56 pages • 1-hour read
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In Granted, many of the characters try impose excessive control over things that they ultimately come to realize they have no real power over. On a large scale, the novel explores this theme through the fairies’ structured system of protecting and controlling magic. On a smaller scale, characters in the novel, like the protagonist Ophelia, come to realize that excessive preparation and planning is not particularly useful when faced with real-life problems. In fact, the novel emphasizes that having set ideas about people and situations causes trouble and that it takes flexibility and adaptability to be a true problem solver.
One way in which the novel illustrates this theme is by showing how the fairies’ world is bound by strict rules and procedures. One of the rules that the fairies follow is living in the Havens, which are the designated permanent homes for fairies. Fairies are not born there; they come from plants in the outside world. They are “creatures of nature in the most intimate sense, sprung from magic and beauty and wisdom” (6). Founders take young fairies from the human world to the Havens, and they must stay in the Havens from that point forward. However, since fairies are born from the magic outside of the Havens, the magic likely intends for them to live outside the Havens, as well. Ophelia has heard of past times, long before she was born, when fairies wandered the world at will. But as humans grew in number, fairies felt threatened, so they made magical barriers around the Havens to keep humans out and fairies in. Though the Havens are supposed to protect fairies, they also keep them away from the outside world. Isolation causes problems, especially for fairies like Granters and Scavengers who must enter the human world to do their jobs. These fairies, like Ophelia, have no idea how to deal with ever-changing human technologies and end up putting themselves in danger when they come to the human world.
The fairies also defer to the Great Tree, which is a way for them to control magic in order to ensure that they can grant wishes in a fair manner. They have taken great care while creating the Tree since its “selections are calibrated to use a precise amount of magic and produce a precise amount of magic” (35). Fairies need this magic to stay safe, make gadgets for navigating both the human and fairy worlds, and grant wishes. However, the Great Tree method strips all the wonder from magic and makes it seem as technical as a science experiment. Though the Great Tree is fair, its method causes problems because the fairies feel no connection with the wishes or with the humans making them. Often, the Great Tree chooses to grant wishes that some fairies find trivial and silly—like children’s wishes for PlayStations and bikes—but the rigid nature of the fairy world doesn’t allow them to question the wisdom or necessity of granting these wishes. As a result of imposing strict control over magic with the Tree, the magic declines faster since neither humans nor fairies feel moved by magic’s power.
The novel also points out that Ophelia must learn to become more flexible to succeed at her mission; it shows that her attempts to control situations usually go wrong. At first, Ophelia is a meticulous planner, making detailed lists and imagining solutions to possible problems. However, right at the start of her mission, she almost gets hit by a jet plane, showing that unexpected events can upset well-laid plans. After this, the more that she tries to control things, the more dramatically they slide out of her control. For instance, when she tries to grab the coin in the diner, the diner staff hits her with a broom and throws her out; she still attempts to follow the coin and ends up getting hit by a truck and breaking her wing. However, when she lets go of her preconceived notions and accepts help from the dog Sam, she finds a friend; and when she lets her instinct guide her rather than rules, she ends up where her magic is desperately needed: the Morales family. Ophelia’s initial concern with order and rules gives way to a bigger, more meaningful quest.
In all these cases, the novel shows that excessive rigidity results in chaos. The Great Tree imposes rules and procedures in order to preserve the magic, but it ends up depleting it. Similarly, the Haven’s protections are not fool proof and results in fairies who travel outside its bounds being prone to danger and even death because they are ill-equipped to manage the outside world. Also, Ophelia learns that excessive planning cannot prevent disasters. Instead of strict control, the novel suggests that experimentation and adaptability are more helpful. For example, when Ophelia simply follows the coin, things go better than when she attempts to follow a plan. Also, when she grants the wish that feels right instead of the one she was assigned to, it makes more magic than usual. The novel suggests that in the face of things beyond one’s control, being flexible and open to change is more valuable than having strict rules. Granted shows that true control might not be in strict rules and plans but in the ability to navigate and adapt to life’s unexpected twists.
In Granted, the narrator often interrupts the story to discuss wishes and how they work, describing wishes as “hope and desire and daydreams” (264). They can be “impossibility and improbability and something in between. […] And sometimes it is desperation. It is a hole in your heart that wants filling” (265).The story shows that all creatures—whether they are human, fairy, or animal—have wishes and desires that reflect a certain lack or worry in their lives. To others, these wishes might seem trivial; however, to the wish maker, these desires are always important.
Wishes play crucial roles in Granted since they serve as the fairies’ way to restore magic. The fairies aim is to make humans feel amazed and believe in magic by fulfilling their wishes, and this wonder and belief generate more magic. Thus, wishes are essential for the survival of the fairies. The Granter’s Guild, which is responsible for granting wishes, is highly regarded and resides in the largest tree in the Haven. However, despite outwardly praising wishes and upholding them as a crucial part of their lives and work, fairies struggle with fulfilling actual human wishes. Some are impossible, like bringing someone back to life, while others are impractical, such as solving world hunger. Some are just dull, like wishing for money or fame. Fairies also dislike humans’ constant wishes for material things, and they believe this reflects on human beings themselves being petty and acquisitive creatures. However, the novel shows that the fairies, too, have wishes: They desire security, which is why they built the Havens; like Ophelia and Charlie, most of them wish to be good at their jobs; and finally, they desire more magic to keep their world going, which is why they work hard granting human wishes even if they don’t agree with them. In this way, the fairies are more similar to humans than they like to think.
