Heavenly Bodies

Imani Erriu

78 pages 2-hour read

Imani Erriu

Heavenly Bodies

Fiction | Novel | YA | Published in 2022

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Chapters 15-28Chapter Summaries & Analyses

Content Warning: This section of the guide includes discussion of cursing, graphic violence, sexual violence, physical abuse, substance use, emotional abuse, and death.

Chapter 15 Summary

In the middle of the night, Elara and Enzo return to the cliff where he previously threatened her. Elara theorizes her shadows only emerge when she genuinely believes death is imminent, as they manifested during the zealot’s attack 18 years prior but not during the encounter with Ariete, as the prophecy assured survival. She asks Enzo to attack her with lethal intent, refusing any safe word. During their fight, Elara discovers his full strength far exceeds training levels. She deploys illusions—bats and shifting grassland—but he overcomes them easily. Though Enzo pins her and unleashes his light, it lacks heat and does not burn her as Helion Light once did during her childhood attack, so her shadows remain dormant because she subconsciously knows he won’t kill her.


To provoke a genuine response, Elara insults his deceased mother, calling her a “Light-loving bitch” (116). Enraged, Enzo releases a powerful burst that knocks her off the cliff. As she plummets, paralyzed and unable to summon shadows, Enzo leaps after her, accepting they will die together. He calls her a dragon and yells at her to spread her wings. His selflessness finally unlocks her power. Massive shadows erupt, forming a winged lion that catches them both and soars over the ocean as Enzo adds fire to its breath. They ascend above the clouds to watch the sunrise, and Elara marvels at the Light’s beauty for the first time. They share wonder, questioning whether the cruel Stars could create such beauty, and speculate about a more divine power beyond them.

Chapter 16 Summary

Elara and Enzo arrive back at the palace at dawn. Enzo notes her shadows have retreated to recharge after 18 years of dormancy, then mentions informing his father of her success. This reminder that she is merely a weapon to the D’Oro family shatters Elara’s peace. Feigning exhaustion, she cloaks herself in illusions and flees, intending to escape Helios, even if it means stealing a horse.


In a city square, she collides with Leyon, Patron Star of Helios and god of Light. His divine charm is overwhelming, and he immediately sees through her glamour, identifying her as the fugitive Asterian princess while also expressing interest in her, even flirting with the idea of the prophecy applying to him. Leyon explains he won’t surrender her to his brother Ariete due to their feud. He also reveals Ariete’s recent behavior has angered the other Stars. He notes the Stars’ Invite prevents Ariete from entering Helios without Leyon’s permission, making this kingdom her safe haven. Enzo arrives and interrupts, claiming his father took pity on Elara under a strategic pretense. Leyon accepts the lie but issues a veiled threat about King Idris neglecting the temples.


Enzo drags Elara away. They argue bitterly, with Elara insisting they will always be enemies. She accuses him of being a monster and references the Borderland Fires. Enzo traps her against oracle Isra’s door, his flames burning with cold rage, and tells her she is free to leave. Isra opens the door, and Enzo disappears inside, slamming it in Elara’s face. Left alone, Elara wrestles with her choice. Remembering Enzo jumped off a cliff to save her and realizing she needs him to defeat Ariete, she decides to stay in Helios.

Chapter 17 Summary

Elara finds Merissa in the kitchens and confesses she attempted to flee but returned. Merissa accepts this without judgment, and they chop herbs together. That night, exhausted, Elara cannot dreamwalk. The following morning, she wakes with new awareness that she has actively chosen to remain in Helios. Looking from her balcony, she sees Enzo on his, watching her. They stare at each other in loaded silence before he retreats inside.


The next morning, Leonardo escorts her to training instead of Enzo, explaining that the prince believes she will benefit from his instruction now that her shadows are unlocked. On a private training ground, Leonardo reveals his Light manifestation: devastating lightning crackling between his palms. Elara’s shadows emerge weak and translucent, instinctively shrinking from Leonardo’s intense power. Leonardo proves merciless, treating her as a soldier rather than a protected asset, forcing her through grueling exercises. That evening, a weary Elara returns to find Merissa has prepared a warm bath.

