The Shots You Take

Rachel Reid

59 pages 1-hour read

Rachel Reid

The Shots You Take

Fiction | Novel | Adult | Published in 2025

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Chapters 1-7Chapter Summaries & Analyses

Content Warning: This section of the guide includes discussion of antigay bias, mental illness, substance use, addiction, suicidal ideation, and sexual content.

Chapter 1 Summary: “April 2024”

In April 2024, Riley Tuck stands at the back of Avery River United Church on the day of his father Harvey Tuck’s funeral. When Adam Sheppard, Riley’s former NHL teammate, best friend, and lover, unexpectedly arrives, the crowd reacts with whispered recognition. Riley and Adam make eye contact, stirring Riley’s emotions despite his grief. Riley turns back to his mother, Susan Tuck, determined to get through the day, deliver a eulogy, attend the reception, and bury his father’s ashes.


Lindsay Tuck, Riley’s younger sister, guides him to the front pew. Riley stares at the small box containing his father’s remains and reflects on Harvey’s life; he was a community helper, minor hockey coach, and supportive parent who sold Pride flags in his sporting goods shop, Tuck’s Sporting Goods, after Riley came out. Harvey died suddenly of a heart attack in his backyard. Overcome with grief, Riley nearly skips the eulogy, but decides he must deliver it. 


At the church basement reception, Riley steps outside for air, where he runs into Adam, who also says he wanted some air. Riley recalls that this was their old code for wanting sex and demands to know why Adam came. Adam explains that his ex-wife Maggie saw the obituary on Susan’s Facebook. He touches Riley’s arm, offers condolences, and praises the eulogy. When Riley admits he almost didn’t give the speech, Adam says Riley underestimates himself—which angers Riley, who points out that 12 years have passed since they spoke. Adam reminds him that Riley was the one who asked for no contact. Riley thanks Adam for coming but tells him to leave. As Riley walks away, Adam mutters that coming was a mistake.

Chapter 2 Summary: “January 2007”

In January 2007, Riley and Adam are at a Toronto club with teammates. Adam whispers their code phrase—he wants to get some air—and they return to their shared apartment. Riley reflects on their history as inseparable Northmen rookies and his years of hidden love for Adam, recalling their first kiss at 21, when a drunk Adam initiated it and asked if it was acceptable.


Riley wants this encounter to last longer and for Adam to stay afterward. They have sex, and Adam lingers in bed afterward, kissing Riley’s palm. Feeling bold, Riley confesses he loves Adam. Adam reacts with shock, laughing and insisting that the two are not gay. Devastated, Riley leaves to hide his tears. When he returns, Adam has already gone.


The next morning, Adam acts as if nothing happened, discussing hockey instead. Riley is both relieved and furious at Adam’s compartmentalization. He considers moving out but admits he isn’t strong enough, worried that Adam’s rejection will end their sexual encounters.

Chapter 3 Summary: “April 2024”

Adam calls his ex-wife Maggie from his motel room and reports that his visit with Riley went poorly, explaining Riley’s grief and his desire to comfort him. He recounts Riley’s eulogy with pride and heartbreak. Maggie encourages him to stay a few more days so Riley can adjust to his presence.


Years into his marriage with Maggie, Adam realized he was gay and finally told Maggie, who was relieved, having suspected an affair. He also confessed to being unfaithful with Riley during their marriage. For the past two years, Maggie has urged Adam to contact Riley, but he has resisted, assuming Riley had moved on. Now, Adam remembers Maggie suggesting that Riley needs him and decides to stay in Avery River at least another day.


Lying on his motel bed, Adam reflects on his lonely life since retirement and divorce. He’s closeted to his hockey friends and has been using apps to meet men, but has no gay friends. He acknowledges he’s in love with Riley and wants to repair their relationship. He recalls sleeping with Riley once after marrying Maggie and panicking afterward; Riley ended up in Dallas thereafter, cutting off contact with Adam despite his attempts to stay in touch and make amends. Now, Adam resolves to start afresh.

