Beth Is Dead

Katie Bernet

53 pages 1-hour read

Katie Bernet

Beth Is Dead

Fiction | Novel | YA | Published in 2026

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Chapters 25-37Chapter Summaries & Analyses

Content Warning: This section of the guide includes discussion of addiction, child death, death by suicide, illness, and substance use.

Chapter 25 Summary: “Jo: (Then)”

In Jo’s freshman year of high school, she’s invited to attend Sallie’s New Year’s Eve party for the first time. Meg thinks that Jo should be thrilled since she doesn’t really have friends or a social life. Jo meets Laurie—a sports nickname, he explains—at the party. The two hit it off. Laurie tears the sleeve of his letterman jacket attempting a cartwheel on the dance floor at Joe’s urging.

Chapter 26 Summary: “Jo: (Now)”

Jo wonders why Laurie would lie to her about going to this year’s New Year’s Eve party. Amy points out that Jo and Laurie aren’t as close as they used to be. Jo shares her suspicions about Sallie with Amy, and they decide to ask Henry to help them hack Sallie’s computer. He’s able to access Sallie’s Google Drive, where they find the Jane Austen essay she submitted to Harvard. The revisions history shows evidence of a second author.

Chapter 27 Summary: “Meg: (Then)”

Meg is helping Sallie with her college admissions essay, but it’s getting worse with every draft. She helps Sallie come up with a more personal topic about her mother, a literature professor and Harvard alum, and then suggests that she tie this to the themes of Jane Austen’s novels. It’s Meg, not Sallie, who loves Austen and English literature, but she doesn’t want to follow in her father’s footsteps.

Chapter 28 Summary: “Meg: (Now)”

Amy and Jo confront Meg, and she admits that she’s been doing Sallie’s coursework for two years. She needs the money Sallie pays her to keep up with her peer group’s lavish lifestyle. She also helps with bills at home since Rob donated his book advance in an effort to regain the public’s goodwill. Now, they learn from Sallie’s brother that she’s missing. Jo wants to tell the police her theory that Beth knew about the cheating and that Sallie killed her to keep her quiet. They’re at the police station when Detectives Davis and Kirke arrive, having arrested John Brooke.


Jo and Amy quickly switch their suspicions from Sallie to John, which angers Meg. She tells the detectives about her scheme with Sallie, but Kirke says that Sallie’s alibi for the time Beth died is corroborated by video evidence. Kirke also says that they have evidence placing John at the scene of the crime.

Chapter 29 Summary: “Jo: (Now)”

Jo and Meg spy on a conversation between Mrs. March and Detective Kirke and learn that Mrs. March told Rob that if he left, he couldn’t come back. He hasn’t returned calls from her or the police. Jo feels sure that he doesn’t know Beth was killed, or he would have come home. Later, the sisters and their mother have an honest conversation about Rob’s choices and their feelings about them. Jo vows to find her father.

Chapter 30 Summary: “Beth: (Then)”

Beth has been dating Henry for a month and a half. They’re in love and talking about a future together. She goes with Henry to the hospital after his grandfather has a heart attack. There, Henry tells Beth about his mother dying by overdose and his fear that it was intentional.

Chapter 31 Summary: “Jo: (Now)”

The night before the March sisters will return to school—their mother insists that they need routine and stability—Jo hears from Detective Davis. He apologizes for accusing her of planting the recording device, saying that a second set of fingerprints they’d found on it is a match to John. Jo knows that John didn’t plant the recorder because she did. Davis was only wrong about her motive. She didn’t do it for attention, but to convince her father that his absence wasn’t making them safer so that he’d come home. When Jo confesses this to Laurie, he admits that he kissed Amy.

Chapter 32 Summary: “Jo: (Then)”

At the family cabin during the summer, Jo works on her manuscript for Little Women: Jo’s Version. Laurie vies for her attention and then tells her that he loves her. Jo only loves him as a friend, not romantically. The idea of love terrifies her, and she thinks she might never want it. Laurie is hurt by her rejection.

Chapter 33 Summary: “Meg: (Now)”

Police drop charges against John after Jo admits to faking the intruder incident on social media, and neighborhood doorbell camera footage proves that John dropped Beth off at home and left. John tells Meg that Beth was drunk and got sick; she then exited his car and ran toward the bridge. He followed and caught her when she fell, tearing his jacket and skin and leaving his DNA under her nails. Meg expresses her faith in John, and they acknowledge that they love each other.

Chapter 34 Summary: “Amy: (Now)”

Amy is suspended for drinking alcohol at school. At home, she keeps drinking to cope with her life being turned upside down by the investigation. Then Aunt March shows up, visiting from Manhattan for the first time in seven years. She tells Amy that she’s worried she might be responsible for Beth’s death.

