The Tenant

Freida McFadden

59 pages • 1-hour read

Freida McFadden

The Tenant

Fiction | Novel | Adult | Published in 2025

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Part 3-EpilogueChapter Summaries & Analyses

Content Warning: This section of the guide includes discussion of cursing, graphic violence, and death.

Part 3, Chapter 62 Summary: “Blake”

After Blake finishes throwing up, he feels nauseous but is fairly confident the poison never got into his system. He starts to call the police, convinced that Krista will try to kill Whitney, then stops. He realizes that no one will ever believe his story, especially with how he will be tied to Mr. Zimmerly’s death. Instead, Blake calls Krista, leaving her a voice message apologizing and asking to see her. Then, he drives back to the city, hoping to get there before Whitney gets home from work.

Part 3, Chapter 63 Summary: “Krista”

Amanda comes home from work. Krista asks her about apartments and sits with her to look at them while she waits for Blake to get back. She notices that the coffee table is cluttered with magazines and mail. Underneath one pile is a knife.

Part 3, Chapter 64 Summary: “Blake”

As Blake drives, he realizes that some of the poison must have gotten into his system. He becomes more and more nauseous, his head hurts, and his vision starts to blur. He again considers calling 911, then decides that he has to try to talk to Krista. When he gets to the brownstone, however, he can’t get his key into the lock, so he rings the doorbell.

Part 3, Chapter 65 Summary: “Krista”

As Amanda continues to show Krista apartments online, Krista begins to worry about Blake. She wants him to get home just as she is killing Amanda so that he will be blamed for it.


When Krista calls her “Amanda,” she asks her not to. She admits that she doesn’t like the name “Whitney,” either, as it sounds like a “bitchy” girl (326). The comment enrages Krista, and she accuses Amanda of being ungrateful. Amanda grows uncomfortable and suggests that maybe they shouldn’t live together with everything that is going on. She gets up to leave, and Krista grabs the knife to stop her. The doorbell rings just as Krista stabs her in the stomach.

Part 3, Chapter 66 Summary: “Blake”

Krista answers the door as Blake stumbles into the apartment. She tells him that she gave him the poison from a blowfish. He apologizes for cheating on her, insisting that he still loves her. However, when he sees that Whitney has been stabbed, he realizes that he’s not going to change her mind.


As Blake falls to the floor, he looks up and sees Krista standing over him. However, she then falls to the ground next to him, and blood starts to pour out of her. He sees Whitney above him, holding the knife.


As Krista dies next to him, Blake is heartbroken. Despite everything, he insists that he still loves her. He tells Krista this, but she responds that he doesn’t even “know” her. He hears Whitney calling 911. He realizes that Krista is going to die, but it’s “exactly what she deserves” (333).

Part 3, Chapter 67 Summary: “Krista”

As Krista dies, she thinks of how she should have stabbed Amanda again and given Blake more poison. She realizes that her “mother was right” and that she would “never live happily ever after” (334).

Part 3, Chapter 68 Summary: “Blake”

One week later, Blake is released from the hospital. Although there was no antidote, he did not have enough poison in his system to kill him. He spent several days intubated to get through it. His father came out for a few days, but when he knew Blake would survive, he went home to be at his store.


Now, Amanda picks Blake up from the hospital, as he has no one else to call. She has told him her whole story, and they have become close, especially since Blake is grateful that she saved his life.


In the taxi, Amanda tells Blake that she is packing to move in with a friend. However, Blake insists that she continue to rent the room from him.


Krista became famous after they discovered her real identity. After her death, they discovered that she killed many people over the last several years. As Blake thinks about her, he realizes that she was a “monster,” but he still misses her.

Epilogue Summary: “Blake: Four Months Later”

Blake has put the brownstone on the market. Amanda is going to stay behind and facilitate the sale while he moves to Cleveland to take over his father’s store. He is extremely grateful for Amanda’s friendship, as it has allowed them both to begin to heal from what Krista did.


Blake made some money from doing a few interviews about Krista. However, it made him feel uncomfortable, so he stopped. He also turned down a book deal.


