Catherine the Great: Portrait of a Woman

Robert K. Massie

82 pages 2-hour read

Robert K. Massie

Catherine the Great: Portrait of a Woman

Nonfiction | Biography | Adult | Published in 2011

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Part 6Chapter Summaries & Analyses

Content Warning: This section of the guide contains discussions of graphic violence, illness or death, physical abuse, emotional abuse, and sexual content.

Part 6: “Potemkin and Favoritism”

Part 6, Chapter 58 Summary: “Vasilchikov”

Catherine remained faithful to Gregory Orlov for 11 years, despite his infidelities. After his heroic conduct during the 1771 Moscow plague, she appointed him chief negotiator in peace talks with Turkey but his arrogance offended the Turkish delegates. On the day he departed, Catherine learned of yet another of his affairs.


Panin proposed a replacement lover: the 28-year-old Horse Guards officer Alexander Vasilchikov. Catherine, who confessed she could not endure “a single day without love” (414), liked Vasilchikov’s modest demeanor and handsome appearance. By September 1772 he was installed in Orlov’s former apartment. When Orlov rushed back, Catherine had him quarantined at Gatchina, fearing he might harm her or Paul. He eventually accepted defeat and requested permission to travel abroad.


Catherine found Vasilchikov handsome but dull. During his 22-month tenure, Catherine faced the partition of Poland, continuing Turkish war, and the Pugachev rebellion. Vasilchikov complained he was treated as nothing more than a “male cocotte”—courtesan—with no meaningful role. Catherine later admitted her choice of him reflected her desperation over Orlov. She sent for Gregory Potemkin.

Part 6, Chapter 59 Summary: “Catherine and Potemkin: Passion”

Potemkin became the most powerful man of Catherine’s reign after the empress herself, serving as lover, adviser, commander, and perhaps husband for 17 years.


Born in 1739, he excelled at the University of Moscow before expulsion for poor attendance. He joined the Horse Guards, took part in the 1762 coup, and first attracted Catherine with his wit and theatrical charm. Gossip about their growing attraction angered the Orlovs, who allegedly attacked him; around this time he lost the sight in one eye. Catherine later recalled him to court, and he distinguished himself in the Turkish war.


In December 1773, Catherine invited Potemkin to correspond. He arrived in January 1774 but found Vasilchikov still in place as her favorite. Frustrated, he withdrew to the Alexander Nevsky Monastery until Catherine, dismissing Panin’s warnings about his ambition, sent Countess Bruce to bring him back. Potemkin became her lover, though their relationship was turbulent and marked by jealousy. Catherine wrote “A Sincere Confession,” recounting her previous lovers and insisting she could not live “without love for even an hour” (423). They quarreled constantly.


Evidence suggests they secretly married on June 8, 1774. No document survives, but Catherine’s letters call him “dear husband” and are signed “your wife” (430), language she used with no one else. Later comments by Joseph II and the French ambassador also hint at a marriage, which would explain Potemkin’s singular authority.

Part 6, Chapter 60 Summary: “Potemkin Ascending”

Potemkin’s rise was meteoric. By May 1774 he sat on the Privy Council; by June he was vice president of the College of War and governor-general of New Russia. Catherine showered him and his family with gifts, bringing his five nieces to court.


The court realized this favorite would wield real power. Potemkin cultivated a wary relationship with Panin while leaving him in control of foreign affairs. Catherine gave Potemkin responsibility for the Pugachev rebellion and increasingly consulted him on everything, even asking him to correct her Russian grammar. Potemkin’s talent for spectacle emerged when he produced elaborate Moscow celebrations marking the end of the Turkish war. He clashed with Panin over honors and his growing interference in foreign policy.


In summer 1775, King George III asked to rent 20,000 Russian troops to suppress rebellions in England’s American colonies. Catherine refused. Her unstated reason was that she anticipated needing those soldiers for a future war with Turkey.