Chapter 35 Summary: “Amy: (Then)”

Amy and Florence take a bus to Manhattan to ask Aunt March if she’ll pay for Amy to attend Fred Vaughn’s summer art program. Aunt March says that she can’t afford that on top of the cost for Beth to attend Plumfield. However, if Beth decides not to go, Amy can have the money. She insists, though, that Amy not try to sway Beth’s decision. Amy is elated because she’s sure that Beth won’t have the courage to go to Plumfield.

Chapter 36 Summary: “Amy: (Now)”

Aunt March worries that the deal she made may have led Amy to kill Beth. Amy is shocked by the accusation but admits that she did tell Beth about the deal when they fought at the party; Amy said that Beth didn’t deserve the money. Aunt March calls Amy arrogant for thinking her words could lead Beth to suicide because Beth was stronger than she got credit for. She’d made the effort to create a close relationship with her aunt, despite the woman’s aloofness, which Aunt March sees as a sign of strength.

Chapter 37 Summary: “Beth: (Then)”

Jo brings Beth to Plumfield for her audition. Beth is still unsure if she wants to attend because it would mean being away from her family and Henry. Jo urges her to push through those doubts and focus on all she can accomplish, professionally, with the musical training Plumfield offers. Beth decides that it’s time to find out what she wants.

Chapters 25-37 Analysis

A turning point occurs in these chapters regarding the March sisters’ secrets. Guilt and shame have kept them silent so far, which has hindered the investigation and aroused suspicions. John’s arrest leads Meg to finally prioritize the investigation—i.e., finding the truth—over personal shame. Admitting her secret and accepting the consequences are surprisingly freeing, like shedding a weight she’s carried for too long. Jo’s conversation with Laurie about the recording device marks a similar turning point in her own moral dilemma. When Laurie says, “You can’t let John get in trouble for something you did” (201), he’s acting as her moral compass, helping her recognize the selfish and detrimental nature of keeping her secret.


These chapters also elucidate the tension between Jo, Laurie, and Amy and how the complications of this love triangle influence their choices and reveal character. In the past timeline, Jo responds to the friendship growing between Amy and Laurie with jealousy and possessiveness: “He’s my best friend—not hers” (207). The subsequent tension between the sisters is an example of Ambition and Jealousy Under the Pressure of Familial Roles. In the present, Jo exhibits rare insight and accountability regarding this situation. Instead of turning blame outward, as is her characteristic coping method, she recognizes her role in creating the distance between her and Laurie: “I turned Laurie down. I’m not allowed to be hurt” (203). This doesn’t really mean that she isn’t hurt by his feelings for Amy—only that she understands that it’s not fair to make demands on his affections, to insist that he only love her even though she doesn’t love him back. Jo’s evolution from possessive jealousy to a less selfish acceptance serves as a contrast to the type of possessiveness Henry exhibits toward Beth later in the narrative.


Laurie’s profession of love for Jo in Chapter 32 forces Jo to confront her feelings about romantic relationships, an aspect of her identity that she struggles to understand and define. To her, the idea of being in love feels “like a bottomless pond, [with] fathoms of deep dark water below” (209). This terror isn’t balanced by the accompanying excitement or elation that makes most people—according to Jo—want love. Feeling that she’s different from everyone else makes her wonder if she’s defective. This portrayal of Jo’s experience evokes that of people who identify as asexual or aromantic, illuminating some of the challenges faced by teens who are unsure of their orientation while avoiding labels in a way that emphasizes individuality.


Two scenes in these chapters develop an aspect of Beth’s internal conflict—not knowing what she wants out of life—and demonstrate how it connects to family dynamics and family rituals. In Chapter 33, John reveals that Beth talked to him about the family making wishes on stars and discussed her frustration about not knowing what to wish for. The subtext behind her opening up to John suggests that honesty and vulnerability might be harder between close family members, rather than easier. This fits into the novel’s portrayal of family relationships as complicated and often messy, as well as its message that this messiness can exist alongside immense love and loyalty. In Chapter 37, Beth’s recollection of the family’s wish-making ritual includes her sisters’ goals: for Jo to be a writer, for Amy to be a painter, and for Meg to have a rich husband. Their ambitious natures make her feel ashamed of her own perceived lack of drive and purpose. At her Plumfield audition, she begins to envision a future built on personal greatness, but she qualifies her intentions by noting, “[T]hough I still don’t know what I really want, it’s time to find out” (234). This indicates that she hasn’t necessarily landed on career ambitions as the thing she truly wants. Her death leaves her decision in a state of ambiguity, as death inevitably interrupts plans and thwarts ambitions.

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