Summaries & Analyses
Quizzes
Reading Tools
Content Warning: This section of the guide discusses death, violence, sexual content, substance use, cursing, emotional abuse, and anti-gay bias.
An unnamed narrator stands on the shore of a lake, watching a body that is floating in the water. The narrator anxiously notes that the body is not sinking fast enough.
Nellie Andersen drives to the local swimming hole, where a crowd of teenagers has gathered to party. She is irritated to see that Jane Swift, another teenage girl, is there and dancing in the crowd. Jane has recently moved to town with her family even though the school year is about to end. Nellie resents Jane for being pretty and charismatic.
Nellie is aware that no one genuinely likes her, but since her family is wealthy and influential, “people basically have to be friends with [her]” (5). Nellie is also perplexed that Jane is rapidly making friends and becoming popular, since her family is not wealthy. They live on an isolated farm, and her father works as a furniture maker.
Nellie notices that her boyfriend, Dustin, seems intrigued by Jane. Nellie doesn’t like Dustin very much, but the two of them maintain the relationship because it benefits both of their social statuses.
In her beautiful and expensive home, Nellie’s mother Charleigh waits for her friend Jackson to arrive. Jackson is an interior decorator and is going to help Charleigh set up for a party she is throwing later that day. Charleigh is anxious and irritated about the party because she doesn’t like most of the guests who will be attending, but knows that her reputation and social status rest on maintaining friendships with the other wealthy women in town.
Charleigh grew up poor but married Nellie’s father, Alexander Andersen, who is handsome and rich. She and Alexander remain deeply attracted to one another, but Charleigh is sometimes frustrated that her husband doesn’t appreciate how hard she works to maintain social appearances.
Jane reflects on how being pleasant and good-natured allows her to easily win people over. Before moving to Longview—the small Texas town where Jane and Nellie both live—Jane’s family lived in Dallas. Jane was happy to leave the crowded city behind, although she thinks longingly about someone named Luke, whom she left behind there.
Jane contemplates her family dynamics: She lives with her parents and her two sisters, Julia and Molly. Jane adores her father but is resentful of her mother. Jane is irritated with her mother’s traditional values and reflects, “I don’t want to be anything like her when I’m older” (16).
As Charleigh continues to wait for Jackson, she thinks back to a recent conversation with Nellie. Nellie came home in tears and complained about Jane. Charleigh reassured her daughter, “whoever this little Jane bitch is, I’ll take care of her” (19).
When Jackson arrives at the house, Nellie watches disdainfully as he interacts with her mother. Nellie judges Charleigh for flirting shamelessly with him.
Nellie thinks unhappily about the social dynamics amongst the teens in the town. Blair Chambers is the most popular girl in the town. Nellie and Blair were good friends when they were very young, but Blair ended the friendship. A few months later, at a birthday party, Nellie pushed Blair down some steps; the latter broke her leg. Charleigh defended Nellie against accusations from Blair’s mothers, which taught Nellie that Charleigh will always side with her. Nellie relies on her mother’s meddling to ensure she isn’t excluded, although she also knows that none of the other teens like her. Nellie feels disdain and disgust towards her mother, even as she relies on Charleigh to ensure her popularity.
Jackson drives away from the Andersen house, feeling mixed emotions. He likes and trusts Charleigh, as she is the only person who knows that he is gay. However, he is sometimes frustrated by how possessive and demanding she can be. He finds it irritating when Charleigh complains despite her many privileges. Jackson also thinks that Charleigh spoils Nellie and is raising her to be entitled and arrogant.
Jackson thinks about the trust and vulnerability that he and Charleigh share: She has shown him the impoverished neighborhood where she grew up, and he muses that they share a close bond because they both fear rejection.
The unnamed narrator watches the body in the lake, which has still not sunk out of view. The narrator feels increasingly alarmed, since “it’s not like I thought any of this through beforehand […] I just snapped” (31).
The gathering at Charleigh’s home has concluded; it is now late at night, and the guests have left. As she waits for her husband to come home, she thinks about their relationship with satisfaction. She and Alexander have had strong chemistry since they met as college students and continue to have an active sex life.
Her thoughts drift to the party earlier that evening. Charleigh took advantage of having a group of women gathered in her home to ask them about the Swift family (Jane’s family). Some of the women commented on Jane’s father being extremely attractive, while others talked about Jane’s mother, Abigail Swift, making “love potions” and homemade concoctions for weight loss.
Blair’s mother, Monica Chambers, commented with satisfaction on Blair befriending Jane. The relationship between Monica and Charleigh is tense, just as it is between their daughters. Decades earlier, Monica bullied Charleigh during middle school and high school. Charleigh learned that the Swifts live on an isolated farm on Seven Pines Road.
As Jane completes chores on her family’s homestead, she thinks back to an argument with her sister Julia the previous night. Jane was in a good mood after enjoying her time at the swimming hole, and mentioned that Julia should come with her sometime. Julia responded with cruelty, telling her sister, “[Y]ou just look slutty. And desperate” (40).
