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Content Warning: This section of the guide includes discussion of death and child death.
In the Catacombs, Cassidy and Jacob enter the Veil and begin a game of hide-and-seek to draw out the elusive Thomas. While Jacob counts aloud, Cassidy hides from view. Thomas appears, curious about the game he hears being played. When he turns to leave, curiosity assuaged, Cassidy surreptitiously follows him. Once he curls up in a tiny alcove, she confronts him. Thomas becomes enraged. His expression reflects a sense of betrayal and a belief that Cassidy cheated at the game. Cassidy tries to show him photographs of him and Richard, but he won’t look at them. He slams his hand against the walls of bones, making them shake and tremble. Spirits pour through the cracks in the walls like smoke and then solidify around Cassidy. She uses her camera flash to startle them, giving her just enough time to turn and run.
Jacob finds Cassidy as she’s running from the horde of angry ghosts. He helps her fight off an attacking spirit who wears a hat just like the one Richard has on in the photos of him and Thomas. Cassidy takes the ghost’s hat and coat before sending him on, with a new plan to have Jacob impersonate Richard. She hides atop a wall of bones while Jacob, in the guise of Richard, calls out to Thomas. When the poltergeist shows up, Jacob leads him along a path where Cassidy has left a trail of photographs on the ground. Thomas picks them up and looks at them. As each photo sparks recognition and memory, the red glow surrounding him dims. At the tunnel’s dead end, Thomas says Richard’s name and reaches for the hand Jacob offers. However, Cassidy, who has been crawling along the top of the wall to keep them in sight, accidentally makes a loud noise that snaps Thomas out of his memories. Cassidy falls off the wall and into a stack of rotting bones. They give way beneath her, and she falls into darkness.
While Cassidy is stuck in a pit of bones, Jacob fights to hold Thomas back so that he can’t attack her. Cassidy finds that she can’t climb out of the pit, so she slams her shoulder into the side of it, causing the bones around her to topple. She makes her way to Jacob and Thomas, but she isn’t sure what to do next; she’s tried everything, and Thomas still hasn’t recognized what he is. Jacob has an idea, though. He says, “C’est finit”—meaning “It’s over”— which was the last thing Richard called out in the Catacombs when he couldn’t find Thomas. Thomas repeats the words, and then his red light dims and finally goes out. Cassidy uses her mirror pendant and incantation to send him on. Then, she and Jacob exit the Veil, find her parents—who only lightly scold her for falling behind—and leave the Catacombs.
Back at the hotel, Cassidy’s parents review the new Catacombs footage and say that it turned out even better than before. Jacob seems bothered by something, but Cassidy doesn’t want to pry and knows that he’ll tell her when he’s ready. She texts Lara to assure her that she’s okay and that the mission was successful. In the middle of the night, Cassidy thinks she sees Jacob sitting in her room and looking out the window, but later, she isn’t sure if it was real or a dream.
The next morning, Cassidy goes to Adele’s home to tell her new friend that their plan worked and that Thomas is no longer trapped as a restless spirit. Adele thanks her. When Cassidy says goodbye, Adele responds, instead, with “À bientôt,” meaning “See you soon” (138).
Before they leave Paris, Cassidy’s parents take her to see the Louvre. She feels the Veil pulling at her when they view an ancient Egyptian sarcophagus with nail marks on the inside. Mrs. Blake says that the marks mean someone was buried alive in it, and Cassidy opts not to answer the Veil’s calling.
Jacob tells Cassidy that he’s ready to reveal how he died so that if he ever starts to become like Thomas, she can help him remember the truth. His full name was Jacob Ellis Hale, and he died two and a half years ago at the age of 12. He had two brothers: Matthew, who was 16 years old, and Kit, who was seven. Kit lost his favorite toy in the river, so Jacob went in to look for it. Something hit him on the head while he was at the bottom of the river, and he drowned. At first, Jacob couldn’t leave the river; it was his Veil. That changed when he saved Cassidy from drowning. When he finishes the story, Cassidy vows to herself that she won’t ever let him forget who he is or what he means to her.
The Blakes return to the hotel a final time before heading to the airport. There, Pauline delivers the photos that her uncle developed for Cassidy. She passes along her uncle’s observation that Cassidy has a special eye for photography. The images show hints of things hidden behind the curtain of the Veil: Gray shades indicate the presence of ghosts, and the palace is traced with white from the searing fire. In a photo of Jacob, the air where he’s sitting “bends like candle smoke” (192).
While waiting at the Metro station, Cassidy sees a figure in the crowd that other people don’t seem to see. The figure has a skull mask for a face and only blackness behind it. He pulls his mask away, and Cassidy loses consciousness. When she comes to, her father says she fainted. The shadowy figure with the skull mask is gone. The Blakes board their train. As it pulls away, Cassidy feels excited to see what happens next.
Part 5 delves into the reasons for the novel’s central conflict between Cassidy and Thomas, which are also the key to resolving it. The first book in the series, City of Ghosts, looked at the lasting effects of childhood trauma. This idea, coupled with History’s Enduring Presence in Places and People, is relevant to Thomas’s character. The story of his death, revealed by Adele, underscores the fear and anguish that Thomas’s spirit must have felt after dying tragically in a place as desolate and oppressive as the Catacombs. Gradually forgetting who he was and how he died, yet remaining trapped in a world that made no sense anymore, would ostensibly have been traumatic as well. His response is characterized by anger, a sense of betrayal, and a fixation on the game he was playing when he died. The author symbolizes these effects of trauma through the red glow that emanates from Thomas’s eyes and surrounds him. The red glow fades and then disappears only when he finally achieves closure and is ready to move on from the tragedies of his past.
After the conflict with Thomas is resolved, the focus switches to Jacob’s death, and the parallels between the two boys become more apparent. Jacob’s death also traumatized him, as evidenced by his emotional reactions to the subject. Hearing his story leads Cassidy to make a decision regarding Jacob. Though there are risks to letting him stay on earth while his ghostly powers grow, understanding his trauma makes her willing to accept those risks. She is learning the complexities of ghosts’ existence, which resemble those of living people, adding depth to the thematic exploration of Fulfilling One’s True Purpose While Navigating Difficult Choices. While Jacob’s trauma adds depth to the tough choice that Cassidy faces, another aspect of his characterization illuminates her relationship with Overcoming Fear and Embodying Bravery to Address Challenges. Cassidy’s revelation that much of Jacob’s apparent fear is feigned to make her feel braver portrays his thoughtfulness and reinforces the fact that friendship can be a source of courage.
Although Tunnel of Bones’s main conflict—saving Paris from a dangerous poltergeist—is resolved by the end of the book, several plot points in Part 5 hint at what Cassidy may face in the third book of the series. In one example, Cassidy sees Jacob in the hotel room in the middle of the night. This contrasts with his usual behavior; he never sticks around at night. The implications of what this will mean for Jacob’s character arc and his relationship with Cassidy in the next book aren’t clear, but the scene piques curiosity with this detail. Another example of foreshadowing events in the next book revolves around the shadowy figure that Cassidy sees amid the Metro station crowd. Cassidy’s physical reaction to him is telling, given how attuned she’s become to the paranormal. He brings to Cassidy’s mind the thousands of skulls she saw in the Catacombs, drawing a symbolic connection between the figure and death. The scene’s position in the final chapter draws on cliffhanger conventions to indicate that Cassidy hasn’t seen the last of this threat.



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