The Violin Maker's Secret

Evie Woods

59 pages 1-hour read

Evie Woods

The Violin Maker's Secret

Fiction | Novel | Adult | Published in 2006

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Themes

Content Warning: This section of the guide includes discussion of illness, death, mental illness, suicidal ideation, emotional abuse, physical abuse, child sexual abuse, addiction, substance use, sexual violence, and sexual harassment.

Finding One’s Voice Through Music

Art, specifically music, plays a central role in The Violin Maker’s Secret. A number of key characters throughout the novel are musicians, and their relationship with their craft shapes the novel’s events. Devlin and Gabrielle have both severed their relationships with music as a result of traumatic experiences, and as they heal from their pasts, they reconnect with music, which provides a source of solace and a way to grow and move forward into the future.


Devlin is a gifted guitarist and singer, but after the death of his girlfriend Summer, his guilt silences his voice; as he notes, “Playing the guitar had been his saviour, until the day it all stopped. But he didn’t like to think about that” (10). Devlin cannot even bear to think about his traumatic past, and music, intertwined with his memories, reminds him of it. Music once gave him a voice, but now it serves as a memento of his most painful moments. He only recovers his ability to play music when he faces his past and speaks about it to Gabrielle. Once he does, however, music again becomes a source of joy and aids his healing.


Gabrielle also has trauma around music, as Max’s abuse coincided with their violin tutoring. Gabrielle developed a wrist injury to protect herself from his escalating sexual abuse, and though the injury banished Max from her life, it also banished music. Gabrielle thinks that in her adulthood, “her love of playing had been relegated to a distant past, as though those longings in fact belonged to someone else. Someone she didn’t know anymore” (46-47). Music was the center of Gabrielle’s life, and she lost her passion because of Max’s abuse. When she tried to tell the truth about Max, no one listened, silencing her voice even further. However, as the violin enters her life, she is able to reconnect to music again and reclaim her voice. When she plays the violin, she notes, “As her entire body swooped and swayed with the notes, a mesmerising thought occurred to her…Perhaps this violin was dancing her back to life” (48). After Gabrielle performs “Bellezza Nascosta,” she finds the courage to tell the police about Max’s abuse and uses her voice to obtain justice for herself. Music offers Gabrielle an avenue to return to her lost love and to reclaim her voice.


Clara, the consciousness within the violin, also finally rediscovers her connection to music through the violin’s new owners. Her own voice was silenced years ago when her sister Ursula murdered her because of her singing. However, through the violin, Clara’s voice, instead of staying silent, becomes almost immortal. As Gabrielle plays “Bellezza Nascosta,” she realizes that “it was the story of the luthier, William, and his great love, Clara […] it began with a tune that frolicked and flirted, representing the start of their courtship. The slower adagietto was full of anguished sighs […]. A reflection of the years spent apart, living without love, always searching for the road home” (348). Paganini makes Clara’s story eternal through music, and Gabrielle’s rediscovery of the sheet music lets her perform and recover her own voice while recovering Clara’s as well. These characters’ identities are all rooted in music, and reconnecting with it helps them to speak their truths again, ending the silencing of their voices.

Longing for Change After Disappointment

The Violin Maker’s Secret focuses on Devlin, Gabrielle, and Walter, who are all disappointed in their lives at the beginning of the novel. Though the sources of their disappointments vary, they are all based on a craving for human connection. Over the course of the novel, each of these characters finds their way back to human connection, letting go of the past and moving into future relationships.


Devlin struggles to recover from his girlfriend Summer’s death, which, at the start of the novel, was “nine years, four months and seven days” ago. Devlin describes it as “a day in his life that he couldn’t permit himself to think about” (8). After her death, Devlin has created a stable life, but it doesn’t fulfill him, and his guilt over Summer’s death causes him to give up music, his passion. Without music and authentic relationships, Devlin’s life is lacking substance. However, the violin makes him hopeful again; when he holds it, he thinks, “It felt as though, after years of travelling further and further away from himself and everything he knew to be true, he was finally back home. A place that had been inside of him all along” (8). When he takes the violin, Devlin begins a journey toward a hopeful, better life.


