72 pages • 2-hour read
Olga Tokarczuk, Transl. Antonia Lloyd-JonesA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Content Warning: This section of the guide features illness, death, sexual content, mental illness, transphobia, and cannibalism.
The Clairvoyant is named Leo. When he was young, he was trapped for two days underground after a mine collapse. When he was rescued, he turned to reading, becoming obsessed with prophecies and mysticism. When his wife died, he became untethered, his mind making connections at random, and he watched as his predictions became true.
Women often visited, asking about petty things, and the more Leo looked into the future, the more certain he became that the world was ending. Leo saw visions of a desolated valley, with the trees and plants dead, and the sky orange. He began using the ephemerides to predict the end of the world. He concluded that it would begin to end on April 2nd, 1995, and end completely in August, as the planets changed. He lived his life in anticipation of the end, neglecting the present.
He predicted that melting ice would cause a global flood in 1993. Then, war would begin in the Middle East and spread across the world. In 1994, nuclear war would begin and the skies would darken and people would fall ill. He predicted that the village of Nowa Ruda would survive untouched. The world ended for Leo in 1993, when he heard that a group in Uruguay was predicting the world would end that day. While Leo took a bath, the power went out. He froze in horror, but felt a sense of disappointment, wishing the end was more dramatic. When the power returned, Leo left his bathroom to see that the world was still there, though he felt it was slightly different.
Leo became disillusioned with the world, believing it was no longer his. He stopped taking care of himself, and wandered the town, confronting people and shouting at them. He stopped noticing how the passing of time changes people, and was shocked when he saw grown women he remembered as little girls.
The narrator lists the many kinds of divination she finds online. Many are strange, such as “Gastromancy, divination based on sounds coming from the stomach,” and “Tiromancy, divination from the way cheese is cut” (172).
The radio station broadcasts a novel in September called The Secondhand Man. The protagonist is adopted by a couple who lost their son, and he becomes a replacement for the boy. When the man reaches university, he becomes enthralled with Plato and his theory of the idea and its shadow: “[T]hat something real and individual can exist, perfect in its uniqueness, along with something more hazy” (173). He feels as though he is a duplicate, marrying a divorcee and becoming a stepfather. The narrator misses the final two episodes, and suspects he dies.
The narrator and R. receive guests who arrive in a white car. The narrator thinks the color white is not natural, and that many things people believe are white are really just light shades of other colors. She thinks of how sheets, which begin white, always turn yellow with age.
Marta watches as the narrator and R. and their guests set up chairs and food outside to watch the night sky, and hears them react to the rising moon. The narrator sees the moon change colors the higher it rises, but Marta is no longer focused on the moon, but the people watching it.
The narrator’s house is too crowded that night, and she decides to sleep in the nearby orchard. She realizes that the night is not dark, but bright from the moon. The borders around the objects blur, and disappear in this light. The narrator’s hearing improves; she hears her guests sleeping in the house, making it difficult to sleep. She later hears the sound of a comet.
When Paschalis shared his writing with the bishop, it took days for the bishop to read it. Paschalis walked around the city, taken with the new type of woman he saw. He occasionally walked down a street with sex workers, feeling embarrassed when they called out to him.
When the bishop called Paschalis, the bishop complimented his work. However, he did not understand all of it, and found it heretical. The bishop told Paschalis that they would not accept his writing. He mentioned other women who have become saints, but Paschalis knew they rejected him because they despised the imagery of Kummernis, a woman with the face of God.
Afterward, Paschalis walked through the city, upset, knowing he must return to the convent. When he stumbled upon the sex workers this time, one, named Katka, coaxed him upstairs. He confused her by not wanting sex, and instead asked her to help him wear her clothes. Once he was fully dressed as a woman, adopting this new identity, they had sex.
The narrator dreams of receiving a strange letter, folded to make its own envelope. She does not remember exactly what it said, but knows it began with “Wake up!” (187). She thinks it may be a political ad, or an advertisement for a shopping deal. What she does remember, however, is opening it with a knife, feeling like she was cutting open a paper animal.
The narrator’s friends make mushrooms, though her friends refuse to eat when she tells them they are Suillellus luridas. While it is poisonous, the narrator knows it is delicious, and that people ate it for generations. The mushroom slowly attacks the kidneys, doing damage over time. The narrator thinks eating the mushroom makes her both dead and alive at the same time.
The chapter concludes with a recipe of lurid boletes in wine and sour cream.
During a heat wave, the protagonist, R., and Marta sit outside. The heat is severe, and the protagonist and R. frequently take breaks inside the house to escape the sun. Though they apply sunscreen, they burn by the afternoon. Marta, outside her own house, watches as the narrator and R. talk in the sun.
The narrator and R. spend an evening drinking Czech wine. They wonder who changed place names from German to Polish after the war, and how he chose them. Some are direct translations, while others seem nonsensical. The narrator believes that language coexists with people, places, and objects, creating identity and meaning together.
She believes that people resemble words, being attached to places like words are to objects. She remembers when Marta told her, “If you find your place you’ll be immortal” (191).
Ergo Sum ate human flesh in the spring of 1943. He was one of five prisoners in a shack to unload a delivery, but the train did not come. One morning, they found one of the prisoners frozen to death, his foot nearly in the fire. Ergo Sum was an academic until he was 24, when the Soviets invaded and sent him to Siberia.
For two weeks, the men ate the dead prisoner, and Ergo Sum realized that he did not even allow himself to realize it was a man. They often heard wolves, and one night, the wolves descended on the corpse, tearing it apart. The next day, they decided to follow footsteps into the woods, in hope of finding safety. They walked all day, and as night fell, they found a small village. Soon, Ergo Sum met some Polish soldiers and found his way to Nowa Ruda, where he became the classics teacher.