Jane thinks with sadness about how her relationship with her sister has become strained for unexplained reasons; she also thinks longingly about Luke. Jane has never minded that her family moves frequently, but she is sad that she has been parted from Luke. Jane thinks about Luke’s promise to take her to New York someday, and plans to call him from a payphone at the local gas station.
Nellie reflects on how she has always felt different from her peers. She has a history of displaying cruelty to other children, but her mother has always protected her from any consequences. Nellie feels much closer to her father but wonders resentfully if she has inherited her dark and manipulative tendencies from her mother.
Jane continues to daydream about Luke. Her 18th birthday is a few weeks away, and she hopes Luke will take the opportunity to visit her. Jane admires Luke’s interest in poetry and literature; despite being homeschooled, Jane’s father has always encouraged her to read widely.
Jane has dreams of seeing the world and potentially being a songwriter or musician. She knows that Julia also has ambitions and would like to attend college and become a teacher. Jane thinks regretfully about the loss of closeness between herself and her sister. She keeps her romantic relationship with Luke a secret from her family.
Charleigh drives towards the Swift homestead. Driving through the impoverished and rural area where she grew up brings back unwelcome memories. Charleigh grew up with emotionally abusive parents who drank heavily and neglected her. Once Charleigh married Alexander and began a new, privileged life, she lost touch with her family. They also did not bond with their granddaughter when Nellie was born.
When Charleigh arrives at the farm, there is no one around. She notes that, while simple, the property is well-maintained and inviting. Charleigh wanders into one of the outbuildings, which Abigail uses to sell her tonics and potions. Charleigh is surprised to find Abigail warm and cheerful; Charleigh doesn’t understand how the latter can be seemingly satisfied with such a modest and rustic life.
Abigail gives Charleigh a tour of the farm and talks about how much she enjoys being a wife and mother, which irritates Charleigh. Abigail is 36, and Julia, her eldest daughter, is 18. The youngest Swift daughter, Molly, is only a toddler. When Charleigh brings up having a daughter who is the same age as Jane, Abigail doesn’t recall Jane ever having mentioned Nellie.
Eventually, Abigail’s husband Ethan Swift comes home. Charleigh notices that he is very handsome and becomes even more irritated with Abigail. Abigail hints that it is time for Charleigh to leave, and she departs the farm in confusion, after having mentioned to Ethan that Jackson works as her decorator.
Jane rides her horse to the nearest gas station and convenience store. The teenage boy who works there, Denny, is interested in Julia and frequently asks about her. Jane is happy that there is a boy who is interested in her sister because she is prettier and more popular than Julia, and she knows this exacerbates the tension between them.
Jane phones Luke and mentions the idea of him visiting to celebrate her upcoming birthday. She is particularly excited about this plan because Jane and Luke have never had sex, but she is considering doing so once she turns 18.
As Jane rides home, a car pulls up beside her and then accelerates abruptly, causing her horse to spook. Jane falls.
The narrative from Nellie’s point of view reveals that Nellie was driving on the highway when she caught sight of Jane on her horse. She drove close by to scare her, and then lost interest and accelerated away.
Jackson waits for Charleigh at a local bar; she phoned him eager to gossip about her visit to the Swift farm, and he reluctantly agreed to meet. Jackson sometimes feels frustrated by Charleigh’s demanding and entitled nature.
Jackson reflects on his ambivalence about living in a small town. He grew up in cities and dreamed of starting his own design business. However, despite being from a wealthy family, his mother refused to give him access to any money unless he married. As a small town, Longview allows him to own an affordable home and have access to wealthy clients for his design work. Nonetheless, Jackson dreams of moving to San Francisco, especially since he would like to live somewhere with a gay community and where he would be more likely to meet a partner.
Charleigh arrives and begins avidly gossiping about Abigail Swift. She concludes that she can tell why Nellie hates Jane. Charleigh also mentions that Ethan Swift is extremely handsome, and that he makes custom furniture.
After falling from her horse, Jane’s leg is injured. Since her horse has run off, she begins limping towards home and eventually sees Ethan driving towards her. When he picks her up, Ethan explains that he became alarmed when the horse returned home without Jane.
When Jane arrives home, her mother and sister treat her injuries. Jane complains about not having access to a doctor or being able to drive a car, which leads to an argument between her and Abigail.
Despite her injury, Jane gets ready to attend a party taking place that night. Blair is coming to pick her up. Abigail disapproves of Jane’s outfit and makeup. Blair briefly comes inside to meet Jane’s family, but Jane hurries her out.
The Prologue and short interstitial immediately introduce a menacing and foreboding tone into the novel. The lack of pronouns or identifying details leaves it unclear who has been murdered and who has committed the crime. These interruptions transform the primary plot—which unfolds in a linear, chronological fashion—into a tense unspooling of conflicts and render everyone a potential suspect or victim. The presence of multiple, intersecting interpersonal conflicts sets the stage for the mystery surrounding the circumstances leading up to the central crime.