Like Devlin, Gabrielle has given up music because of traumatic events in her life. Her rejection is so absolute that it manifests in her body: a pain in her wrist that renders her unable to play. As she starts evaluating the violin, she notices “the muscles in her wrist spasmed, reminding her of what she could no longer do. Those days were packed up along with all of her boxes from university. Chapter closed” (46). Gabrielle is disappointed over the end of her musical career, and she struggles to cope without the purpose and connection that music provided. Gabrielle both fears and yearns for the past; the trauma of Max’s abuse haunts her while the violin she once loved calls to her. Gabrielle’s encounter with the violin changes her and gives her hope. When she plays the violin, she notes “her wrist hardly hurts at all” (48). The magical violin offers a fresh start for her musical career, but it also offers her the chance to reconnect with her passion.


Walter’s disappointment stems from his loneliness in the wake of his retirement. He yearns for human connection, and as he forges friendships with Devlin and Gabrielle, he realizes he also wants a romance. He clearly sees Devlin and Gabrielle falling in love, thinking, “They shared a smile. Two lonely hearts recognising each other. Walter always believed it was a numbers game—you were bound to end up with somebody. It was pure maths. Just his luck though—he seemed to be an odd number” (182). With the formation of new friendships and the journey to discover the violin’s origins, Walter is able to open himself up to new experiences, leading to his meeting with Trudy. Like Devlin and Gabriel, the violin opens new paths in his life that give him hope, as the power of music and the human connection it spurs offer all three characters revitalized lives and love.

Healing Through Unexpected Forms of Connection

Each protagonist in The Violin-Maker’s Secret carries a heavy emotional weight: Devlin feels guilt for the death of his girlfriend Summer; Gabrielle struggles to process the trauma of her violin tutor’s abuse; and Walter faces a terminal illness alone. Throughout the novel, however, they are drawn together, and each character heals through their connections with the others. With their stories, the novel illustrates how healing can happen through the power of human connection.


As the novel begins, each character believes that their loneliness is unique, which makes them feel even more isolated. When Devlin reaches out to Walter for help with the violin, he worries that Walter doesn’t recognize him, thinking, “[He] had made an assumption that now felt ridiculous. He thought his old history teacher would still (how embarrassing was this) care about him. But now he’d left him standing on the threshold, like a stranger” (19). Devlin hasn’t seen Walter since his school days over a decade ago, but he remembers the positive impact Walter had on his life; the teacher encouraged him to embrace his curiosity and comforted him when he didn’t fit in with the other pupils. Although Devlin assumes that Walter meant more to him than he meant to Walter, in reality, Devlin’s decision to reach out saves Walter’s life. He arrives in time to help Walter reconsider his decision to die by suicide, and the very act of reaching out reminds Walter of what life has to offer. Devlin’s decision to seek Walter out offers them both a chance to heal from their pasts.


Just as Devlin offers healing to Walter, he also helps Gabrielle see that she’s not broken or unlovable. At the start of the novel, Gabrielle believes she’s incapable of romantic love, thinking, “Romance, to her cynical and mortally wounded soul, was dead. There was an ever-growing part of her that felt sure she was born in the wrong time” (26). Gabrielle doesn’t think she can have love in her life because of the weight of her trauma, but Devlin helps her realize that even people who have been hurt can love again. Devlin provides a steady presence alongside Gabrielle on her journey toward self-love, and their friendship and eventual romance aid Gabrielle in healing from her traumatic past.


Devlin’s act of reaching out to Walter and Gabrielle helps them find healing through human connection, but it also helps him in his own healing. He realizes, less than halfway through the novel, that Gabrielle and Walter have “become two of the most important people in his life” (215). The relationships that Devlin builds help move him forward out of his unhappy life by offering him true acceptance, which he hadn’t found before in a relationship. He struggled to make friends at school, none of his past girlfriends truly understood him, and he’s struggled to connect with anyone in his adult life. Now, he has an authentic connection with Walter and a real romance with Gabrielle, both built on emotional intimacy and shared experience. Devlin feels safe, and when he sees the murmuration of starlings at Starling Estate, he tells Gabrielle that the birds are protecting each other, realizing that “[m]aybe that’s what he, Walter and Gabrielle were trying to do. Protect each other” (336). Devlin, Gabrielle, and Walter find healing, safety, and protection in their relationships with each other, forming the emotional bedrock of the novel and illustrating how connection spurs both healing and growth.

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