62 pages 2-hour read

Winter Garden

Fiction | Novel | Adult | Published in 2010

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Themes

Conflict and Redemption Within Women’s Relationships

Hannah often writes about strong female characters, and Winter Garden is no exception. Within this novel, conflict and redemption emerge within women’s relationships, creating an exploration of female bonds and how they shape the lives and personalities of women.


The strongest example of conflict and redemption within women’s relationships occurs within the Whitson family and the relationships between Anya, Meredith, and Nina. These characters are very different, yet some commonalities link them together as they struggle through personal and familial conflicts. For example, Anya manages her stress by cooking and knitting. Nina does so through photography, and Meredith does chores as a distraction. However, none of the women talk, which prevents them from overcoming their conflict sooner. Meredith and Nina feel emotionally estranged from their mother, wondering why she is so cold towards them. This lack of maternal support in turn creates insecurity in their own lives, as the sisters struggle to be close even with one another.


Once they find the value of open communication, they learn that their conflict is easily resolved and overcome. Once Anya fulfills her promise to Evan to tell her daughters the fairy tale, she gradually finds it easier to tell, and by opening up to her daughters she is able to reclaim her true identity and confront her past. Anya’s story also reveals the intergenerational nature of conflict and redemption in female relationships. Her relationship with her own mother was sometimes emotionally repressed, while her mother and grandmother also had a strained connection. During the war, however, she leans on both her mother and grandmother for strength. When they both die, Vera deeply feels the loss of Mama and Baba, demonstrating how much she cared for and depended on them. In sharing these painful episodes from her past, Anya/Vera reveals how female bonds have played an important role in her own life just as they have in her daughters’ lives.  


Thus, the women overcome their conflict collectively because they work together to find the truth and heal from misunderstanding. This healing wouldn’t have been possible without relying on their relationships. Indeed, when Anya finishes her story, she realizes that “[f]rom now on, it would be their story” (370), showing that Anya recognizes her connection with her daughters and that she can now live with the past since it is something they know in common instead of being a secret. Since they overcome this conflict and find redemption together, Anya and her daughters are able to look at one another in a new light and recreate their bonds along stronger, healthier lines.

The Links Between Family and Identity

Another of the novel’s themes is how familial context and influences shape identity. Each one of the protagonists must learn to confront the issues in their familial connections in order to become more confident and settled in who they are as individuals.


The character whose identity shifts most significantly due to familial contexts is Vera, especially in response to family traumas. With Leo and Anya, Vera is a vibrant mother who shows her children love in every word and action. However, Vera loses her identity when Leo, Anya, and Sasha die. When they meet, Vera tells Evan her name is Anya and goes to America with him. This name change and erasure of original identity symbolize the character’s transition from the kind and loving Vera to the stoic and cold Anya. When Anya has Meredith and Nina, she remains cold and distant out of shame for her lost children, blaming herself for what happened to them. By sharing her story and accepting her experience in Leningrad, Anya reclaims her old identity and opens herself up to living in a more genuine and emotionally open manner once again. Anya’s restored identity strengthens further when she discovers Stacey, the daughter Anya thought was dead. Thus, Anya’s and Vera’s identities converge when Stacey meets her half sisters, showing that Anya’s identity depends on both halves of her family.


Meredith and Nina struggle to find their identity because of their broken relationship with Anya. Her mother’s rejection deeply hurts Meredith; as a balm for that hurt, she becomes a devoted mother. However, with both daughters away at college, Meredith questions who she is. She asks herself, “What if [I] hadn’t come home to run the orchard and raise [my] children? What if [I] hadn’t gotten married so young? What kind of woman could [I] have become?” (17). Meredith struggles with her identity because she defines herself through family connections—her children, her running of the family business—and yet she senses that there is something inadequate about those bonds. She questions her identity further when her father dies, leaving her to wonder what type of family they will be without him. Meredith finds her identity again once her relationship with Anya heals. By learning about her mother’s background, Meredith realizes that “[i]t was all connected […] Her life and her mother’s. They were joined, and not only by blood. By inclination, perhaps even by temperament. She was more and more sure that whatever loss had finally broken her mother—turned Vera into Anya—would have ruined Meredith, too” (323). This realization that Meredith shares much of her personality with Anya allows Meredith to understand that she, too, can be strong. Once Meredith makes this connection, she ceases to question who she is, her marriage heals, and her family comes together like never before.


Finally, Nina struggles with who she is because she refuses to understand the strength within her family. She travels the world to find a replacement for this strength, yet she can’t be truly happy and confident in her identity until she learns who her mother is and who, in turn, she is. Like Meredith, Nina is overcome by her mother’s strength. Both daughters thought Anya was cold and unfeeling, yet they learn the opposite is true. When Nina learns this, she regains her confidence and returns to photojournalism with a new perspective of the world and her family’s place within it. She photographs her mother, and that photo becomes a famous symbol of courage and loss. Nina’s ability to capture this aspect of her mother demonstrates that she acknowledges her mother’s strength and the strength she sees within herself. Thus, all three women use each other to better understand who they are, how their family fits together, and what they can gain when they love and forgive each other.

Overcoming Grief and Loss

A third theme in the novel is overcoming grief and loss. Meredith, Nina, and Anya are all affected by grief to varying degrees, and much of their character arcs develops around how they gradually learn to confront and overcome their sense of loss in a more open and healthy way.


In the beginning, the three women handle loss in unhealthy ways. Anya only talks about her past in Leningrad via a fairy tale, which her daughters initially don’t understand has a deeper meaning. While telling this story helps Anya remember her past to a small degree, she refuses to tell the whole thing or reveal the truth until Nina persuades her well into the novel. Since Anya refuses to explain the story’s meaning and make any emotional connections with her daughters, she prevents herself from healing from losing her first family. When Evan dies, Anya still tries to fight the truth, delaying her opportunity to heal from her trauma.


Similarly, Meredith and Nina struggle to overcome their grief of losing their father. Neither shows her emotions about losing Evan and doing so has serious consequences for each character. Meredith’s marriage begins to crumble because she feels she’ll fall apart if she shows any grief, which makes her seem just as cold and uncaring as Anya, as Jeff points out when he leaves her. Nina refuses to take the time to mourn her father’s death, choosing instead to go directly back to work and hide behind her camera as she has for years. It isn’t until Nina’s editor tells her that her work isn’t good that she realizes she needs to make a change. She returns to Belye Nochi, knowing she needs to heal her relationships before returning to her photography.


Anya eventually triumphs over her great loss by being brave enough to expose the truth to Meredith and Nina about the fairytale and learning to forgive herself. In doing so, she shows her daughters what she’s been through and apologizes for how she treated them. Anya also allows her daughters to comfort her, something she never allowed anyone to do previously. Meredith and Nina likewise overcome their loss by forgiving their mother for her behavior toward them once they learn her background. For example, Meredith is no longer hurt that Anya responded to her Christmas play based on the fairy tale: “Meredith saw it all through the prism of her new understanding. Of course Mom had stopped them […] The pain of that must have been awful” (375). Since both sisters see Anya differently, they can unite as a family and heal from Evan’s death. Initially, each woman had to overcome that loss independently, but as they grow and develop as characters, they learn to heal together, just as Evan wanted.

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