Chapter 4 Summary

That evening, the Tucks hold a gathering at their home. Lindsay finds Riley hiding in the sunroom with his dog, Lucky, and brings him food. When she mentions Adam, Riley tenses, snapping when she asks if Adam is staying in town but immediately apologizing for getting upset. He promises not to drink, sharing his plans to visit the family store tomorrow to stay busy. Alone, Riley talks to Lucky about his grief and Adam’s complicated presence.


Back at the gathering, Riley mingles with his cousin Cory, store employees, and his friends Darren and Tom, a married gay couple who offer comfort and dinner invitations. Susan eventually tells Riley to go home, then mentions that Adam is staying for a few days and suggests Riley reconnect with him. Riley dismisses the idea internally but agrees verbally. On his way home, he deliberately drives past Adam’s motel.

Chapter 5 Summary

The next morning, Adam goes to the Tuck home looking for Riley. Lindsay informs him that Riley isn’t there, but invites Adam in. During their chat, Adam tells Lindsay he and Maggie are divorced. Lindsay warns him that Riley is fragile and doesn’t need additional pain; Adam insists he isn’t there to hurt him.


When Adam asks if Riley has anyone, Lindsay reveals he is single. Susan enters, greets Adam warmly, and says they have missed him during the summers. (Adam vacationed in Avery River with Riley in years past.) The conversation turns to Adam’s chronic shoulder injury; Lindsay, a physiotherapist, asks about his multiple surgeries. She starts to say something critical about hockey players and mental health—specifically about Riley—but stops herself. Susan mentions that Riley is at the family store, and Adam quickly volunteers to bring him lunch. After a shared look, Susan and Lindsay agree.

Chapter 6 Summary

At the sporting goods store, Riley has torn the place apart trying to rearrange displays. Adam arrives with lunch from Susan. Riley rudely tells him the shop is closed, rejects his help, and, after throwing a hockey stick in frustration, confronts Adam again, demanding that he leave his family alone. Adam calmly agrees to leave but gives Riley his motel room number and tells him his phone number hasn’t changed.


After Adam leaves, Riley looks at a framed photo of himself and Adam celebrating a goal during their years as teammates and secret lovers, then at a photo of his father. He decides not to contact Adam.


That evening at his parents’ house, Riley lies about how his encounter with Adam went. Lindsay announces she’s staying in town longer but will take their father’s truck back to Halifax to sell it. A devastated Riley escapes to the kitchen. Susan finds and comforts him, and they share tearful laughter. Before Riley leaves, Susan suggests that Riley accept Adam’s help.


Back at his own house, Riley collapses on his sofa, thinking about his unresolved feelings for Adam. A flashback reveals that he experienced depression and substance use after leaving Toronto. For months, he had been dealing with undiagnosed mental health issues and suicidal thoughts before Lindsay convinced him to come home. He quit the NHL at 29  and slowly rebuilt his life in Avery River through therapy and medication. He resolves to forget about Adam and not make bad decisions.

Chapter 7 Summary

In his motel room, Adam feels he has run out of reasons to stay in town. He reflects on his past with Riley, acknowledging he was in love with him even during their early NHL years, yet couldn’t admit he was gay due to internalized antigay bias and hockey culture. Looking in the mirror, he tells his reflection not to confess his feelings, deciding Riley needs a friend, not complications.


Around 11 that night, Riley knocks on Adam’s door, rain-soaked and agitated. He demands to know why Adam is really in town. Adam says he came for Riley. Riley says he doesn’t want or need him, then leans close and taunts him—suggesting Adam wanted sex. Riley steps back and sits down, then quietly admits the week has been overwhelming. He apologizes for his behavior and concedes that his father would have appreciated Adam attending the funeral. He says he wrecked his dad’s shop, and Adam offers to help fix it. As they talk, Adam places a hand on Riley’s knee, then removes it, suddenly conscious of the intimate setting.


