Beth Is Dead

Katie Bernet

53 pages 1-hour read

Katie Bernet

Beth Is Dead

Fiction | Novel | YA | Published in 2026

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Chapters 13-24Chapter Summaries & Analyses

Content Warning: This section of the guide includes discussion of child death, child sexual abuse, illness, death by suicide, and substance use.

Chapter 13 Summary: “Meg: (Now)”

Henry lives with his grandfather, Max Hummel, who has dementia. The detectives leave to talk to Max, taking Henry with them. Meg’s former boyfriend, John Brooke, shows up at the Marches’ home. Meg notices a dent in his car’s bumper. John brushes this aside but tells her that he saw Beth last night.

Chapter 14 Summary: “Jo: (Now)”

John says that Beth called him from the party, drunk and needing a ride. He drove her home and watched her go inside around 1:30 am. Jo, who’s eavesdropping, doesn’t believe him because she didn’t hear Beth come in. She thinks John, who gave Beth piano lessons for years, may have been angry about losing that job when the Marches hired someone else to help Beth prepare for an audition. John says that Beth wanted to talk to him about her fight with Amy, a fight Jo hadn’t known about. Going to confront Amy, Jo finds that the shower is running but Amy’s gone.

Chapter 15 Summary: “Amy: (Now)”

Amy sneaks out of the house to meet Laurie at the park. She’s wanted his attention for years but felt she was always in Jo’s shadow. Laurie says that he stopped things from going further the night before because they were drunk, not because he didn’t want her. When Amy refuses to tell Laurie what she and Beth fought about, he suggests that they give each other some space for now.

Chapter 16 Summary: “Amy: (Then)”

Beth is practicing a piano piece for an audition at Plumfield School for the Arts. Aunt March, who works at a record label in Central Park, pulled strings to get her the opportunity. Amy, whose goal is to paint professionally, is jealous and doesn’t think that Beth deserves Aunt March’s support as much as she does.


While Beth is practicing, Jo spots a recording device hidden under the piano and observes that it has been recording for 76 hours.

Chapter 17 Summary: “Jo: (Now)”

Amy’s absence causes a panic, but her sisters find her coming home from the park shortly after. Amy admits that her jealousy of Beth going to Plumfield caused their fight and that she told Beth she didn’t deserve to go. She worries that her cruel words caused Beth to jump off the bridge. Mrs. March, a trauma nurse, says Beth’s wounds indicate that someone hit her and assures Amy that she’s not to blame.

Chapter 18 Summary: “Amy: (Then)”

At an art gallery in Boston, Amy and Florence meet Fred Vaughn, the painter Amy’s been obsessed with since sixth grade. Fred tells Amy that he’s read Little Women and that she’s his favorite March sister. He invites Amy and Florence to visit his studio and to apply for his summer apprenticeship program in Europe, which has launched other young women to stardom in the art world. The program costs $20,000, but Amy hopes that Aunt March will pay for it since she’s paying for Beth to attend Plumfield.

Chapter 19 Summary: “Meg: (Now)”

Meg urges John to tell the police about driving Beth home after the New Year’s Eve party, but not to mention their conversation about Plumfield. He’d yelled at Beth a few weeks ago for considering not attending the school, accusing her of wasting a golden opportunity. Meg worries that the police will see the disagreement as motive.


That night, Meg, Jo, and Amy console each other as they question how they can go on without their sister.

Chapter 20 Summary: “Jo: (Now)”

Sallie organizes a candlelight vigil for Beth the following night. For Jo, it feels fake and performative—strangers instilling themselves into the family tragedy. She tells Meg that Sallie didn’t arrange the vigil for Beth but for herself. She wonders if Sallie isn’t merely seeking attention but trying to hide a motive or a guilty conscience.


Seeing Laurie at the vigil, Jo thinks about the tension that’s existed between them since last summer, when Laurie professed his love for her and she couldn’t reciprocate the feeling.

Chapter 21 Summary: “Meg: (Now)”

Back at home, Jo and Meg argue about Sallie, with Meg defending her best friend against Jo’s suspicions. Beth visited Meg at college once and then told Jo that she believed Sallie was taking advantage of Meg. Though Meg understands Jo’s changing theories and accusations are a way of processing grief, she needs a break from it. She heads to her apartment for clean clothes and some alone time.

