Heavenly Bodies

Imani Erriu

78 pages 2-hour read

Imani Erriu

Heavenly Bodies

Fiction | Novel | YA | Published in 2022

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Chapters 1-14Chapter Summaries & Analyses

Content Warning: This section of the guide includes discussion of cursing, graphic violence, sexual violence, child abuse, substance use, emotional abuse, and death.

Chapter 1 Summary

Elara Bellereve, who can walk through dreams, briefly enters a Helion’s dreamscape—an unfamiliar desert landscape where a male figure is attacked by shadows—before awakening bound and hooded in a moving wagon. Her last memory involves running through the Dreamer’s Quarter in a blood-stained dress before being subdued with dreadpoppies, a drug used to suppress magick and induce unconsciousness.


Her captors reveal that money isn’t their motive. Fragmented memories surface of her birthday ball: dancing with Lukas, followed by flashes of red starlight, blood, and a command to run. She uses a mental technique to suppress overwhelming emotions, pushing them “[i]nto the box” (2).


Elara reveals that her shadowmancing (her ability to control shadows, one of Asteria’s three powers) has never worked, leaving only illusioning and dreamwalking. Through her hood, she sees Asteria’s violet light and plans her escape.


When a captor mentions the King’s Guard and crossing the border, Elara realizes Helion soldiers are taking her to enemy territory. At the Asterian border, the driver bribes a guard. The light shifts to Helion orange.


The sack is removed, revealing Leonardo Acardi, general of the Helion army. Near Sol, Helios’s capital, Elara casts an invisibility illusion and flees.

Chapter 2 Summary

Elara runs through Sol’s streets, her illusion faltering when she nearly hits a spice cart. In an alley, she cuts her bindings with a hidden dagger and strips off her blood-stained dress.


Soldiers surround her in a square. A scarred soldier ignores warnings that harming her violates General Leonardo’s orders and drags her into an alley. When he assaults her, Elara unleashes nightmare illusions showing each guard their deepest fears, with the illusions becoming physically immersive. The scarred soldier collapses in terror.


Leonardo arrives with reinforcements, finding his men incapacitated. When Elara’s magick depletes, she collapses. Leonardo binds her with shadowsbane-soaked rope to suppress her magick. As she’s led away, an elderly woman asks her identity. Elara replies with a smile that she is just an “entitled bitch,” echoing the soldiers’ insults (13).

Chapter 3 Summary

Elara is brought to the Palace of Light. In the throne room, she deliberately avoids looking at the king. King Idris D’Oro, an aging man with empty golden eyes, addresses her as Princess Elara. She corrects him that she is now queen, confirming her family was murdered. Beside Idris sits his devastatingly handsome son, Prince Lorenzo “Enzo” D’Oro, the Lion of Helios.


Idris offers measured condolences for her parents’ murder, revealing that all monarchs learned of the attack and a prophecy concerning Elara and Ariete, King of Stars, from their patron deity Leyon. Elara threatens that Ariete will hunt Idris for harboring her.


Idris reveals his purpose: He wants to kill Ariete, and Elara will be his weapon.

Chapter 4 Summary

Elara is stunned by Idris’s plan to murder a Star. He explains that killing Ariete will cause the other Stars to fall, freeing monarchs from divine servitude. Despite hating Ariete for killing her parents, Elara refuses, fearing death by divinitas—a form of divine execution in which starlight annihilates both body and soul completely.


Idris argues that she has no choice. She cannot return while Ariete hunts her. He offers luxurious quarters and promises to train her as the weapon needed to kill a Star.


When Elara asks how they’ll hide her Asterian features, Idris summons Merissa, who will glamour her appearance. He reveals he knows Elara possesses “the Three,” a combination of all three Asterian powers—a rare occurrence in any kingdom. Prince Lorenzo’s reaction suggests he may be the source of Idris’s knowledge about her powers.