Part 6, Chapter 61 Summary: “Catherine and Potemkin: Separation”

For all their passion, Catherine and Potemkin’s relationship was deeply unstable. In January 1776 Catherine secured for him the title of Prince of the Holy Roman Empire, yet their quarrels continued.


In May 1776 Potemkin took offense at Catherine’s use of the phrase “blind eye” in a letter about his regiment and threatened resignation. Catherine grew weary of the constant conflict, especially because he discussed their disputes with his relatives. She concluded that they “quarrel about power, never about love” (440). Potemkin craved supreme authority but feared his position depended entirely on Catherine’s favor. Knowing he could be discarded like Orlov or Vasilchikov, he chose power over romance, ending their physical relationship while preserving his political dominance.


When Catherine gave Potemkin the Anichkov Palace, many assumed his fall was near. Alexis Orlov even offered to make him “disappear” (442). Catherine reported this to Potemkin, prompting Alexis Orlov’s resignation.

Part 6, Chapter 62 Summary: “New Relationships”

As their romance cooled, Catherine and Potemkin found a favorite for Catherine in Peter Zavadovsky, a 37-year-old Ukrainian protégé of Rumyantsev. The match suited them both: Catherine gained relief from Potemkin’s emotional demands, while Potemkin preserved his power.


By March 1776 Catherine was involved with Zavadovsky, though Potemkin still lived in the Anichkov Palace. Zavadovsky became official favorite on June 28, 1776 but the arrangement failed when he fell deeply in love with Catherine and grew jealous of Potemkin’s continued role. In spring 1777 Potemkin demanded his removal, and Catherine agreed.


Catherine and Potemkin established a durable new relationship that preserved affection and political collaboration while allowing separate lovers. Catherine’s later favorites had to write deferential letters to Potemkin acknowledging his supremacy. Potemkin, meanwhile, turned his attention to other women, including three of his nieces, the Engelhardt sisters. His longest attachment was to Alexandra, or “Sashenka,” who became one of Catherine’s favorite ladies-in-waiting. Catherine expressed no jealousy, but she did envy the youth of these women and lamented her own aging, wishing she could “remain fifteen forever” (448).

Part 6, Chapter 63 Summary: “Favorites”

Catherine had 12 known lovers in her lifetime: three before becoming empress and nine during her reign. She truly loved five—Poniatowski, Orlov, Potemkin, Zavadovsky, and Alexander Lanskoy. Orlov later married his young cousin, who died of tuberculosis; he himself declined into dementia and died in 1783, leaving his fortune to Alexis Bobrinsky, his son with Catherine.


The role of Catherine’s favorite followed a set pattern. Usually young Guards officers, they were installed in palace apartments, lavished with gifts, and kept in near isolation. Their tenures rarely lasted more than two years, and they were forbidden from political involvement.


After Zavadovsky came Simon Zorich, chosen by Potemkin, who lasted only 10 months. He was followed by Ivan Rimsky-Korsakov, whose affair with Countess Bruce led Catherine to dismiss them both. After six months alone, Catherine accepted Alexander Lanskoy in 1780. Also selected by Potemkin, he was gentle, devoted, and eager to learn. Their four-year relationship was her longest since Orlov. When Lanskoy died suddenly in 1784, probably of diphtheria, Catherine collapsed in grief for weeks, and Potemkin returned to comfort her.


Alexander Yermolov followed in 1785 but engineered his own downfall by trying to turn Catherine against Potemkin. Potemkin struck him at court and demanded Catherine choose; Yermolov was dismissed at once. Alexander Mamonov came next. After 18 months he confessed to a secret affair with Princess Scherbatova, who was pregnant by him. Catherine allowed them to marry but exiled them from St. Petersburg.


Massie argues that Catherine sought these young men for companionship, warmth, and reassurance against aging. Her long, loveless marriage had left deep marks. She dismissed successive favorites because of intrigue, infidelity, or boredom. Their submission to her, driven by ambition and family pressure, was neither unusual nor especially shocking in 18th-century aristocratic society.

