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Content Warning: This section of the guide includes discussion of illness, death, and addiction.
As the protagonist of Into the Blue, AJ is a dynamic and round character whose journey is one of self-definition against the scripts of family and fortune. Initially, she’s a 17-year-old aspiring comedy writer who feels trapped in her hometown of Gladstone, Massachusetts. Her primary motivation is to escape the fate she sees embodied by her family—attending the University of Massachusetts, returning to Gladstone, and living a life she considers suffocatingly normal. Her ambition to write for Saturday Night Live in New York reflects her broader desire for a more authentic and self-directed existence. Her character is defined by a sharp, self-deprecating wit, which she wields as a defense mechanism within her chaotic family. Her role as the Graves’s designated “joker” grants her safety but stifles her true voice and emotional expression. Her identity is deeply enmeshed in her role as the overlooked, “nerdy” sibling, overshadowed by her popular older brother and sister.
Noah’s arrival sparks AJ’s transformation. Their relationship develops through the shared language of performance, particularly improvisation. AJ discovers that acting allows her to shed her protective armor, and the craft of performance, which she initially views as a means to her writing career, becomes a conduit to her most authentic self. It’s only in scenes with Noah, particularly during their reading of Romeo and Juliet, that she can access a profound vulnerability she keeps hidden in her everyday life. Her emotional journey embodies the theme of Performance as a Path to Authenticity, suggesting that the artifice of acting provides the necessary safety for genuine connection. Their ability to enter the Black Room, a state of shared creative consciousness, represents the pure intimacy they can only achieve through their art. Her initial connection to Noah is fractured by his abrupt departure, a formative abandonment that reinforces her defensive tendencies and pushes her to pursue her ambitions with a hardened resolve.
Over the course of the narrative, AJ’s understanding of success, love, and family evolves. Years later, her reunion with Noah forces her to confront the defenses she has built around herself. While she has achieved her professional dream, she remains emotionally guarded. The conflict of the novel culminates in AJ’s ultimate choice between a planned, predictable life and one that embraces risk. Her sister-in-law Elle’s assertion that “[l]ove is always a risk” marks a turning point (312), challenging AJ’s long-held desire for a scripted existence. Her final, raw monologue on the stage of Fire & Water is a declaration of her growth. She rejects Noah’s self-imposed tragic ending, choosing instead to face his Huntington’s diagnosis with him. In this act, she rewrites their story, choosing love over certainty and vulnerability over safety, fully embracing a future defined not by a plan but by a profound and courageous connection.
Noah is the deuteragonist, a dynamic and round character whose personal struggles with legacy, fate, and illness drive much of the novel’s central conflict. As the last heir to the Drew acting dynasty, he’s burdened by a family history that he perceives as toxic and “soulless.” His initial introduction shows a brooding and guarded young man who actively rejects his lineage by planning a career at West Point. This rejection of the family profession is a reaction to the destructive narcissism of his famous father, Daniel, and a desire to forge an identity separate from the performative world of Hollywood. However, his mother’s illness forces him back to Gladstone, trapping him in the very environment he sought to escape. His return places him under the purview of his great-aunt Eudora Drew and immerses him in the world of acting, a craft that is both his birthright and his burden.
Like AJ, Noah finds that performance offers a unique form of release. The structure and artifice of acting offer him an escape from the overwhelming pain of his mother’s deteriorating health and, later, his own devastating Huntington’s diagnosis. He admits to AJ that “playing Romeo the other day is the only time in the past three months [he’s] been able to…forget” (35), revealing that the stage is a sanctuary where he can momentarily shed the weight of his reality. His deep knowledge of improvisation, strongly influenced by his great-uncle Ezell, allows him to connect with AJ on a profound psychic level. In the Black Room, he can be vulnerable and open in a way that’s impossible for him in real life, where he’s conditioned to hide his pain. This duality underscores the theme of Performance as a Path to Authenticity, as Noah’s most genuine self emerges only when he’s playing a role.