 

Though Elara verbally refuses, exhaustion overwhelms her. Idris announces that Prince Lorenzo will oversee her training. They exchange hostile glares before she’s escorted out.

Chapter 5 Summary

Leonardo leaves Elara with Merissa at ornate quarters with a spacious balcony. Merissa nervously explains her role. Elara softens, realizing the glamourer isn’t her enemy.


In the bathroom, jasmine scent reminds Elara of home. She insists on being called by name and keeps her dagger close while bathing. Merissa notices the dragon tattoo—the Bellereve sigil—on Elara’s spine. They discuss The Nightwolf and the Silver, a shared mythological tale told differently in Asteria and Helios, each kingdom casting itself as the righteous figure, discovering their kingdoms tell opposing versions of the tale.


Alone, Elara uses her mental box technique to suppress panic and grief. Merissa returns and uses glamour to transform Elara to appear Helion. She reveals she’s from Aphrodea. The glamour fools others, but Elara still sees her true reflection.


Dismayed by the revealing Helion clothing, Elara dresses reluctantly. The glamour cannot hide her haunted eyes. Merissa escorts her to dinner to test the disguise.

Chapter 6 Summary

Elara arrives at the banquet hall. She observes King Idris, Leonardo, and Prince Lorenzo at the high table, with a woman on Lorenzo’s lap. When Lorenzo sees Elara, he pushes the woman away. Idris seats Elara beside his son.


Enzo and Elara trade hostile barbs. Leonardo laughs at her calling Lorenzo a wicked rake. Enzo, calling Elara “darkwitch,” reveals he also possesses his kingdom’s Three powers, making him qualified to train her.


He demonstrates Light and fire, then reveals his third power: a seer gift allowing him to detect lies, see through glamours, and perceive souls. He tells Elara he sees shadows around her and vows to uncover her secrets, threatening to kill her if she endangers Helios.


Elara counters with her own threat. She eats in silence while Enzo allows the woman to drape over him, though his eyes remain on Elara despite his performative flirtation with the other woman. Unsettled, she asks Leonardo to escort her out. Enzo grabs her wrist, declaring training begins tomorrow.

Chapter 7 Summary

That night, Elara dreamwalks and sees herself in a dream for the first time—an anomaly for a dreamwalker. She wakes panicked and reads The Mythas of Celestia to calm herself. A memory surfaces of Sofia, her best friend, encouraging her to sneak beyond the palace walls.


The next morning, Prince Lorenzo leads Elara on a long, silent hike through hot, dry forest. When Elara stops to rest and eat gildberries, taunting him, he storms ahead. They reach a peaceful grove.


Enzo’s insult triggers Elara’s anger. She conjures a nightmare illusion, but he destroys it with Light. Enraged, he attacks, suspending her against a tree with Light around her throat. He accuses her parents of murdering his mother, claiming this sparked the War on Darkness. Enzo calls her weak when her shadows fail to protect her.


Elara unconsciously summons a tangible illusion that physically wounds Enzo’s arm. When he begs her to stop, she relents. Enzo declares he’s done training her, saying Idris can return her to Ariete.

Chapter 8 Summary

In her room, Elara breaks down crying. Merissa offers comfort, reminding her she’s a queen, and invites Elara to visit the kitchens if she needs a friend.


The next morning, Elara overhears Prince Lorenzo arguing with King Idris. Enzo refuses to continue training, but Idris forces compliance by threatening treason charges. Idris coldly states that if Elara kills Enzo during training, it proves she has the power to kill a Star.


Enzo leads Elara to the Angel’s Graveyard, a training location where massive, winged statues overlook red sand. Grudgingly, he questions her about her Three powers.


When Elara explains her powers, Lorenzo uses seer magick to probe her mind, sensing her mental box. Elara draws her dagger, forcing retreat. She admits she cannot wield shadows but successfully lies about not knowing why.