Part 6 Analysis

In this section, Massie focuses on Catherine’s personal life, showing how the negotiations of personal intimacy and state power are inseparable for her. This foregrounds the theme of The Search for Love and Intimacy as Female Ruler. Catherine’s transition from Alexander Vasilchikov to Gregory Potemkin marks a pivotal shift in royal favoritism, moving it from the realm of private companionship to a form of co-governance. Vasilchikov’s tenure, during which he complained of being treated as a “male cocotte” (416), demonstrates the limitations of a favorite who offered little intellectual partnership. Potemkin’s arrival, in contrast, signals a fusion of the emotional and the political. Their relationship is defined by a struggle for dominance that mirrors affairs of state, a dynamic Catherine identifies when she concludes, “[W]e quarrel about power, never about love” (440). This admission suggests their bond became a struggle of authority, underscoring the incompatibility of Potemkin’s authority as an 18th-century husband’s with Catherine’s as absolute monarch. The possibility of a secret marriage further supports this interpretation, as a publicly recognized union would formalize Potemkin’s unique role, transforming him from a replaceable favorite into a consort with institutional influence.


Through Catherine’s management of Potemkin, Massie develops the theme of Self-Invention as the Supreme Political Act. Her “Sincere Confession” is a vulnerable love letter but also a strategic piece of emotional diplomacy designed to assuage Potemkin’s jealousy. In this document, she constructs a narrative of her romantic past, framing previous liaisons—such as the one with Vasilchikov—as acts of desperation. This act of self-authorship is characteristic of her reign, wherein she shapes her public image to meet the demands of power. She performs the role of a vulnerable woman, confessing her heart could not remain “without love for even an hour” (423), while simultaneously asserting her authority as the empress who controls the narrative. This calculated vulnerability helps manage Potemkin’s jealousy, turning a potential threat into a governable emotion.


The narrative structure reinforces the focus on power dynamics through the use of foils. Vasilchikov, described as “intellectually limited,” highlights by contrast the political and intellectual capacities of Potemkin, whose introduction slows the narrative pace for a deeper exploration of his character. The biography’s extensive use of Catherine’s correspondence provides access to the emotional turbulence of their relationship, underscoring the high stakes of their union, and the apparent sincerity of her feelings for him. Later, the series of short-lived favorites, such as Zorich and Rimsky-Korsakov, functions as a collective foil to Potemkin’s lasting influence. Their individual failures emphasize the unique nature of Potemkin’s success in retaining power even after their physical relationship ended, establishing a clear hierarchy of influence with him at the top.


The recurring role of the favorite, drawn from the Guards officers, explores the institutionalized nature of this position at the Russian court. The favorites exist within a structured system: Installed in the palace, living in a “gilded cage,” and eventually dismissed with lavish gifts. Catherine follows the precedent of Elizabeth as a female ruler availing herself of this system. This cycle underscores the favorite’s position as a functionary. Massie shows Potemkin as the exception who alters this institution by insisting on wielding actual political power. The arrangement they devise—wherein Catherine takes subsequent lovers while Potemkin remains her partner in governance—demonstrates this change. His successors are chosen with his input and must acknowledge his supremacy, making them his subordinates. The failure of Zavadovsky, driven by jealousy of Potemkin’s continued political access, proves the role of favorite has been bifurcated: Sexual intimacy is now separate from political influence, which Potemkin has secured for himself, acting as a political representative. Paradoxically, by devolving some of her control in a platonic relationship with Potemkin, Catherine controls the potential powerplay of her lovers and, thus, the jealousy of others at court. Her future favorites exist in the court much like the female mistresses of male rulers: positions sought after for the resulting wealth and proximity to power, but not seen as a threat to the structure of power or to the rulers themselves. Massie frames Catherine’s sexual choices as the unconventional solutions to the unique pressures faced by a female autocrat whose personal life was inseparable from her political authority.

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