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Content Warning: This section of the guide includes discussion of graphic violence and death.
After being arrested by Detective Laurent Rouzet, Agnes spends the night in a surprisingly comfortable cell. The next morning, her sister, Élise, arrives and posts bail, which she reveals was paid for by Havelock. Élise explains the police only have enough evidence to charge Agnes for possessing a minor illegal Artefact. She also warns that the city council will pass the anti-magic bylaw later that day, giving Laurent the authority to raid the shelter. When Agnes learns that Havelock has been left in charge of the cats, she grows frantic with worry. Released from custody, she and Élise hurry back to the shelter, anxious about the state in which Havelock has left it.
Agnes and Élise return to find the cat shelter in complete disarray. Cats are running loose, furniture is damaged, and Havelock is disheveled. He complains that the cats are “fiends,” though Banshee sits adoringly by his feet. Realizing the police used Agnes’s arrest as a way to target him, Havelock apologizes and then kisses her. As they discuss the imminent threat of the new bylaw, Havelock proposes fleeing the city. Agnes points out that Élise cannot leave Montréal because of Gabriel. Their conversation is cut short by a strange noise coming from Havelock’s workshop in the basement.
The group enters the workshop, where they confront Valérie, who is holding His Majesty. Valérie reveals that the cat betrayed Agnes by showing her a secret entrance into the warded workshop. Valérie’s apprentices, armed with powerful Artefacts they located using Agnes’s own cataloguing notebook, emerge from the shadows. Valérie uses her magical compass to show that Vortigern’s book is hidden on a floor below the basement workshop. However, Agnes realizes the compass is pointing up, toward the baker’s oven on the main floor; she also remembers that Banshee, who is magic-sensitive, often sleeps near there, confirming her suspicion that the Artefact may be hidden there. Valérie attacks Havelock with a necklace whose pearls transform into burrowing arrowheads; one lodges in his arm and begins burrowing toward his heart before Havelock wrenches it free. As His Majesty lunges at Havelock, Banshee attacks the traitorous cat and chases him away. While the magical battle erupts, Agnes drags Élise upstairs toward the oven.
Inside the baker’s oven, Agnes discovers Vortigern’s book. Its pages are blank, and she realizes its leaking magic is what rewinds time in the oven each night, causing pastries from the past to appear. Using an incantation Havelock once taught her, Agnes activates the book, transporting herself and Élise three years into the past to the night Havelock caused a near-apocalypse.
Agnes explains her plan: She infers she must be the person who took Vortigern’s lantern from Havelock on this night. Thus, she intends to retrieve it. Élise deduces that Agnes wants to save Havelock from Valérie, and concedes to this intention when Agnes asks Élise to trust her.
As they make their way to Mount Royal, Agnes rescues a scrawny black kitten with a deformed leg. From the cover of the woods, they watch as the past version of Havelock fights off attacks from other magicians who hope to kill him and end the magical chaos.
Havelock defeats his attackers, at one point turning an opponent’s magical horse into a giant gift-wrapped box. He then confronts Agnes, hitting Élise with a sleep spell. Agnes retaliates by throwing the rescued kitten at him; the kitten’s claws scratch his face and he trips and falls. Sensing the magic of the time-travel book on her, Havelock mistakes Agnes for Alice Vortigern. Agnes then understands that Havelock recognized her when they first met in the present because he had already encountered her here, in the past. To persuade him to give her Vortigern’s lantern, she tells him he must travel to the Fourth Fathom of the Rivenwood and invent the 12-layer spell of partitioning. Havelock gives her the lantern and departs for the Rivenwood.
As Agnes and the drowsy Élise prepare to return to their own time, Agnes runs into the past version of her deceased husband, Robin. She tells him she misses him before forcing herself to walk away.
Agnes and Élise initially struggle to use Vortigern’s book to return to their own time. The black kitten, however, discovers a “gap” in the spell within the old bakery’s proofing cabinet, creating a portal home. They tumble back into the present-day shelter, and Agnes rushes down to the smoke-filled, chaotic workshop. She gives Vortigern’s lantern to Havelock, who immediately unleashes its power. A great wave of energy erupts from the lantern, washing over the workshop and absorbing all active spells and enchantments. Valérie is left unconscious at Havelock’s feet, and the fighting stops. With the battle over, Havelock pulls a distraught Agnes into his arms to comfort her amid the wreckage.
Yannick returns and confirms that Valérie has slipped away; he is uneasy, since they cannot be certain she is no longer a danger. The lantern has permanently removed the magic of the apprentices Valérie left behind.
Meanwhile, a large crowd of supporters gathers outside the shelter to protest the anti-magic bylaw, driven by public sympathy stirred in part by Gabriel’s efforts. Élise arrives with the news that the demonstration has succeeded: Faced with overwhelming public support for the shelter, the city council has shelved the bylaw indefinitely. The public, influenced by eyewitness accounts, now sees Havelock as a hero who defended the shelter from Valérie’s attack. Havelock is horrified by his newfound positive reputation, worrying it will ruin his solitary life. With the legal threat gone, Agnes opens the shelter for business to the cheers of the crowd.