The novel depicts humans as creatures who “[spend] their whole lives wanting” (26). They keep making wishes—at the beginning of the novel, the fairies note that they have over six million wishes in one day from just the people who live in North America—because they have desires and longings and their lives are never perfect. Furthermore, humans are unselfconscious about sending their wishes into the world since they are unaware that anyone listens or tries to fulfill their wishes. This is why their wishes are sometimes truly dreadful—like some of the wishes that the fairies declare are “unlawful” because they wish harm on another person—and sometimes just trivial, like a teenager who wishes for a PlayStation, irritating the Granter who must work on granting this wish. This is why fairies do not have a high opinion of humankind. However, the novel showcases a wide range of human desires, including the wish to end world hunger which might be impractical yet highlights how human beings can be unselfish and kind; similarly, the wish to bring someone back to life is not grantable either, but it shows the deep pain that all people live through when they experience the death of a loved one. In this way, human beings are shown to be creatures who can be generous and sympathetic, though they can also be cruel and petty. The range of wishes the fairies encounter show the diverse backgrounds and circumstances that human beings represent, though desire itself is universal.
Other creatures, like animals, too, have wishes and dreams in Granted. The dog Sam dreams of a home filled with belly rubs and regular meals; he wishes to fill both the literal and figurative holes in his life because, as he puts it, “empty holes are the worst” (166). Fairies, human, and animal lives are never perfect and fulfilled; yearning for whatever might fill a lack is a characteristic of being alive.
However, in the novel, the nature of wishes demands a price for granting them. Sometimes, the price is the coin used for the wish. In Sam’s case, the cost is overcoming his fear and willingly engaging with humans. The challenge with magic is that it never reveals the cost upfront. Still, because wishes often stem from desperation, many would wish even if they knew the potential cost.
Granted intricately weaves the concept of wishes into its narrative, depicting them as a complex force influencing characters’ actions and destinies. The lack of a single definition for a wish reflects its multifaceted nature, encompassing hope, desire, and even turkey bones. Within this diverse range of meanings, the theme of the universality of desire emerges as central to the essence of wishes, connecting the experiences to all creatures. However, the narrative subtly underscores the inherent cost of wishes, reminding readers that the magic of wish fulfillment often demands an undisclosed price. This challenges characters to navigate the complexities of desire, desperation, and the unpredictable consequences of their heartfelt longings.
In Granted, wishes are more than simple requests made on birthday candles; they are a powerful magic that can change lives and challenge the rules of the fairy world. The novel delves into the ethical dilemmas that the fairies face when grating wishes, thereby exploring the complexities of moral choices faced by fairies and the humans they help.
The main conflict of the novel revolves around the clash between the strict rules the fairies follow for wish fulfillment and the messy, emotional needs of humans. Ophelia, a meticulous Granter fairy, initially sticks to the rules, but when faced with Gabe, a grieving child, she grapples with a difficult decision: Should she follow fairy law and fulfill Kasarah’s wish for a bike or prioritize Gabe’s unspoken longing, which she considers to be a more worthy wish? This highlights her struggles between adhering to the rules and responding to the circumstances of each wish.
Ophelia’s dilemma also raises another crucial ethical question: Who decides the “worthiness” of a wish? Should simple wishes for things like bikes take precedence over those rooted in deep emotional needs? While the Great Tree in the Haven supposedly chooses wishes using a fair system, Ophelia disagrees with its decision, though she isn’t certain that her opinion is the fair one, either. The coin holding both Kasarah’s and Gabe’s wishes symbolizes this ethical conflict—granting one wish means neglecting the other.
Ophelia’s struggle, driven by empathy, leads her to break the established rules and prioritize Gabe’s wish, risking “[her] job, the safety of the Haven, the integrity of the system - for some human [she doesn’t] even know” (278). Ophelia’s decision brings joy to the Morales family, but it also raises concerns about the consequences of unchecked empathy. Could well-intentioned wishes have unforeseen repercussions? Might Ophelia’s defiance set a risky precedent for future wish fulfillment?
Though the novel provides several challenging questions about the ethics of granting wishes, it provides no easy answers. Ophelia’s choice has both positive and negative outcomes: Gabe’s wish that his father return home is granted and he takes comfort in this; however, his father is injured in battle, which is why he returns home. It is unclear if this is the sequence of events that Mr. Morales would have chosen if it were up to him. Likewise, although granting Gabe’s wish boosts the magic, Squint reprimands Ophelia for her decision, hinting at potential chaos if every emotional desire were granted.
Granted also questions the worthiness of wishes. Many fairies die while granting human wishes, raising the ethical dilemma of whether granting a wish is worth a fairy’s life. Ophelia wonders why fairies must “risk [their] life […] granting […] [s]ome human’s wish” (70). The fairies have neither any emotional bond to the humans nor do even always believe in the importance of the wishes; some wishes might be worth dying for, but shoes, PlayStations, and bikes are not. The narrative challenges readers to consider if humans have a responsibility to those injured or killed in the process and whether they would continue wishing if they knew the risks involved.
Ultimately, Granted prompts the reader to ponder the ethical and practical implications of a world where wishes have such potent power. It emphasizes the complexity of human desires, acknowledging that wishes are intertwined with emotions, histories, and unforeseen consequences. Beyond the magical premise, Granted offers a deep exploration of morality, responsibility, and the balance between rules and compassion. It encourages readers to reflect on the true costs of fulfilling desires and who bears the responsibility for the unpredictable consequences of granted wishes.



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