59 pages • 1-hour read
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Content Warning: This section of the guide includes discussion of illness, addiction, emotional abuse, physical abuse, child sexual abuse, graphic violence, and death.
Walter receives a call from his oncologist, who tells him that he is in remission. Walter steps outside into the world, realizing that the key to life is experiencing all it has to offer, not accomplishing specific goals. Walter realizes he never called Devlin.
Devlin and Gabrielle wake up together in their hotel room after a passionate night together. They listen to the radio play a ballad about a man who made a violin out of a woman’s dead body, presumably “The Two Sisters.” Gabrielle recognizes hints of William’s story within the music. The ballad’s chorus implies that the violin only plays one tune, and Gabrielle takes it as a lesson to be true to herself. She tells Devlin the truth about Verity, her injury in Italy, and her attempts to save her father’s reputation. Devlin thanks her for her candor. Devlin gets a message from Walter implying that he received good news, and Gabrielle tells Devlin about Walter’s cancer. They decide to return to London to check on Walter.
Gabrielle returns to her apartment to find Roger, who reveals that Gregory called him from prison to ask about the violin and to express concern about Gabrielle. He was shocked, believing Gregory was dead, and he is hurt that Gabrielle didn’t tell him the truth. Gabrielle finally confronts Roger about not believing her when she tried to tell him the truth about Max. She takes her house key back and sends him away. She texts Trudy that she’s finally ready to talk to the police about Max.
The next day, she wakes to a flirty text from Devlin and a message from an unidentified caller, stating that Gregory escaped prison.
After Verity’s mother’s death, her father developed a substance use disorder and began to emotionally abuse Verity. Verity carefully hides what actually matters to her, as her father destroys everything she truly loves. When she finds the violin in a new shipment to their antique shop, she sneaks it into her room. She doesn’t know how to play, but she loves the sensory magic of music.
Verity takes the violin to a repair shop, and on her way there, she sees a young man busking. He plays “Rhiannon” by Fleetwood Mac, and she is mesmerized. She waits until he’s finished and compliments his song choice, and he offers to teach her to play for free. Verity happily meets him the next day for their lesson. The man, Gregory Wilding, patiently teaches Verity the basics and invites her to join him and his music-loving friends for dinner. Verity happily accepts.
Verity prepares for her lesson with Gregory, but when she reaches under her bed for the violin, it’s gone. Her father drunkenly enters her room and mockingly tells her that he sold it. Verity swears to herself that she’ll learn everything about her father’s business so that she can take it from him and get her violin back.
Devlin returns home from a night shift and eats the breakfast Walter made him. Walter heads to his salsa dance class in hopes of seeing the mystery woman again. When he leaves his apartment, he finds a stunning woman, Verity, waiting for him. She points a gun at Walter and demands that he get in the car. Walter sees a van further down with the two bikers inside. Verity knocks Walter out with the butt of the gun.
Gabrielle goes to Walter’s apartment to see Devlin. When she enters, she finds Gregory, his prison friend Derrick, and Devlin restraining the two bikers. Walter’s apartment is destroyed. Gregory tells Gabrielle that he sent Roger to get the violin in order to keep her safe from Verity. He apologizes for not protecting Gabrielle from Max.
Verity enters, holding Walter at gunpoint. She demands the violin, saying that it is a “key [that] unlocks something within” (382). Walter tells them not to give up the violin because he has terminal cancer and will die regardless. Devlin gives Verity the violin because it has already opened the door to a new life for Devlin, Gabrielle, and Walter. He pushes it into Verity’s arms, and she drops the gun. It fires, and Gregory jumps in front of Gabrielle to shield her. The bullet hits him. The bikers flee, and Devlin calls an ambulance. Verity takes the violin out of its case and shrieks as it disintegrates in her hands.
Gabrielle holds Gregory’s hand in the hospital as he wakes up from surgery. He apologizes again for not protecting Gabrielle from Max, and Gabrielle forgives him.