Noah’s defining psychological trait is his intense need for control as a defense against his medical condition. Upon receiving his Huntington’s diagnosis, he constructs a rigid plan that involves pushing AJ away, living an emotionally detached life, and ultimately dying alone to spare others from the “burden” of his illness. This self-imposed isolation is a tragic attempt to manage an unmanageable future, raising the novel’s suspense and heightening the urgency of accepting Love as an Embrace of Uncertainty. He believes that he’s protecting AJ by severing their connection, but this decision causes them both immense pain and defines their relationship for years. His journey is a struggle to reconcile his love for AJ with his terror of what his illness will do to them. His decision to get a vasectomy is a key example because it represents a definitive break from his genetic inheritance and an attempt to control the part of his legacy he can, which ties into the theme Redefining Family Legacy and Personal Fate. It’s only when AJ confronts him on stage during their performance of Fire & Water, refusing his scripted ending and choosing to face the future with him, that Noah is forced to consider that true love may require relinquishing control and embracing shared vulnerability.
Eudora is a pivotal supporting character who functions as a mentor to AJ and Noah. As the matriarch of the Drew family and a celebrated actress, she’s imperious, intelligent, and often manipulative, yet she possesses a deep-seated vulnerability rooted in her grief for her late partner, Ezell. Eudora is fiercely protective of Ezell’s artistic legacy, viewing his improvisational work as a sacred craft that she’s duty-bound to pass on. When she discovers the natural creative chemistry between her great-nephew Noah and AJ, she orchestrates their training under the guise of a transactional bargain, recognizing their potential not only as performers but also as the inheritors of Ezell’s teachings. The main characters’ rigorous training under the actress enables them to access the Black Room for the first time and equips them with the tools they need to trust and collaborate with one another later in the book.
Despite her formidable and often critical exterior, Eudora is a woman haunted by loss. She confesses to AJ that she suffers from “terrible stage fright since Ezell died” (56), revealing that her confidence is a performance masking profound insecurity. This shared vulnerability creates a subtle bond between her and AJ. Her actions are consistently driven by a complex mixture of self-interest and a fierce, protective love for Noah. Her decision to cruelly dismiss AJ after Noah receives his Huntington’s diagnosis is a calculated act designed to sever their bond, which she believes will protect them both. While her methods are harsh, they stem from a deep, albeit misguided, desire to control circumstances and shield Noah from further pain. Eudora is a round and static character. While her core motivations don’t change, the narrative gradually reveals the grief and love that underpin her formidable persona.
The Graves family collectively functions as a representation of the “normal” life in Gladstone that AJ desperately seeks to escape. They figure prominently in the theme of Redefining Family Legacy and Personal Fate, as their expectations and shared history form the script against which AJ defines herself. Jack, the patriarch, has an alcohol addiction, and his menacing presence creates a tense home environment that compels his children to adopt coping mechanisms. His wife, Katie, acts as a passive enabler, the “dealer” who “s[ees] everything and sa[ys] nothing” (16). Patrick, the eldest son, is the golden-boy protector, often shielding his younger siblings from their father’s temper. Libby, who “dominate[s] Gladstone High with an iron pom-pom as head cheerleader” (13), initially represents conventional popularity and judgment. Mike shares AJ’s interest in subcultures, and he advances the plot by motivating AJ to train under Eudora in exchange for the actress’s appearance at the fan convention. Finally, Emily, AJ’s twin who has Down syndrome, serves as a source of unconditional love and a grounding force. Her presence offers AJ a connection to an authenticity that contrasts with the constant pressure on her to perform, and the bond between the sisters proves vital when the protagonist falls into despair after the last performance of Fire & Water. Patrick and his wife, Elle, also contribute to the novel’s happy ending by offering empathetic support for AJ and Noah with the latter’s health condition.
This trio represents AJ’s professional and creative life in New York after she leaves Gladstone. Toni O’Brian and Dave Marans are AJ’s closest friends and collaborators at the Upright Citizens Brigade Theatre. Toni’s overt desire for fame contrasts with AJ’s more hesitant approach to performance. Their friendship is tested by professional jealousy, particularly when AJ is cast as the female lead in Into the Blue, but they eventually reconcile. Dave is a loyal and uncomplicated friend, an exceptionally talented improviser who provides steadfast support for AJ throughout her career. Ian is a mentor figure who gives AJ her first industry job and encourages her comedic pursuits. However, his actions during the production of Into the Blue reveal his self-serving nature, as he prioritizes his relationship with show creator Em Tyner over his loyalty to AJ, illustrating the often-transactional nature of Hollywood relationships.



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