Chapter 22 Summary: “Meg: (Then)”

In the fall, Meg is feeling overwhelmed at college, where she’s studying to become a women’s health professional. She’s also frustrated by her living situation with Sallie and Annie, so she goes to John’s apartment for pizza and a movie. They’ve been hanging out for weeks but are still just friends. Meg lies to John about the source of her stress, which is actually a scheme she and Sallie are involved in. Throughout the evening, she ignores frantic texts from Sallie, including one threatening to kill her if she embarrasses Sallie.

Chapter 23 Summary: “Amy: (Now)”

Amy stays home from the vigil with Florence keeping her company. She’s still afraid that Beth died because of her and sees herself as a horrible person.


Amy and Florence have been spending time in Fred Vaughn’s studio and were both accepted to his summer program. Now, however, Amy says that she’s not going. The plan is tainted by her guilt. Florence begs her to reconsider.

Chapter 24 Summary: “Jo: (Now)”

On Sunday morning, Jo decides to investigate Sallie. She sneaks into the Gardiner house through an open window while Sallie and her brother, Ned, are at church. Nobody else is home since Sallie’s parents are in Paris.


Jo is surprised to find no Jane Austen books in Sallie’s room: She’s supposed to be a huge fan, and her essay about Austen’s body of work won Harvard’s admissions essay contest. Jo does find Laurie’s letterman jacket in Sallie’s room. When Ned comes home and nearly catches Jo, she flees with the jacket.

Chapters 13-24 Analysis

Bernet uses the setting of the Marches’ neighborhood to explore class differences. When Jo sneaks into the Gardiners’ home, she notes: “A mansion like this should really have cameras, but that’s the thing about Concord—the richest families tend to be the most complacent” (139). She is drawing a clear distinction between her family and Concord’s richest families. By comparing the March sisters’ lives and homes to those of wealthy characters like Sallie and Laurie, the author demonstrates how these class differences become sources of conflict. In particular, Meg’s friendship with Sallie makes her feel pressure to adopt a lavish lifestyle, even by unethical means. As a result, Meg wages an internal battle between loyalty, temptation, and conscience.


Setting also contributes to the text’s thematic look at The Ethics of Turning Private Lives into Narrative Content. Allusions to the family cabin at Walden Pond set up a comparison between two places: the suburban sphere of their home in Concord versus the natural, off-the-grid refuge their father favors. This comparison reinforces the cabin’s association with philosopher and writer Henry David Thoreau and the values he espouses in Walden. The cabin thus comes to symbolize an antithesis of the social ills portrayed in the text, including conformity, greed, exploitative ambition, and intrusions on individuals’ privacy. These forces drive a publishing industry that prioritizes book sales over human lives and an online culture that prefers vitriolic reactions to nuance.


Beth’s opportunity to attend Plumfield creates a dilemma for her. Her inability to decide whether or not she wants to attend reflects a larger internal struggle: She doesn’t know what she wants. This is an oversimplification, however. Part of Beth’s sense that this is a problem comes from how she perceives her character in Little Women, and how she thinks others perceive her. Real transformation requires not only deciding what she wants, but also deciding why she wants it. In other words, she must recognize whether she’s choosing what she truly wants or conforming to what someone else wants.


One of Amy’s most prominent struggles, an internal battle with jealousy, is similarly intertwined with the book’s publication. She envies Jo for her hold on Laurie’s attention. She envies Beth for getting to attend Plumfield. She envies Florence’s wealth and social status. These jealousies stem, in part, from her difficulty separating her identity from the public’s perception of her. She has internalized their criticisms and come to see herself as selfish and destructive. However, part of her still wants to define herself in a more positive way and to prove to herself and the world that she’s not all bad. Though her character in Little Women receives plenty of negative attention, she feels unseen; people aren’t seeing the real Amy, only a stereotype of her worst qualities.


Fred Vaughn senses Amy’s internal conflict regarding her identity and uses it to ingratiate himself with her: “You’re unashamed. You are who you are, and I love you for that” (104). Defining herself as unashamed allows Amy to feel a sense of pride and gives her a weapon against the weighty insults of countless strangers. As the youngest sister in a family of talented and accomplished girls, Amy hasn’t yet found the thing that makes her special, that allows her to stand out and shine. Fred’s feigned admiration of her art makes her finally feel superior to her sisters, demonstrating Ambition and Jealousy Under the Pressure of Familial Roles. When Amy first meets Fred, she’s flattered by his comment that he’s read Little Women and likes her best. The implication of his familiarity with the book, for readers, is that he knows that Amy is only 15. His character illustrates how predators exploit emotional needs to manipulate young girls. This type of exploitation provides a point of comparison for the accusations of exploitation leveled against Rob’s novel, making Rob’s actions comparatively more justifiable.

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