Enzo decides they must unblock her shadows through combat. He removes his shirt, revealing a winged lion tattoo. During sword training, he repeatedly disarms her. Frustrated, Elara breaks his rule against using magick, disarming him and holding her blade to his throat. After a tense moment, she relents. Enzo declares he must take her to Isra, an oracle, and instructs her to practice.

Chapter 9 Summary

Elara visits Merissa in the kitchens, giving her wildflowers as thanks. When Elara complains about Enzo, Merissa advises her to trust him, insisting he always keeps his word. Merissa shows Elara the palace bathhouse with beautiful pools and a constellation ceiling.


While floating in the pools, a memory surfaces of being in the Still Sea with Sofia the night before her birthday. On her balcony that night, Elara unsuccessfully attempts to summon shadows.


In the gardens below, she observes Enzo and Leonardo sparring shirtless. She witnesses Enzo’s complete control as he defeats Leonardo with fire without singeing his clothes.


Remembering Merissa’s advice, Elara begins believing that Enzo can help her master magick. After Leonardo leaves, she continues watching, admitting Enzo is devastatingly handsome despite her hatred.


Enzo senses her watching and sends a searching ray of Light. She touches it, feeling warmth. After he leaves, a tiny wisp of shadow appears where the light had been—her first successful manifestation of shadowmancing.

Chapter 10 Summary

That night, Elara secures her tether—a midnight-blue cord anchoring her to the waking world—and enters the Dreamlands. She selects a sandalwood-scented dream belonging to Leonardo.


In the dream, 10-year-old Leonardo breaks into young Enzo’s bedroom to rob him. Enzo fights back with Light and fire. Leonardo counters with lightning. Enzo uses seer power to discover that Leonardo needs money for a healer for his dying mother in Apollo Row’s slums.


Impressed, Enzo offers his mother a job as palace gardener and makes Leonardo his training partner. The dream shifts, and adult Leonardo realizes Elara witnessed his memory. He pleads with her not to reveal his secret, as attempting to kill the prince is an act of treason punishable by death.


Elara promises to keep his secret. Leonardo explains that he owes Enzo his life, saying that for those Enzo loves, he would set the world on fire. Elara grasps her tether and returns.

Chapter 11 Summary

The next morning, Leonardo greets Elara, giving her peaches from his mother’s garden as thanks for keeping his secret. Merissa appears, flustered by Leonardo’s presence, revealing mutual attraction.


Enzo teases Elara about watching him train. He gives her a cloak as they venture into Sol’s bazaar, where he buys her bread. When Enzo reveals they’re visiting Isra, Elara refuses, fearing another prophecy. Enzo forcibly carries her through the city over his shoulder.


They arrive, and a boy named Rico greets them. Enzo gives the password “Three of Swords.” Inside, Isra, a beautiful half-Svetan seer, awaits. When Elara hesitates, Enzo uses a royal order to force the reading.


Isra’s icy magick probes Elara’s mind, finding her mental box and prying open a traumatic childhood memory. A mysterious, silver, cold power within Elara attacks Isra’s magick. A magical ice storm erupts. Two small shadow wisps emerge from Elara’s hands but dissipate. Enzo protects Elara with fire.


When the storm subsides, Isra reveals she saw why Elara’s shadows are blocked but insists Elara must tell Enzo herself. She describes the silver power as feeling like the dead. She shares a vision: When Enzo’s light combines with Elara’s power, their flames turn black, and a Star dies. As Elara leaves, Isra reveals Elara’s original prophecy: “You will fall in love with the King of Stars, and it will kill you both” (95).

Chapter 12 Summary

Outside, Enzo confronts Elara for lying. She retorts that he forced both her and Isra, then mounts a horse and rides away. Enzo catches her and swings onto the horse, seating himself behind her.


He pulls her body against his as they ride up a hill toward a cliff overlooking the ocean. Enzo gallops toward the edge, threatening to ride them both off unless she reveals the truth about her fear of Light. At the last second, Elara screams her answer. Enzo halts at the edge.