Chapter 18 Summary

Elara dreamwalks and locates Enzo’s nightmare—a black, pulsing dreamcloud. The dreamscape is a scorching white marble chamber where Enzo kneels, shirtless and bound, as light whips his back, tearing into his skin and leaving wounds. Bloody numbers—3, 3, 3—are painted on the walls. The scene shifts to the throne room, where Idris berates Enzo for allowing Elara’s near escape and brutally whips him with light until he collapses. Elara calls out, making Enzo aware of her presence.


Back in the marble room, Elara comforts him with calming breaths. When the light whip reappears, she summons shadows to destroy it and extinguishes the flames, plunging them into cool darkness. Enzo asks how she did this; she replies that sometimes the Light needs the Dark. He explains the numbers represent the 333 Asterians he has killed, and he remembers every face and name. Moved, Elara tells him he has his own monster to slay and demonstrates he can control his dreamscape by willing the bloody numbers to disappear. Before leaving, she kisses his cheek softly, giving him a gentle, healing memory to counter the violence of the dream. As he wakes and reaches for her hand, she reminds him it was only a dream.

Chapter 19 Summary

Elara returns to her body and notices light from Enzo’s windows. She pretends to sleep as he gazes toward her room from his balcony. The next day, she is haunted by his nightmare and newly aware of the depth of his suffering under Idris, reflecting that monsters are created rather than born. During training with Leonardo, her shadows remain weak. He mentions he and Enzo have been planning the Feast of Leyon—celebrating the Star’s first Descent to Helios—and invites her to the revel by the palace waterfall. She declines.


That evening, Merissa persuades her to attend. At the sunken garden, Elara joins Isra and a tipsy Leonardo. Isra remarks that Elara has chosen a different path, referencing her decision to stay. Elara drinks potent Flamespirit and becomes pleasantly intoxicated. She spots Enzo lying in the grass with a blonde woman; he looks bored and disengaged despite the overtly sensual atmosphere of the feast. Their eyes meet before he scoffs and looks away. Leonardo explains that Enzo doesn’t court women but seeks physical release from life’s pressures. Elara reveals she once had a lover but found it underwhelming. A voice behind her—Enzo’s—suggests she simply hasn’t found a man who knows how to seduce her properly.

Chapter 20 Summary

Enzo sits beside her, shirtless and dripping from a swim. Elara proposes they become tentative allies with a common goal. Enzo accepts, then asks if she was dreamwalking the previous night. Though she denies it, he thanks her. Enzo reveals the truth about the Borderland Fires: He secretly evacuated all Asterian villagers before burning the empty settlement to satisfy his father’s orders. Elara believes him and thanks him for saving them.


The group relaxes as Merissa arrives with chocolate-dipped gildberries. Elara eats one with deliberate sensuality while maintaining eye contact with Enzo, declaring that the berries are worth writing home about. His gaze darkens with desire, and he visibly loses composure. When Merissa pulls Elara onto the dance floor, a soldier attempts to dance with her, but Enzo intervenes and offers her ambrosia—the drink of the Stars—as a peace offering. He holds the cup to her lips. The potent liquid induces a trance-like state, and Elara stands motionless for 10 minutes, experiencing a vivid vision: two thrones of silver and gold, red flames devouring them, a roaring lion, and a blade plunged into a stone heart.

Chapter 21 Summary

Elara emerges from her ambrosia vision, disturbed. She leaves the feast and wanders into the palace hedge maze. At its center, she discovers a breathtaking fountain featuring a mermaid and pirate locked in intimate embrace. Enzo appears, admitting he followed her. They discuss the statue and soulmates. Enzo says he no longer believes soul ties exist, though he loves the ballad. Elara reflects her parents seemed like soulmates; she is glad they died together.


Enzo suggests the sculptor either knew love deeply or craved it desperately. Observing her sun-tanned skin from training, Enzo tells her she looks as though the Light has made love to her. The comment sends heat through her. She deflects with a laugh, remarking on his rakish reputation. Enzo walks her back to her room, and at her door, he lifts her hand as if to kiss to it before bidding her goodnight.

