53 pages • 1-hour read
Katie BernetA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Content Warning: This section of the guide includes discussion of child death, child sexual abuse, illness, sexual content, and sexual harassment.
Laurie tells Amy that the detectives searched his home and found evidence from the security system that he’d left after Amy passed out the night Beth died. Florence had called him for a ride home from a hotel in Boston, but she denies this to the police. Now, he and Amy go to the hotel, hoping to find evidence supporting his alibi. A maid reveals that Florence walked to the hotel from a building across the street—Fred Vaughn’s apartment.
Amy is painting at Fred’s studio when he tries to kiss her. Beth arrives early to pick her up and sees it. She warns Amy to be careful with him, but Amy becomes defensive about Fred’s intentions. Fred, suspicious, asks what they’re arguing about, and Beth says that she’s just looking out for her sister.
Sallie believes that John told police about her academic fraud and tells Meg that she’s suing him for defamation, knowing that he’ll be overwhelmed by legal fees. At Sallie’s cruel indifference toward John’s fate, Meg decides that their friendship is over and admits she confessed to the scheme.
Later, Meg notices Amy ignoring a barrage of texts. Amy says that they’re about Henry’s grandfather being back in the hospital and asks Meg to check on him there. In the hospital waiting room, Meg decides to finally read Little Women. Henry tells her that he’s read it once or twice and says that the sisters’ father deserves to be canceled.
Beth tells Henry that she’s decided to go to Plumfield. He becomes angry and says that he can’t believe she would leave him. Then, he calms down and apologizes. They agree to stay together and make the long-distance relationship work.
Meg finishes Little Women and admits to Jo that it’s a great story. She believes that readers, not the author, made them into stereotypes. Their father gave her character more depth than she’d expected, showing her positive traits as well as her flaws. Jo says that she asked their father once why Beth had to die in the story. He told her that Beth was the best of them, so her loss would stay with readers forever.
Back at school, Amy confronts Florence about New Year’s Eve. Fred lied about having a party to get Florence alone. She admits that they were intimate but insists that it was consensual; however, Amy knows that Florence had been a virgin and had never even kissed anyone prior to that.
When Florence was leaving the Gardiner party with Fred, Beth had tried to stop her. Fred heard Beth call him a creep, which Amy sees as a possible motive. She suspects that Fred may have also taken advantage of Kitty Bryant, his former protégé, so she messages Kitty on social media.
Beth joins Henry at his house to celebrate his grandfather’s birthday. Later that night, they have sex for the first time. Henry admits to being nervous, but Beth wants to go for it.
Amy learns that Fred took advantage of at least six girls, including Kitty, who are all willing to talk to the police. His summer program is merely an opportunity for him to groom and prey on vulnerable girls. She tells Jo, who realizes that she saw Fred at the candlelight vigil. Jo accuses Amy of putting Florence and Beth in danger out of selfishness and jealousy. Amy feels destroyed and wants to hurt Jo back. She finds Jo’s notebook and is shocked to realize that Jo has been turning Beth’s murder into a book manuscript.
Jo tells Detective Davis what Amy revealed about Fred, but Davis keeps shifting the conversation away from Fred to talk about Jo’s alibi. He brings up her book deal and her editor’s request for more drama and a bigger hook; he then reveals that he has her notebook. Davis accuses Jo of killing Beth for the story and says that she’ll be arrested soon.
On New Year’s Eve, Jo is contemplating how to keep her opportunity for a book deal alive. She’s interrupted by Amy and Beth, who are getting ready for the party. Beth chooses an out-of-character dress; it’s a sequin-covered attention-grabber. She’s excited to be different from her usual self. With Meg joining by phone, the four sisters express their love for each other before parting for the night.