Elara confesses: When she was seven years old, a Helion soldier broke into her room and forced Light magick down her throat, suffocating her from within, attempting to “cleanse” her (101). Her shadows tried to protect her but were overwhelmed. Sofia intervened until Elara’s father killed the soldier. The trauma sealed her shadows permanently. Her injuries took months to heal, and it took her a year to speak again.


Enzo, visibly shaken, apologizes. Elara rejects his pity. They ride back in complete silence.

Chapter 13 Summary

Enzo replaces cruelty with brooding silence following her revelation about her childhood trauma. He refrains from using Light and focuses on combat drills and refining her illusions. She develops a routine: training, bathing, visiting Merissa, and dreamwalking at night. She develops friendly rapport with Leonardo, who brings her fruit each morning.


One night, Elara has a nightmare that is a vivid memory of her birthday ball. Ariete appears, murders her parents with starlight blades, and unleashes power on the guests. The starlight disintegrates everyone except Elara, shocking Ariete before Elara flees.


She wakes and goes to her balcony to practice illusions. She creates a miniature winged lion and throws the illusion across the garden. When it lands on the opposite balcony, Enzo emerges and spots her.


Using Light to write messages, Enzo teases her, then turns serious. He proposes they try to unblock her shadows again and writes a final encouraging message: “Fear is just a monster […] And monsters can be slain (106).

Chapter 14 Summary

The next morning, Elara tells Enzo she’s ready. He takes her to the royal gardens to demonstrate how Light is used for creation. He introduces her to Kalinda, Leonardo’s mother and palace gardener, using the alias “Nova” for Elara. Kalinda gives Elara a peach. When Elara reveals Leonardo brings her peaches daily, Enzo is surprised. She explains she kept Leonardo’s secret after dreamwalking his past, which shifts how Enzo views her.


As a test, Enzo uses Light to grow forget-me-nots, giving them to Elara. She touches them without fear, feeling only warmth. She presses the flowers into her copy of The Mythas of Celestia.


Enzo later tours her through Sol, helping her grow comfortable with Light. She observes that citizens adore rather than fear him. Their training improves because Enzo has stopped speaking coldly.


Another nightmare surfaces: a memory of younger Lukas berating Elara for her inability to use shadows. Sofia later comforts her and teaches her the mental box technique.


Elara wakes and goes to her balcony, suppressing feelings into the box. She sees Enzo waiting on his balcony, as if he knew she would appear. They share a silent, determined nod. Elara resolves that tonight, she will finally free her shadows.

Chapters 1-14 Analysis

The initial chapters establish Elara’s central conflict through the theme of Healing Trauma to Reclaim Power. Her inability to access her shadowmancing is a direct psychosomatic manifestation of childhood trauma. The narrative externalizes this internal wound by linking it to her most powerful magical gift, making her journey toward becoming a “weapon” contingent on psychological healing rather than mere physical training. This is most evident when Enzo’s cruel reenactment of her trauma—using his Light magick to restrain her—unleashes a tangible nightmare creature that physically wounds him. Notably, this moment is not controlled or intentional; the creature emerges as a reflexive, defensive response, underscoring how her power is tied to fear rather than mastery. Her power emerges uncontrollably only when the trauma is directly triggered. Her reliance on the mental box reinforces this dynamic, and the repetition of this technique across early chapters—during captivity, interrogation, and emotional overwhelm—illustrates how deeply ingrained her avoidance is, even as it actively prevents her growth. By containing rather than processing her pain and grief, the box perpetuates her magical block. This framework suggests Elara’s path to power is through the difficult work of confronting and integrating her past.