Chapter 22 Summary

Elara wakes with severe menstrual cramps. When Enzo arrives uninvited and finds her in undergarments, she protests, but he sits on her bed and offers to help. He places warm hands on her stomach, using his Light to create soothing heat. He correctly deduces her power is heightened during her cycle, noting this is a known pattern among magic users, which he learned from Isra.


They share childhood stories. Elara recounts how Sofia, who was like a sister, once caused a kingdom-wide blackout during an argument over a borrowed dress, forcing the winter solstice ball to proceed by candlelight. She expresses anguish over not knowing Sofia’s fate. Enzo squeezes her waist and promises they will find out, adding they are in this together. Soothed, Elara drifts into a daydream where Enzo’s touch becomes intimate. She jolts awake to find him smirking. He reveals he could sense her desire through her thinning shadows. As he leaves, he teases that her dream was only a fraction of what he could do.

Chapter 23 Summary

Elara and Enzo settle into comfortable training. Her shadows grow stronger but lack substance. During one session, Enzo questions how a princess learned knife combat. Elara proposes a trade: a secret for a secret. She explains that Sofia’s mother, Juliette, was captain of the Asterian King’s Guard and trained both girls daily. Years ago, Juliette died mysteriously with no visible wounds and a terrified expression frozen on her face, as though she had witnessed pure evil.


Enzo asks if Elara has ever used her gifts to harm anyone. She admits using nightmare illusions on Helion city guards when she first arrived. At his probing, she describes the assault, including ringleader Barric tearing her gown and forcing a kiss on her neck. Enzo becomes suspiciously calm, his voice turning cold and unnaturally controlled as he presses for details. When she names Barric, light begins gathering frigidly in Enzo’s hands. He cups her face and vows it will never happen again, stating she is under his protection. He leaves abruptly. Only after does Elara notice the ground where he sat is scorched black and smoking.

Chapter 24 Summary

The next morning, Elara wakes to smoke and finds the palace in chaos. Merissa explains a public execution is taking place. Elara joins the crowd in the palace yard. On a raised platform, five men are tied to pillars. She recognizes all of them: Barric and the four guards who assisted in her assault. They have been brutally beaten and mutilated; Barric’s tongue has been cut to a stump.


Enzo appears, dressed in black, and addresses the crowd with cold authority. He announces the men are charged with assault of the highest degree and declares this will be the fate for anyone who violates a woman. With a single flick of his wrist, he engulfs all five in flames. Their screams fill the air as some spectators cheer and others cry out in horror. Enzo’s gaze locks with Elara’s, his eyes burning. Overwhelmed, Elara flees the palace grounds.

Chapter 25 Summary

Elara runs to the forest clearing where she and Enzo first trained. Her shadows flood the space as she struggles with rage and betrayal. Enzo finds her. She attacks him, pinning him down before realizing who it is. They argue intensely. She accuses him of making the execution his decision rather than hers, turning it into her burden. Enzo explains all five men were repeat offenders who would have continued harming women, and she was assaulted under his protection. He apologizes for upsetting her but states firmly he doesn’t regret ending their lives.


His earnestness softens her anger, and she tentatively forgives him, reminding him he owes her a secret. He confesses he carved the fountain, revealing sculpting with Light is his gift. He creates a beautiful display, scattering star-like patterns across the forest canopy and carving the letter E into a tree. Their conversation turns intimate. Elara admits she has never been in love, not even with Lukas, her betrothed, because she never felt fire with him. As Enzo holds her hand, she reveals Lukas grew increasingly dark before betraying her by summoning Ariete to her birthday. She recites her prophecy: She will fall in love with the King of Stars, and it will kill them both. Enzo tells her she deserves reverence and murmurs she would be easy to worship. Before the moment deepens, a growl interrupts them. A large black wolf appears—Astra, the companion Sofia tamed years ago. The wolf repeatedly nudges the obsidian jewels on Elara’s dagger before running into darkness.

