an eejit. Raul is horrified, but Matt insists that there is no difference between making the horse a zombie and removing its fifth leg, implying that the boys are treated no different from eejits. Now angry, Raul calls Matt an aristocrat who needs to be educated. When Raul leaves, the boys congratulate Matt for bravely standing up to him. Matt doesn’t understand why speaking his mind is brave and decides that he has to be careful. He tries to make sense of the information he has gained about this new world. An aristocrat is the lowest form of life, a crot is a curse word that means an eejit, and a zombie is a clean word for eejit. Matt misses Celia and Tam Lin terribly but feels better when he thinks of reuniting with María. He basks in the approval of his new friends, something he never had before.
The next morning, Raul gives the boys an inspirational talk about how aristocrats seem attractive on the surface but are vile on the inside. Afterwards, Matt is put to work measuring pills with the younger children with double their quota to teach him the “value of labor” (277). Matt isn’t worried because he believes he will leave for the convent as soon as they reach San Luis. Raul takes Chacho, Fidelito, and Matt to a hovercraft heading for San Luis. He tells them that though the work will be harder, they will receive full citizenship when they turn 18. The boys make sandals while they travel. When Fidelito warns of his motion sickness, Matt gives Fidelito a bag of plastic strips to vomit into.
When the hovercraft lands, the boys are overwhelmed by the stench of rotting fish in the hot sun and vomit. They stumble past white hills and red pools into the nearest building, where young boys are fishing in large tanks. The boys direct them to a Keeper who recognizes Matt as the aristocrat. He warns Matt that if he causes any trouble, he will be sent to a place called “the boneyard.” A Keeper named Carlos teaches them how to fish plankton out of the tanks, speaking highly of its potential. Matt’s heart sinks when he sees the high security fences, realizing he can’t leave until he turns 18. When he asks Carlos where San Luis is, Carlos refuses to answer. Carlos shows the boys the salt mountains that the boys will harvest after the plankton.
At lunch, the boys seem miserable as they eat plankton. Carlos scolds them for being thankless—millions of people once died of starvation while aristocrats feasted. Now, everything is shared equally in Aztlán. In the distance, Matt spots the dried Gulf of California. Carlos explains that Aztlán diverted the water from the Colorado River because it was so polluted, but the water ran out when they harvested the gulf for plankton. Matt, Chacho, and Fidelito are tasked with tending the plankton tanks. Matt notices that the tanks head to a distant channel and asks Chacho and Fidelito if they can swim. Fidelio shares that his grandmother taught him to swim. He and his grandmother lived by the sea until a hurricane destroyed their village. After moving to a refugee camp, his grandmother became so sick that she had to be force-fed. When Matt doesn’t understand why they couldn’t return home, Chacho explains that they locked her up to help her. Astounded, Matt wonders if all of Aztlán is this corrupt. Carlos scolds them for wasting time. He tells the boys to start walking back before dark. When Matt asks if Fidelito can ride in the cart, Carlos insists they all have to walk to be equal. Matt argues that Carlos is riding in it. Carlos explains that he earned it and decides that the boys won’t have dinner.
Matt asks Chacho why everyone calls him an aristocrat. Chacho explains that it is because of Matt’s manners and the way that he thinks. At dinner, Matt feels sorry for Fidelito, who is too skinny to survive without a meal. Chacho stares at a nervous-looking boy until he gives half his food and makes sure Fidelito eats extra. That night, a Keeper named Jorge tells a bedtime story about keeping the mind clean, just like the body. All the workers chant, “It’s good to be clean” (289). When Jorge asks Matt how one can keep their mind clean, Matt answers that using one’s mind keeps it clean from germs. The boys tense as Jorge smiles. Matt realizes he has been set up to give the wrong answer.
Jorge declares that diseased opinions have to be cleaned with self-criticism and asks the boys to demonstrate. Ton-Ton, a boy with an acne-riddled face, volunteers and confesses to thinking about stealing food. When Jorge asks how he should be punished for having thoughts “contradictory to the general good of the people” (291), Ton-Ton answers that he has to recite the “Five Principles of Good Citizenship” and the “Four Attitudes Leading to Right-Mindfulness” (291). One by one, the rest of the boys stand to confess their odd crimes before repeating the principles as punishment. When Jorge finally demands that Matt confess his crimes, Matt responds that he has done nothing wrong.