Two weeks later, the shelter is thriving, with a waitlist for adoptions and enough donations to plan an expansion. Laurent apologizes and makes amends by adopting the notoriously difficult cat, Ambulance. Agnes officially adopts the elderly cat Thoreau and the black kitten, already named Cataclysm, whom she had brought back from the past. As a gift to the cats, Havelock creates a magical illusion of tropical birds inside the shelter.
For Agnes, Havelock reveals a more personal gift: He has magically connected the shelter’s attic to an apartment in Paris. He awkwardly invites her to a Parisian café, and she accepts. Havelock climbs out of the attic window and down a fire escape. Tired of being sensible, Agnes decides to follow him, stepping through the portal and down the ladder into Paris.
Agnes’s return to the shelter briefly restores the low-stakes comfort characteristic of the cozy fantasy genre as it portrays Havelock in a comedic depiction of chaos: loose cats, shredded curtains, and the disheveled Havelock complaining that his charges are “fiends, every last one” (271). This moment highlights The Restorative Power of Domesticity by framing Agnes’s methodical, care-oriented labor as a necessary counterforce to the destructive and chaotic nature of unchecked magic. While Havelock can end the world, he cannot manage a morning feeding schedule. This contrast validates Agnes’s practical skills as a form of power in their own right, capable of creating order and safety where a great magician fails. Her immediate impulse to clean and organize the shelter, even with the threat of another arrest looming, demonstrates how domestic routine provides her with a sense of control and purpose amid overwhelming circumstances.
The confrontation with Valérie in the workshop solidifies the novel’s exploration of Ambition as Moral Corruption. Valérie’s single-minded pursuit of Vortigern’s Artefact leads her to betray her own brother, manipulate Agnes through the cat His Majesty, and weaponize Agnes’s meticulous cataloguing against its creator. Her actions reveal a complete erosion of empathy, a stark contrast to Agnes’s compassionate, community-focused goals. His Majesty’s symbolic function becomes important here; his betrayal is a manifestation of how ambition can corrupt even relationships built on care. Consequently, the battle between the loyal Banshee and His Majesty becomes a symbolic conflict between selfless devotion and self-serving ambition.
The narrative’s use of a time-travel loop elevates Agnes from a passive victim of magical intrigue to a central agent in Havelock’s backstory. The revelation that Havelock recognized her from their first meeting because of this past encounter reshapes their relationship into a fated encounter. Though their dynamic in the novel was initially shaped by conflict, they were always destined to come together and find balance in the midst of the chaos. Though this might suggest that Agnes’s success is predetermined, the structural choice to return to the past still gives Agnes ultimate narrative authority by making her actively choose to remain the architect of both Havelock’s salvation and her own. Her moving encounter with Robin forces a painful but necessary choice: She cannot change the past, but she can save the future. In walking away from him, Agnes confronts her grief directly and affirms her commitment to the new life and found family she has built with Havelock, demonstrating a deep character evolution from someone defined by loss to someone who actively shapes her present.
Following the battle, the novel examines how public perception shifts, exploring the theme of Reputation as a Mask for Vulnerability. Havelock, the feared Witch King, is horrified when the public recasts him as a local hero who defended the shelter. His frantic protest, “I refuse to be part of a neighbourhood. I will never be left alone” (336), exposes the deep-seated desire for solitude and safety hidden beneath his intimidating persona. His reputation has been a shield, and its transformation into a positive one leaves him feeling exposed and vulnerable. This public support, however, is what ultimately saves the shelter, as the city council shelves the anti-magic bylaw in the face of popular protest. This resolution reinforces the cozy fantasy ethos, where community action triumphs over bureaucratic threats. The narrative shows that reputations are social constructs, easily dismantled and rebuilt, and often obscure the complex truths of the individuals they describe.
The final chapters resolve the central conflicts by fully integrating Havelock’s magic into the domestic sphere of the shelter. His gifts to the cats and Agnes signal his transformation from a reclusive, self-interested magician to an active member of Agnes’s caring community. By using his immense power for joy and connection rather than defense or destruction, he demonstrates the ultimate triumph of the restorative power of domesticity. He explains the birds are for the cats because “Everyone needs a purpose in life, and why should they be any different?” (346), an ethos learned directly from observing Agnes. The portal attic, a fantastical extension of the secret doorways that led to Prohibition-era speakeasys and romantic getaways, offers Agnes a future that honors both her practical responsibilities and a newfound sense of adventure. In choosing to step through the window into Paris, Agnes fully embraces a life where the mundane and the magical are intertwined, moving beyond the constraints of her past grief and toward a future she is creating with Havelock.



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