Chapter 26 Summary

Back in her room, Elara recalls Sofia saying the obsidian meant a part of her was always with Elara. At Enzo’s suggestion, she channels shadows into the large black stone. A shadow projection of Sofia emerges, distorted and flickering. Sofia confirms she is imprisoned in the palace with Ariete, who has killed many guards. When asked if Ariete has hurt her, Sofia quietly admits he has. The connection becomes unstable, and Sofia’s message about a ball is cut off.


Elara immediately resolves to return to Asteria to save Sofia. Enzo argues it is obviously a trap, but she insists she cannot abandon her friend. During their heated argument, Enzo confesses she is his favorite part of the day. Before Elara can respond, Leonardo interrupts to summon them to the throne room. King Idris presents an invitation to the coronation of King Lukas Saintsombre of Asteria, followed by a masquerade ball. Elara is enraged, realizing her betrothed has usurped her throne. Idris declares the event is clearly Ariete’s trap and forbids attendance. Mastering her emotions, Elara smooths her expression and feigns obedience.

Chapter 27 Summary

That evening, Elara secretly enlists Merissa’s help to prepare for departure the next day. The following morning, Merissa assists with hair and makeup but doesn’t apply a glamour, as the masquerade will provide sufficient disguise. When Merissa disappears briefly, Elara struggles with her corset. Enzo arrives, dressed in formal black and indigo Asterian court attire. He announces he is escorting her to the ball, refusing to let her go alone despite his father’s prohibition.


The air grows charged as Enzo helps tie her corset in a moment charged with intimacy. His thumbs brush her hips as he pulls the laces, and when she sweeps her hair aside, his hands still momentarily, his breathing shallow. He makes suggestive comments throughout, and she feels heat crawling up her spine. After finishing, he leaves to arrange a carriage via the servants’ entrance. Merissa returns and helps Elara into an indigo ballgown adorned with silver constellations. Elara dons a delicate silver mask. After Merissa wishes her safety, Elara descends to meet Enzo.

Chapter 28 Summary

Elara and Enzo travel by carriage toward Asteria. Crossing the border from bright crimson into periwinkle twilight, Elara feels profound comfort at returning home. They reach Phantome and join carriages filing through the palace gates—open for the first time in decades. They dismount and are guided to a lake where magical gondolas ferry guests to the palace. During the journey, they establish aliases: Alec and Nova. They present forged invitations under the name Argentes.


Upon entering the ballroom, Elara is struck by the transformed space: a magical woodland with midnight trees, floating candles, dark-roses, and constellations illuminating the ceiling. She scans for Ariete but instead spots Scorpius, another Star, whose magnetic presence fills the room with overwhelming charm. Panic seizes her as she realizes multiple Stars are present—a rare and dangerous convergence. Enzo calms her and leads her to the dance floor, insisting they blend in. They perform the Celestian Waltz together, their movements perfectly synchronized and filled with tension. During partner-switching, Elara briefly dances with another Star whose charm feels like storms and puzzles. She observes his cunning coal eyes and silver necklaces with a key and blade. Enzo later identifies him as Eli, one of the twin messenger gods. After the dramatic finale—where Enzo lifts Elara high above the dance floor—they agree to separate and mingle to gather information, with Enzo warning her not to stray far.

Chapters 15-28 Analysis

These chapters advance the theme of Healing Trauma to Reclaim Power by externalizing Elara’s struggles and linking her recovery to her relationship with Enzo. The scene on the cliff in Chapter 15 reframes her trauma by substituting the original destructive Light with Enzo’s controlled, harmless version. Her power unlocks when he demonstrates selfless care by jumping after her, which could doom them both. This act redefines the source of her fear, allowing her shadows to respond to protection rather than a threat, and it marks the first moment where Enzo prioritizes Elara’s life over his duty or his own survival. This dynamic develops further as their roles reverse. When Elara dreamwalks into Enzo’s nightmare, she uses her shadows—the power born from her trauma—as a source of comfort. Her ability to quell the nightmare’s flames and erase the bloody numbers demonstrates a new level of control over her abilities. By helping him confront his trauma, she reinforces her own healing, culminating in her assertion that “sometimes the Light needs the Dark” (137). This exchange reveals that both characters are shaped by parallel experiences of violence—Elara by external assault and Enzo by sustained parental abuse—creating a foundation for empathy rather than mere attraction. This reciprocal process transforms their alliance from a strategic necessity into an interdependent bond.