Jo learns that Fred has an alibi for the time Beth died and comes home from the police station in despair. When Amy apologizes for giving Jo’s notebook to Detective Davis, it leads to more fighting. Amy accuses Jo of exploiting Beth’s death. Mrs. March disagrees, saying that writing is the only way that Jo can process things, just like her father. Meg observes that Rob just wanted the world to love them as he did, causing Jo to wonder if Beth’s murder wasn’t motivated by hate but by obsession. She vows to investigate this theory and find the killer.
Henry joins the March family for their Christmas Eve dinner. Beth hopes that her father will surprise them and come home for Christmas. Henry says that she should hate her father and insists that Rob isn’t coming back. He storms out during dinner, still angry about Beth going to Plumfield. As they argue, she recognizes that his actions are manipulative and selfish. She tries to break things off, but he becomes aggressive and forces her to say that they’re still together. Later, Beth doesn’t tell her family what happened with Henry because she doesn’t want them to think she’s naive or weak.
Jo finds three accounts on social media that seem obsessed with Beth’s character in Little Women. She goes to Henry’s house and asks him to help identify them by tracing the users’ IP addresses. Henry tells Jo that nobody has shown any concern for his grief over losing Beth. After agreeing to help her, he changes his mind and leaves. Jo learns from his grandfather, who confuses her with Beth, that Henry and Beth had broken up. She finds a bin in Henry’s room with every book her father has written, including a well-read copy of Little Women.
When Meg finally reads Little Women, her observations about its characters mark an important distinction between stereotype and identity. The March sisters have struggled to reconcile their sense of self with their perception of how the book portrays them. Meg, in particular, drew conclusions about this portrayal without reading the book, which serves Bernet’s social commentary about knee-jerk criticism from those who have not thoughtfully examined their convictions or the subject they are criticizing. Meg’s realization about the book’s readers stereotyping her character suggests that it is not merely authors who must grapple with the ethics of portraying real-life people. Readers also bear some responsibility for how they interpret a text; that is, in ways that perpetuate stereotypes, or in ways that respect the individuality of the person behind the character.
The novel itself takes pains to avoid stereotype, even in its structural choices. For example, the chapter in which Henry admits to being nervous about sex with Beth—and lets her take the lead—occurs right between the chapter about Fred taking advantage of Florence and the chapter revealing that Fred molested six other girls. This juxtaposition emphasizes a contrast between Fred and Henry. Next to a sexual predator like Fred, Henry seems innocent and gentle. Fittingly for the genre, this is somewhat misleading—a very subtle red herring.
Detective Davis’s theory that Jo killed Beth for the story develops the theme of The Ethics of Turning Private Lives into Narrative Content. His logic mirrors Amy’s when she notes, “Jo staged a break-in for the sake of her fame. What else was she willing to do?” (287). To them, exploiting private lives for content is prioritizing personal gain over the rights of others. They have a “slippery-slope” mentality toward it, which assumes an inevitable connection between two very different actions—in Jo’s case, lying about a break-in versus murdering her sister. The fact that Amy and Davis are wrong warns against paranoia and exaggeration when drawing conclusions about someone’s intentions or character.
The scene in which the four sisters are together before the New Year’s Eve party ends with them affirming their love for each other. It’s one of several reprieves from the scenes in which they treat each other with jealousy, resentment, and condemnation. By weaving depictions of familial love and support into the narrative, Bernet creates balance in the mood and tone of the story. These scenes also present family love and support as a means of coping with trauma and grief.
Writing is also presented as a possible response to trauma and grief. Mrs. March reveals what she believes to be Rob’s reason for ending Little Women with Beth’s death: “That car accident stunned him to his core. We thought we could lose Beth that day, and he couldn’t get past the terror until he wrote it out of his head” (302). She notes this while defending Jo’s decision to write about Beth’s murder, yet the fact that Rob chose not only to write about the car accident but also to share his work with the public introduces additional ethical ambiguity to the situation. As an activity that is both individual and social, writing is thus central to the novel’s exploration of The Tension Between Personal Grief and Public Performance.



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