As he says goodbye to Amanda, he tells her that he can lend her money if she needs it. However, she insists that with the publicity from the murders, she has enough money to begin paying back the loan shark and getting back her old identity.


The narrative’s point of view then shifts to Amanda.


After Blake leaves, she thinks about what a good person he is and how much she will miss him. However, she also realizes that he would hate her if he knew the truth about her.


A month before Krista died, a man waited for her at the diner to talk to her after work. He introduced himself as Frank Gallo. He said that her debts—which were actually from gambling—would be paid off if she did something for him. He told her that the woman she was living with killed his nephew Jordan years before. He promised Amanda that if she killed Krista, he would ensure that her debt was taken care of.


Now, she thinks of how everything worked out perfectly for her. She had planned to kill Krista and frame Blake, but instead, Krista took care of everything. When she killed Krista, she wasn’t “saving Blake’s life,” but instead, was “saving [her] own” (344).

Part 3-Epilogue Analysis

After exploring the psychologies of both Blake and Krista through their perspectives, McFadden brings the text to a climax in Blake’s apartment. The stakes are set, as either Blake or Krista will be convicted of the murder of Mr. Zimmerly and Amanda, heightening the tension during their final showdown. Moral ambiguity is central to both of their characters and is emphasized in the climax of the text. Blake has been unfaithful to Krista while also repeatedly refusing to call the police, hiding Stacie’s death, and withholding information about Mr. Zimmerly. At the same time, Krista has committed multiple murders and orchestrated the demises of both Blake and Amanda. While Krista’s actions are worse, both characters have a level of moral ambiguity. With this representation, McFadden creates a narrative that resists the binary of hero and villain, complicating and subverting the often clear-cut lines of the mystery and thriller genre.


This ambiguity extends to their relationship as well, in which anger and even hatred exist alongside love. This is best emphasized by Blake’s final moments with Krista as she dies. He frantically tells Amanda to perform CPR, while grabbing Krista’s hand and insisting, “I know who you are, and I love you. Please…” (333). Later, when the narrative shifts to the future, Blake admits that he still misses and loves Krista—even though she was a “monster.” This internal conflict that Blake faces emphasizes The Importance of Human Connection, developing the theme from a different perspective. Despite everything that he has been through, he still values the life that he built with Krista and cares for her, as her death creates further isolation in his life. As with the individual characters’ development, McFadden subverts convention and avoids easy categorization of Blake and Krista’s relationship.


In the final moments of the text, Blake’s character has changed from someone who values money to someone who desires to live a simpler life based on human connection, concluding both his character arc and the theme of The Hollow Signs of Success. While he started the novel fixated on his job, his social status, and money, he now begins to understand the value of living a simple, happy life. His decision to return to Cleveland and take over his father’s business reflects this change. He has spent his life trying to separate himself from his father—insisting that he wanted a “better” life; now, he recognizes that he has spent his life valuing the wrong things.


The revelation that Amanda was prepared to kill Krista creates a final plot twist while adding a new layer of complexity to the moral ambiguity of The Tenant’s characters. For much of the novel, Amanda (as Whitney) is the only truly sympathetic character, as she is abused by Blake and manipulated by Krista through no fault of her own. She appeared to be an innocent bystander who became collateral damage in the battle between the spouses. However, the revelation that she escaped her old life due to gambling debts and not debt from paying for her mother’s care develops even Amanda as a morally ambiguous character, and equally as unreliable as Blake and Krista. In this way, McFadden not only creates suspense and surprise but also invites the reader to examine their understanding of morality and moral ambiguity.


Despite everything that Amanda and Blake have been through, the novel ends with a hopeful tone for them both, as they believe that they will be able to start their lives over. Amanda’s debt has been forgiven and, even though it required Krista’s death, she is adamant that she “was saving [her] own” life to get her old identity back (344). Similarly, Blake’s final thought is that he “can’t wait to start [his] new life” as he prepares to start over again in Cleveland (342). While both will suffer the lasting effects of the trauma they went through, their characters survive, and there is hope that they will live better lives as a result. While happiness in life may be fragile, Amanda and Blake show that it is possible to start over and rebuild anew, even after their lives are destroyed.

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