Gasps fill the room as Jorge reminds Matt of his mistakes, including the idea to put computer chips into horses, letting Fidelito vomit into a bag of plastic strips, and inciting Chacho and Fidelito to take a break. When Fidelito admits that he is the one who vomited, Matt quickly says that he gave Fidelito the bag. Jorge tells Fidelito that he has been led astray by the aristocrat and asks the boys to show Matt the error in his ways. Every single boy, except for Chacho and Fidelito, insults Matt’s aristocratic behavior. Matt is deeply hurt. He remembers Celia’s, Tam Lin’s, María’s, and even El Patrón’s kind and encouraging words. Filled with a new determination, Matt realizes he is not alone. Everyone leaves except for Chacho and Fidelito. Matt realizes that as long as he has his friends, he will triumph just as El Patrón did over poverty and death long ago.
Over time, working at the plankton factory paralyzes Matt’s sense of smell and taste. When the plankton growing cycle ends, Ton-Ton brings out a huge harvester and empties the tanks while Matt refills them using a pipe from the Gulf of California. The boys look through the fence to see that the channel was once as wide as the sea. Matt examines the fence for weak spots to possibly escape. Chacho points out something large and white in the distance before the boys investigate. The two find a chasm full of bones, some huge and some resembling human skulls. Fidelito shares that the large bones are beached whales. Matt wonders how the whales died in the chasm, and the boys decide it is too dangerous to explore.
Every night, Jorge tells a bedtime story and asks the boys to confess their sins and verbally insult Matt. The insults hurt Matt less over time. Though Matt refuses to confess, Chacho and Fidelito decided to avoid trouble and satisfy the Keeper. The night after the walk to the whale pit, Matt still refuses to confess, even though all he has to do is confess something small. Jorge decides that Matt needs “further education” before calling on Ton-Ton. The Keeper accuses Ton-Ton of stealing a holo-game from the Keepers. Matt realizes that the Keepers have things that the others don’t but remains quiet. Jorge asks the boys how he should be punished for sneaking around and taking things that others don’t have. He then tells the story of how worker bees kill a bee that steals.
Matt is shocked by the suggestion but relaxes when Jorge says that they won’t go that far. Murder was casual in Opium, but he wasn’t sure what the rules are in Aztlán. Matt realizes that the purpose of Ton-Ton’s punishment is to frighten Matt, just as El Patrón used to do. Jorge beats Ton-Ton with a cane until he is led to the infirmary. Jorge then turns to Matt, declaring that the aristocrat has understood the lesson. When he asks Matt to confess, Matt yet again refuses to answer because not even the most obedient boys are safe from punishment. Jorge explains that some boys need to be broken before they learn to do what they are told. When an angry Jorge reaches for the cane, Fidelito panics and starts confessing for Matt. Jorge points out that since Matt has turned Fidelito into his lackey, Fidelito must be punished. Matt finally confesses to a sin and silently endures a beating. The boys flock to Matt after Jorge leaves. One says that Jorge has crossed the line and that he will report him to Keeper headquarters when he leaves. Matt has proved he is one of them and not just a proud aristocrat. They help Matt to the infirmary, where he is given laudanum. Matt worries he might turn into a zombie like Felicia or die like Furball.
Matt is faced with a variety of new experiences as he maneuvers the world of Aztlán. This new setting, though more technologically advanced in day-to-day life, is full of inequality and poverty as is evident in the lives of the Lost Boys. While it is unclear whether the principles and ethics that the boys are made to recite actually reflect the beliefs of Aztlán at large, the religious dedication to such values reflects a society that prioritizes the group over the whole. Matt’s ignorant questions threaten the social order but speak to the ethical similarity between the treatment of the boys and the treatment of eejits. Both the orphaned boys and eejits are prevented from using their minds and expressing any form of individuality. Both are controlled by those above them and prevented from doing anything outside of their duties. The Keepers abuse their power just as El Patrón did. In addition, it is clear that Aztlán is so deep in poverty that the average person cannot afford the luxuries that Matt enjoyed, which include artistic skills and better food.
Chacho, Fidelito, and the Keepers are introduced as residents of Aztlán. In contrast to Matt’s own mannerisms and character, the boys use bad language often and have never experienced the luxuries that Matt has in his sheltered life on the Alacrán estate. A new perspective of Opium exists where “Dreamland” is where the boys’ families escaped to and never returned. While the boys believe their parents have made it to the United States safely, Matt is aware that their families have likely been turned into eejits. He is also aware that the United States is not the safe haven that it once was, and people often cross the border from there as well.
While Matt fears being discovered as a clone, he is comforted when the boys treat him as an equal and friend for the first time in his life. However, he is deeply hurt after losing the acceptance he cherished when the Keepers force the boys to insult his aristocratic behavior. Matt is still perceived as different and separate from the rest, albeit in a vastly different way than in Opium. The fact that Matt is initially treated just like everyone else is further evidence of just how identical clones are to humans.



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