The narrative systematically deconstructs the dualism of good and evil through its nuanced portrayal of light and shadow. Elara’s defining trauma is inflicted by a soldier using Light magick as a tool of fanatical “cleansing,” immediately positioning the supposed element of good as a source of violation. This contradiction is reinforced visually and physically throughout these chapters: Light is repeatedly described as blinding, suffocating, or invasive, while shadow emerges as protective, even instinctive. This subversion is echoed in the conflicting versions of the fairytale The Nightwolf and the Silver shared by Elara and Merissa, a commentary on how national ideologies construct enemy archetypes, highlighting the theme of The Political Manipulation of Good and Evil. The nascent connection between Elara’s shadow and Enzo’s light, first seen when a wisp of shadow appears where his light touched her balcony, foreshadows a necessary synthesis and their connection. This moment also marks the first instance in which their powers coexist without violence, signaling a shift from opposition to potential harmony. Isra’s vision of their combined “black” flames destroying a Star confirms that true power lies in the integration of these perceived opposites, challenging the simplistic binaries that fuel their kingdoms’ conflict.


Enzo’s characterization is built upon a facade of arrogant cruelty that conceals his own trauma and manipulated worldview. His initial hostility is grounded in the belief that Elara’s parents murdered his mother, a narrative providing personal justification for his kingdom’s aggression. He claims that “[i]t was your parents who killed my mother […] [t]hey are the reason my father started the War on Darkness” (48), which frames his actions as rooted in righteous grief. In early interactions, this manifests as deliberate provocation: He taunts, restrains, and tests Elara in ways that blur the line between training and punishment. However, the dreamwalk into Leonardo’s past provides the first crack in this persona, revealing a young, compassionate Enzo capable of kindness. This recontextualizes his behavior as a hardened defense mechanism shaped by his father’s influence. His genuine shock and subsequent remorse upon learning of Elara’s trauma underscore his own ignorance, shifting him from a one-dimensional antagonist to a more complex figure.


The narrative uses prophecy and the symbol of dreams to reveal truths inaccessible in the waking world. A prophecy sets the entire plot in motion, creating an undercurrent of tension and framing the characters’ choices as a struggle with predestination, directly engaging the theme of Defying Prophecy and Rewriting Fate. Isra’s revelation that “[y]ou will fall in love with the King of Stars, and it will kill you both” redefines the stakes from political to personal (95). What begins as a distant, politically charged prophecy tied to Ariete and the murder of Elara’s parents is transformed into an immediate emotional threat, as its meaning shifts toward love, misdirecting both Elara and Enzo into believing it refers to Ariete, when in reality it foreshadows a far more intimate and devastating fate.


The Dreamlands themselves function as a liminal space where subconscious truths are made manifest. Importantly, these dream encounters are not neutral; they are emotionally invasive, forcing Elara into moments of recognition she is not prepared for, particularly in her exposure to Enzo’s suffering. For instance, Elara’s dreamwalk into Leonardo’s memory reveals a secret history that reshapes her understanding of both the general’s loyalty and the Lorenzo’s capacity for empathy. Other forms of liminal communication serve a similar function, as when Enzo writes in light that “[f]ear is just a monster […] and monsters can be slain” (106), marking a pivotal shift from conflict to alliance. These exchanges signal a gradual shift in their dynamic, where communication becomes more intimate, even before either character openly acknowledges that change. This reliance on prophecy, dreams, and symbolic messages make the characters’ psychological journeys as central to the narrative as the external political conflict.


The early chapters also establish the central relational tension between Elara and Enzo as one defined by resistance, surveillance, and reluctant recognition. Their interactions are marked by a constant testing of boundaries—physical, emotional, and ideological—as each attempts to assert control over the other. However, beneath this antagonism is a growing pattern of attention: Enzo watches Elara even when performing indifference, and Elara increasingly observes him outside of direct confrontation, particularly during moments of unguarded behavior such as his training or private interactions. This shift from opposition to observation signals the beginning of a more complex bond rooted not in trust and awareness. The narrative builds this tension gradually, allowing moments of vulnerability to destabilize their initial perceptions and lay the groundwork for transformation.

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