After Christmas, Ergo Sum always felt intense sorrow, and as the years went by teaching, he found he had less motivation to continue. When he felt particularly poorly, he read Plato to comfort himself. Despite a lifelong devotion to Plato, Ergo Sum felt startled one day when he read in The Republic, “He who has tasted human entrails must become a wolf” (200). His mind filled with the frozen landscape of his past. He took leave from work, and at the next full moon, found himself howling.
He tried to stop himself from giving in to the wolf inside him, but it only pained him. He researched and accepted that he suffered from lycanthropy, when a man becomes a wolf. On the third full moon since his transformation, he changed his locks, tied himself to a chair, and took some morphine, hoping to pass the night without being discovered.
In the first dream, the narrator sees her own back. She notices that there is a navel in her back, the opposite of the one in the front. This one sticks out.
The narrator finds herself on a bridge in the second dream, reaching her hands into the water to catch small, golden fish. More appear every time she catches one.
Marta asks the narrator how she cuts her hair so evenly. To demonstrate, the protagonist cuts Marta’s hair. Marta loves it, and the narrator allows Marta to cut her hair too. When the narrator attempts to clean up their fallen hair, Marta stops her, wanting to save it.
Marta tells the narrator that people take after the land they live on. She describes the ways in which those born on light and sandy soil are different from those born near water, or on rocky ground. Each have their own characteristics and forge relationships differently. When the narrator asks Marta which group she belongs to, Marta cannot tell her.
The von Goetzen family lived in a mansion for generations. Each member was born there, and rarely left. If they did, they did so to further their education in ways that would allow them to better enjoy life at the mansion. From the time they were born, the von Goetzens enjoyed a happy life, with love and care around them. Love was strong at the mansion. Even after scandals and betrayals, the bonds remained strong. When one von Goetzen died, another was always ready to take their place in the mansion’s hierarchy.
Despite their happy existence, the von Goetzens were unexpectedly forced to leave the mansion. With war approaching, they decided to go to a smaller von Goetzen mansion, in Bavaria. Even as the Bolsheviks approached, the von Goetzens tried to find a way to stay.
The von Goetzen who owned the other mansion went into the village before the family left, and found it in chaos, with people packing and leaving while the sound of cannons echoed in the distance. The pharmacist told him that his family was staying, and offered the von Goetzen his new car. As he drove back toward the mansion, the von Goetzen realized that the Bolsheviks could confiscate the car. To prevent this, he hid the car in the forest. At the mansion, he found his family waiting to leave. The von Goetzens watched as Bolshevik soldiers stole their horses to pull their cannon and left in the direction of Waldenburg.
Among the many instances of folklore like the story of Kummernis, there are tales that explore the mysticism of clairvoyants, reflecting The Use of Folklore to Challenge Reality. Leo is the local clairvoyant, whose powers of prediction grow stronger after his wife dies. He believes that the world will come to an end, and begins to live as though it is true. He constructs a reality around himself that matches his expectations, sending him into a panic when he believes the evidence is mounting: “As he was sitting in the bathtub, the light in the bathroom went out, the television fell silent and icy water began to flow out of the tap […] The pipes in the bathroom started blaring like the trumpets on Judgement Day” (166-167).
While others may believe that this is at most an inconvenience, Leo experiences it as a catastrophe. He sees signs that his prediction is coming true, and his association of the noise of the pipes with the horns of “Judgement Day” reveals that he truly believes he is facing a mystical end. The power eventually returns and no catastrophe occurs, but this moment reflects how Leo’s belief in the end of the world pushes him to see that world around him. Even though his predictions fail to be precise, he believes that it is indisputable that his predictions have come true, and lives accordingly.
The belief that land and its residents’ relationship with it plays a role in how they construct their own identity is explored through Tokarczuk’s use of a borderland as the novel’s setting, deepening her exploration of Borderlands as an Ontological Condition. Of the many characters, Marta is the most comfortable with this idea, seeing the evidence for herself. As she and the narrator discuss how the names of villages and landmarks are changed from German to Polish, accruing meaning and a new identity over time, Marta suggests that people are similar: “The same is surely true of people, because they cannot live without being attached to a place. So people are like words—only in this way do they become real” (190-191). Marta believes that people construct their identity from the place they inhabit, meaning that the border plays a role in how they see themselves.
Though the narrator and Marta are in Poland, the forest that spreads across the border to the Czech Republic is no different on either side. This means that any connection to the land around them is dominated by national identity, as their part of the forest is Polish. To complicate this further, the area’s former status as a German territory results in a legacy of its former German residents, with buildings, and signs still possessing the German language. Though the narrator lives in Poland, there is evidence around her that challenges that identity.
Tokarczuk’s use of descriptive language and imagery is vital in the many different narratives within the novel. House of Day, House of Night, offers a fragmented narrative in which the lives of characters, past and present, exist side by side. To differentiate their stories and experiences, Tokarczuk uses different literary devices to characterize them. For example, the character of Ergo Sum carries a strong attachment to Plato and his writing, finding comfort in it. Tokarczuk develops this aspect of his identity by using descriptive language and similes to characterize that relationship: “The little strings of letters on the white page provided a refuge for his eyes, his intellect, his whole being, and made the world safe and accessible […] His mouth would start to salivate, because wisdom is as appetizing as pastry, as reviving as tea” (199).
Ergo Sum finds solace in Plato, not only mentally, but physically. The words and pages of Plato’s work fill him with a sense of safety, as though the world, and the danger it poses, cannot touch him. Tokarczuk further establishes this strong bond by describing Ergo Sum as having a physical reaction to the words. As he reads, he salivates, hungry for the wisdom Plato offers as though it were a pastry or tea. This simile creates an association between Ergo Sum’s reading and the relaxing and restorative properties of sustenance.



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