The meaning of light and shadow is complicated, subverting traditional dichotomies of good and evil. Elara’s power, born of darkness, manifests as a protective, life-saving force—a shadow lion that carries her and Enzo to safety. Conversely, Enzo’s Light is a tool of both creation and destruction. He uses it to sculpt a fountain in the maze, a private act of artistic expression, and also wields it to publicly execute five men in a display of retributive violence. These acts are presented as evidence of his internal conflict, as he navigates the expectations of a violent regime while privately adhering to a personal moral code and growing affection for Elara. This duality is central to the theme of The Political Manipulation of Good and Evil. The execution serves a political purpose—asserting his authority and projecting an image of strength—while being framed as righteous punishment. At the same time, his decision is driven by personal rage after learning of Elara’s assault, revealing how his emotional investment in her is already influencing his use of power. This moral ambiguity suggests that good and evil are defined by the user’s intent and context.


Public versus private selves are explored through identities performed under political and social pressure. Enzo embodies this conflict; his public persona is that of a ruthless prince who allegedly burned hundreds of Asterian villagers, but his private self is an artist who suffers physical abuse and secretly saved the people he was ordered to kill. His revelation about the Borderland Fires exposes his public actions as a calculated deception to appease his father while privately adhering to his own moral code. Similarly, his decision to secretly escort Elara to Asteria for the coronation ball represents a significant act of defiance against King Idris, prioritizing her needs over political obedience. Elara similarly navigates a dual identity, using glamours, masks, and aliases to survive in an enemy court. Their developing intimacy is marked by the shedding of these public facades in secluded spaces like the training grounds and the hedge maze. However, their connection is not purely private; it increasingly manifests in public-facing decisions, such as Enzo’s protection of her in front of others and his visible reactions to perceived threats against her. In private moments, they share vulnerabilities that contradict their broader public roles.


Foreshadowing is employed as a structural device, weaving elements of prophecy and symbolic visions throughout the narrative. Elara’s ambrosia-induced vision introduces a cluster of images: “Two thrones—one made of pure, shimmering silver, the other of gold. Hungry red flames devouring them both. A roaring lion, and finally a blade plunged into a stone heart” (153). Each element functions as a narrative signpost, hinting at future events such as a shared rule, war, the role of a lion, and an act of betrayal or sacrifice. The imagery of dual thrones also anticipates Elara’s potential role within both Asteria and Helios, reinforced visually when she later wears Helion colors and constellations at the ball, symbolically aligning her with both kingdoms. This prophetic glimpse also operates in tandem with Elara’s primary prophecy—that she will fall in love with the King of Stars and it will kill them both. The narrative creates ambiguity around the identity of this “King of Stars,” presenting Enzo, with his connection to Light, as a potential candidate over Ariete.


The physical and emotional intimacy between Elara and Enzo develops through sensory details and shared acts of vulnerability. Their interactions evolve from hostile training sessions to moments of connection and romantic tension. While Elara’s narration frequently emphasizes her physical attraction to Enzo, his behavior increasingly makes his interest explicit through action rather than internal monologue. When Enzo uses his Light to soothe Elara’s menstrual cramps, the act is non-sexual yet deeply intimate, repurposing his power from a weapon into a tool for comfort. This reframes her perception of the Light, a process furthered by his compliment that she looks “like the Light has made love to [her]” (158), which recasts it as a benevolent force. The narrative uses touch—a hand on her waist, thumbs brushing her hips, a near kiss to her hand—to communicate the growing tension between them. These gestures are paired with larger acts—jumping after her from the cliff, executing her attackers, and repeatedly placing himself between her and danger—that signal a deepening emotional attachment that Elara only gradually acknowledges. These physical moments are paralleled by emotional disclosures and her witnessing of his father’s abuse in the dreamscape. They construct a slow-burn dynamic grounded in mutual recognition, protection, and the gradual dismantling of mistrust.

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