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Content Warning: This section discusses anti-fat bias.
Though Nickâs comment toward Will was an individual insult, it is the product of a much larger societal system of anti-fat bias that Will comes to realize shapes his world. Will realizes that both society and individual people have an anti-fat bias.
Fat activistsâa social and political group that advocates for the rights and dignity of fat peopleâsuggest using the term âanti-fat biasâ over the more popular âfatphobia.â Fat activist Aubrey Gordon explains that phobias âare real mental illnesses, and conflating them with oppressive attitudes and behaviors invites greater misunderstanding of mental illnesses and the people who have themâ (Gordon, Aubrey. âIâm a Fat Activist. I Donât Use the Word Fatphobia. Hereâs Why.â Self, 2021). Gordon defines anti-fat bias as âthe attitudes, behaviors, and social systems that specifically marginalize, exclude, underserve, and oppress fat bodies,â and importantly, the term speaks to both âindividual bigoted beliefs as well as institutional policies designed to marginalize fat peopleâ (Gordon). Since Will experiences dehumanization on an individual level from peers as well as exclusionary and marginalizing social systems, this term describes his experience.
When Nick calls Will âfatâ in the hallway, the thing that makes Will ashamed is not the revelation that he is fat, which he already knew. The way Nick framed the descriptive word as an insult teaches Will how much society hates fat people. One of the goals of fat activists is to remove the stigma from the descriptive word âfat.â American media, industry, and society depict âan ideal body type everyone should want to achieveâ that is characterized by thinness and is thus diametrically opposed to fatness (âFat is Not a Bad Word.â Within Health). Identifying âthinâ or âfatâ bodies as âidealâ or ânon-idealâ attaches subjective judgments and assessments to otherwise innocuous descriptive words. In this model, the word âfatâ becomes âsynonymous with so many undesirable traits, that fat people are undisciplined, unmotivated, unhealthy, lazy, slovenly, ugly, and stupid and so many more derogatory labels that are incredibly damaging and hurtfulâ (âFat is Not a Bad Wordâ). One way individuals can destigmatize fatness is by embracing the term âfatâ as a neutral descriptor. This is especially important because anti-fat bias in the United States has its origins in other systemic oppressions, specifically anti-Blackness.
Systemically, anti-fatness affects almost every aspect of the lives of fat people. Fat people are routinely discriminated against in hiring processes, their credibility is doubted by others in settings such as the workplace or academic environments, and physicians discriminate against them, minimizing or dismissing their pain. Additionally, their stories of sexual assault are believed less often (Whelan, Nora. âBelieving Women Means Believing the Plus-Size Ones Too.â Self, 2018). Even furniture and the building design discriminate against fat bodies. For instance, Will notices the anti-fat bias evident in the design of the desks at his school.
The novel ends with the message that Will cannot control what others think about him; he can only control what he thinks about himself. This is a positive and helpful message for youth struggling with body image. However, fat activists point out that changing the way fat people think about themselves is not sufficient to address anti-fat bias since it is the pervasive and engrained social and institutional prejudice against fat people that sits at the root of anti-fat bias. Gordon writes that âbeing called fat is insulting, at least in part, because whatever our size, we all know how fat people are treatedâ (Gordon, Aubrey. ââFatâ Isnât a Bad WordâItâs Just the Way I Describe My Body.â Self, 2021). In other words, people perceive fatness as negative because of the dehumanizing ways fat people are treated in society. While the right path for Willâa young teen boyâto navigate anti-fat bias might be to try and amend his self-image, a larger corrective about anti-fat bias is necessary on the systemic level.
While anti-fat bias is ingrained in American society, there are tools online to help people realize how they might have internalized these implicit biases. Tools like Harvard Universityâs Project Implicitâs âWeight IETâ can help people realize if they implicitly hold anti-fat beliefs. Organizations like the National Association to Advance Fat Acceptance, the Association for Size Diversity and Health, NOLOSE, and The Body Is Not an Apology provide resources for fat liberation movements.
Mixed media is an art that incorporates different media or materials in its composition. A mixed-media novel is told in different formats, especially artistic formats. Lerner often works in mixed-media genres. For instance, his book series, The Scare School Diaries, blends text, illustrations, and comic panels. A Work in Progress is written in a diary format with illustrations, prose sections, and creative use of blacked-out pages and concrete poetryâpoetry whose shape, visual, and typographical features contribute to its meaning.
Before the advent of the printing press, manuscripts were made by hand as a collaborative process between several creators. In the medieval period, depending on how much funding a manuscript project received, the creative team might include a scribe, who wrote the words; an illustrator, who drew images in the manuscript; a colorist, who added color to the images and historiated initials. The scribe, illustrator, and colorist might all be one person, or the roles could be taken in different combinations by different people. These mixed-media creations, called illuminated manuscripts, were the standard form of literary production.
With the advent of the printing press and mass production in the literary space, mixed-media literature became increasingly impractical. It was revived in the art realm in 1921 by Pablo Picasso and Georges Braque, who created mixed-media cubist collages. In the century since, mixed media has experienced a revival in art and literature. Popular contemporary mixed media novels include Jennifer Eganâs A Visit From The Goon Squad, Holly Jacksonâs A Good Girlâs Guide to Murder, Cory McCarthyâs You Are Here, Grady Hendrixâs My Best Friendâs Exorcism, and James Howeâs The Misfits.



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