Verity escapes and flies back to Canada. As she sits silently on the plane, she realizes that though she lost the violin, it gave her a new life and served as a guiding force. She overcame poverty and her father’s cruelty to build a meaningful existence. She resolves to move forward.
Gabrielle teaches violin, and she and her students prepare for their first recital. Walter and Gregory now work together as private investigators who trace lost property, and Devlin and Gabrielle nearly live together in Gabrielle’s apartment. Devlin writes lyrics and plays guitar again, rediscovering his passion for music.
Devlin and Walter support Gabrielle and her students at their first performance. Roger attends and apologizes to Gabrielle for not helping her when Max abused her. He promises to testify on her behalf to the police. Trudy also shows up, and Walter recognizes her as the mystery woman from his salsa class. Devlin and Gabrielle see the chemistry between them, and Devlin suggests they all get dinner together. Everyone agrees.
Both of Clara’s lives, her human life and her life as the violin, flash before her eyes as Gabrielle plays “Bellezza Nascosta.” The song frees Clara, and when Verity opens the violin case and sunlight touches the violin, Clara knows it’s time to return to William. The violin turns to dust, and Clara stands on the riverbank again, with William on the other side, as young and strong as when they first met. Clara must only step across the stones to reach him. She counts to three.
The final chapters of The Violin Maker’s Secret tie together the thematic threads, character arcs, and central mystery of the novel. Gabrielle and Devlin discover the truth of the violin’s backstory through the hidden message of “Bellezza Nascosta,” adding narrative texture to the theme of Finding One’s Voice Through Music. The music unlocks Gabrielle’s understanding of the violin’s provenance and lets Clara’s consciousness begin its journey out of the violin and toward a reunion in the afterlife with William. Though the magic of the violin seems impossible, Gabrielle realizes that even the impossible can be true as she listens to “The Two Sisters” on the radio after the concert, thinking, “Folk ballads were often based on a grain of truth […]. Had William’s story somehow lived on in local Irish lore, and what did it mean, that she only sang one tune? Perhaps it meant that, regardless of what shape people tried to force you into, you would ultimately remain true to yourself” (357). Like “Bellezza Nascosta” guides Clara back toward William, “The Two Sisters” guides Gabrielle back toward herself. Despite the pain and shame that she once carried, Gabrielle can only remain true to herself, and remaining true to herself means returning to music. Both she and Clara have gotten their voices back through music.
Gabrielle’s return to music coincides with her decision to open up about her pain and seek justice against Max, illustrating how intertwined these two things are in her mind. She opens up to those closest to her about Max, because she comes to realize that by sharing her pain and asking for support, she can begin to move on, thinking, “She’d finally come to see that if you didn’t speak out about your pain, nobody else was going to do it for you. They either didn’t know or didn’t want to know. She had to stand up for herself now” (365). Gabrielle tried to make others see her pain once before locking it within herself, but this time, playing music unlocks it and allows her to confront it. Others can support her, but they can’t make her accept her past and choose to move forward; only Gabrielle can make that choice for herself, and the violin and “Bellezza Nascosta” help her reclaim her voice and agency.
Gabrielle isn’t the only one who gets her life back after the encounter with the violin. Devlin feels safe enough to return to music and songwriting, illustrating the theme of Healing Through Unexpected Forms of Connection. Walter also begins to move forward in a new way after his cancer goes into remission, and he realizes, “Life wasn’t about getting ahead, proving yourself, acquiring a nice house, a family, a job, taking the odd holiday. All of those things had you chasing after some kind of future happiness that never really arrived. The happiness everyone sought was here, now” (354). Walter comes to an important conclusion about life: It is important to enjoy the moments as they come. Walter’s loneliness at the start of the novel stemmed from both his lack of human connection and his feelings of inadequacy about his life’s accomplishments. The journey to identify the violin offered him authentic friendship and a reminder that life isn’t measured by the sum of his tangible successes. The novel’s core message centers on the importance of building relationships and finding joy in all experiences of life, and the completed character arcs of the three protagonists illustrate this message.



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