The first-person narration from the perpetrator of the murder reveals their lack of remorse: They are focused on concealing the body, rather than expressing regret for what they have done. However, the body that refuses to sink becomes a visible emblem that introduces the theme of The Damaging Effects of Secrecy. While the context around the crime is not yet clear, the perpetrator is already struggling with the reality that it is not easy to conceal a dark secret.
The context of an impending murder heightens the tense social dynamics that run in parallel between the worlds of teenagers and adults. The small-town setting creates a close-knit, pressure-cooker atmosphere where everyone knows everyone else and any change in the social dynamics is immediately cause for discussion. The arrival of newcomers is often used as a narrative device to introduce conflict and set a plot in motion, especially when those newcomers enter an otherwise closed community. The arrival of the Swift family disrupts social dynamics within Longview, notably among the teenagers. Nellie knows that her limited social capital is precarious and hard-won; her mother ensures that the other teens tolerate her, but no one genuinely likes her. When Jane effortlessly wins over others, Nellie becomes resentful and jealous.
Jane and Nellie are positioned as foils and rivals long before they actively begin feuding over Luke. The first time Nellie sees Jane, she observes that the latter “walked with this strut of confidence that pissed me off” (5). Nellie and Charleigh both define themselves according to their wealth and social status and cannot understand how someone could feel self-assured and confident while lacking material privilege. Nellie’s dislike of Jane is closely paralleled by the antagonism that emerges between Charleigh and Abigail, creating two multigenerational sets of foil characters.
When Charleigh goes to the farm, she is taken aback by Abigail’s seemingly serene existence. She perceives Abigail as self-righteous and smug, and is both infuriated and threatened by Abigail’s performance of her role as wife and mother. When Charleigh watches Abigail breastfeed, she interprets this as an act of competition and aggression, imagining that Abigail is silently taunting her: “[T]his act is making me more powerful than you, no matter how much money you have” (66). An act of maternal nurturing becomes a site of competition between the two women, revealing how different modes of femininity are weaponized within the novel.
While the Swifts’ farmstead lifestyle rankles Charleigh, it also serves as a façade for discord and tension, introducing The Deceptive Nature of Appearances. Jane is reaching an age where she longs for independence and concludes that, “when I was little, dyeing my own clothes and canning fruit was fun. Now it’s just humiliating” (14). Jane distrusts and resents her mother and declares, “I don’t want to be anything like her when I’m older” (16). While they act as antagonists to one another, Jane and Nellie share similar family dynamics: They resent and dislike their mothers, while initially idolizing their fathers. Ironically, although Charleigh and Abigail perform motherhood in such different ways, both must contend with teenage daughters who view them with contempt rather than gratitude or empathy. Nellie expresses disgust towards Charleigh, claiming, “she’s simple in her thinking, while I’m complex. And I resent her for it” (24). Nellie’s insecurity in the wake of her mother’s physical beauty also reflects the impact of appearances on social capital, as Nellie knows that she will never have access to this source of power.
On the cusp of adulthood and independence, Jane and Nellie define their future aspirations by contrasting themselves against their mothers. Jane’s casual comment, “I don’t have some messed-up Electra complex” (16), alludes to the Classical figure of Electra, who killed her mother, Clytemnestra, in revenge after the latter killed Electra’s father. The allusion foreshadows the complex loyalties young women can hold if their parents’ relationships become fractured, and hints at the eventual violence that will erupt between Nellie and Charleigh. Jane’s hopes for a different future are rooted in her creativity and sensitivity; she loves music and literature, and her father has nurtured these interests, which reinforces her loyalty to him. Jane recalls how, “I love poetry most, the way the words lock together, the way a whole story can be told in a single stanza” (51).
Alongside the fraught mother-daughter dynamics and the emerging rivalry between Nellie and Jane, Jackson and Charleigh’s friendship is an important plot thread that speaks to The Lasting Impacts of Familial Trauma. They initially have a close bond based on the awareness that they could easily be ostracized and must be extremely careful who they trust. Charleigh has confided in Jackson that she grew up “poor as mud” (29) and he concludes that “the ghost of that insecure inner child still haunts [her]” (29). Jackson hides his sexual orientation from everyone in the town because he does not think he would be accepted.
Jackson’s own mother manipulates him by withholding his inheritance until he conforms to heterosexual norms, and Charleigh struggles with “brutal memories” (56) of her childhood. These experiences reveal why Jackson and Charleigh develop such a close-knit bond. Both Jackson and Charleigh feel like outsiders and cling precariously to their social capital, trusting only each other. However, the unequal power dynamic leaves Jackson vulnerable: Charleigh is his main client, and he is thus financially dependent on her.



Unlock all 62 pages of this Study Guide
Get in-depth, chapter-by-chapter summaries and analysis from our literary experts.