Riley says he can’t deal with their situation right now. He tells Adam not to call him by his nickname, says he has friends, and declares they are finished. He hesitates at the door, looking at Adam with regret, before saying goodbye and leaving.

Chapters 1-7 Analysis

The opening chapters establish The Conflict Between Public Persona and Private Identity by situating Adam Sheppard and Riley Tuck’s history against the institutional hostility of professional sports. Adam’s inability to acknowledge his feelings for Riley during their early twenties stems from a hypermasculine hockey culture that historically demanded heterosexuality; as Adam reflects, he genuinely believed that “NHL players weren’t gay” (46). This mindset reflects the real-world climate of the NHL during the 2000s, an era defined by antigay bias in the league, keeping queer players closeted for fear of vocational and social ostracization. Adam’s rigid compartmentalization of his identity protects his public persona but inflicts severe emotional damage on Riley. When a 21-year-old Riley confesses his love after an intimate encounter, Adam dismisses it with a laugh, insisting they “aren’t like that” (10). Riley’s subsequent collapse and departure from the league demonstrate the potential mental health consequences of this dual existence. Conversely, Riley’s post-hockey life in the fictional small town of Avery River serves as a sanctuary where his private identity aligns with his public life, a reality underscored by his late father openly selling Pride merchandise.


The emotional distance between the two men is structurally mapped through their recurring use of the phrase “getting some air.” During their early years in Toronto, Adam initiates his and Riley’s secret encounters by whispering this private code. The language signifies their need to escape public scrutiny while simultaneously underscoring the shame and alcohol-fueled evasion characterizing their physical intimacy. When Adam and Riley first reunite outside the church reception, Adam inadvertently resurrects this history by claiming he “[j]ust wanted some air” (4). Although Adam means the statement literally in the present, the phrase immediately triggers Riley’s unresolved trauma over Adam’s rejection years prior. This initial exchange collapses the 12 years of silence between them, demonstrating how their shared history remains a tangible, volatile presence. What was once a mechanism for hiding becomes a flashpoint for confrontation.


Riley’s response to his father Harvey Tuck’s sudden death of Harvey Tuck introduces the theme of Grief as a Catalyst for Connection and Change. Although personally devastating for Riley,  this loss effectively ends his and Adam’s long estrangement. Adam’s arrival in Avery River is directly prompted by his ex-wife Maggie’s assertion that Riley needs support, which implies that Riley’s mourning is a disruptive force that might change the stakes of the former lovers’ established silence. When Riley first sees Adam again, his intense bereavement makes him defensive, yet it also strips away the protective emotional barriers he has maintained since leaving Toronto. His late-night visit to Adam’s motel room—where he oscillates between confrontational taunts and a quiet admission that the week has been unbearable—reveals how the disorientation of grief compels him to seek out the very person who caused his deepest heartbreak.


Riley’s emotional destabilization is physically externalized through Tuck’s sporting goods store. As a community hub, the family business represents the stable, authentic life Riley built after retiring from hockey, heavily intertwined with his father’s legacy. Following the funeral, Riley attempts to reorganize the shop but instead tears apart the displays, leaving the space in ruins. This destructive act mirrors his internal collapse; without his father, his post-hockey identity feels fractured and unmanageable. When Adam arrives to find Riley standing amid the wreckage, the dismantled shop illustrates the depth of Riley’s immediate crisis. Adam’s offer to help fix the mess serves as a literal and metaphorical gesture of reconstruction.


By utilizing the established conventions of the second-chance romance subgenre, the narrative anchors its character development in the unavoidable weight of Riley and Adam’s shared history—introducing the theme of Reckoning With the Past to Earn a Second Chance. Riley’s refusal to quickly forgive Adam subverts the easy resolutions often found in romantic arcs, insisting instead that the distortions of the characters’ twenties must be systematically dismantled. When Riley confronts Adam at the motel, he demands accountability for the pain Adam caused him, which derailed his life. This initial friction signals that any future reconciliation will require Adam to discard his evasive defense mechanisms and participate in a relationship grounded in mutual honesty, something he felt incapable of in the past.

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