Plot Summary

Life Is in the Transitions: Mastering Change at Any Age

Bruce Feiler

Life Is in the Transitions: Mastering Change at Any Age

Nonfiction | Book | Adult | Published in 2020

Plot Summary

Bruce Feiler, a bestselling author who has spent three decades exploring the stories that give lives meaning, opens with the phone call that set the book in motion. His mother told him that his father, a lifelong optimist and civic leader in Savannah, Georgia, who had been diagnosed with Parkinson's disease, had attempted suicide six times in 12 weeks. Drawing on his instinct that a narrative crisis demands a narrative solution, Feiler began emailing his father a simple question every Monday, starting with "What were your favorite toys as a child?" Over four years, these weekly prompts led his father to dictate and compile a full autobiography, a transformation Feiler describes as the most remarkable the family had ever seen.

This experience coincided with Feiler's own back-to-back disruptions: a rare bone cancer that required replacing his femur with titanium, near bankruptcy from the Great Recession, and his father's crisis. Seeking to understand how people navigate the swerves of contemporary life, Feiler created the Life Story Project, gathering 225 in-depth life stories from people of all ages, backgrounds, and regions across all 50 states. Guided by Dan McAdams, a narrative psychologist at Northwestern University, he designed interviews asking about high points, low points, turning points, and how subjects handled major changes. His team coded each story for 57 variables and built a database to analyze patterns.

The first part of the book argues that the dominant Western model of life as a predictable, linear progression through fixed stages is obsolete. Feiler traces this model through three historical paradigms: the cyclical worldview of ancient civilizations, the stage-based view of the early modern era (exemplified by Shakespeare's "seven ages of man"), and the mechanized, sequential view of the industrial age. He shows how 20th-century psychology reinforced linearity through stage models of development, attachment, grief, and narrative, from Sigmund Freud and Jean Piaget to Erik Erikson and Elisabeth Kübler-Ross. He critiques the concept of the midlife crisis, popularized by journalist Gail Sheehy's 1976 bestseller Passages, which declared that all adults pass through the same predictable stages, creating expectations that diverged from most people's reality.

To illustrate the gap between linear expectations and nonlinear lives, Feiler weaves in stories from his interviews. Christy Moore, a high school dropout from South Georgia who became pregnant at 16, discovered a love of reading at the public library and, over 24 years, went from earning a General Educational Development (GED) credential to completing a PhD in adult education. Davon Goodwin, raised by a single mother in the Pittsburgh projects, joined the army, was severely injured by an improvised explosive device (IED) in Afghanistan, struggled with depression, and eventually found healing by returning to farming. David Parsons, born into Detroit automobile royalty, abandoned the Ivy League for opera, developed a severe alcohol addiction at age 11, lost his singing career, and was inspired by his dying brother's words to get sober, eventually becoming a Lutheran pastor and advocate for LGBT inclusion.

Feiler catalogs 52 types of what he calls disruptors, organized into five story lines: love, identity, beliefs, work, and body. He calculates that the average adult faces between 30 and 40 disruptors in a lifetime, roughly one every 12 to 18 months. His data show no evidence of a spike in major disruptions between ages 35 and 45, leading him to replace the midlife crisis with the "whenever life shake-up."

Every now and then, a disruptor rises to the level of what Feiler calls a lifequake: "a forceful burst of change in one's life that leads to a period of upheaval, transition, and renewal" (79). The average person experiences three to five lifequakes in an adult life. Feiler classifies them along two axes: personal versus collective, and voluntary versus involuntary. Nearly half are personal and involuntary, such as the experience of Lisa Porter, a theater professor whose daughter was born with a neurological disorder on the autism spectrum, an experience that shattered her sense of having overcome her own difficult childhood. About four in ten are personal and voluntary, such as Elisa Korentayer's decision to leave multiple careers and move to rural Minnesota after meeting a canoe guide at an artist residency. Smaller percentages are collective, whether involuntary (such as surviving the 2011 Joplin tornado) or voluntary (such as Shannon Watts founding Moms Demand Action for Gun Sense in America after the Sandy Hook school shooting). Three factors cause disruptors to escalate into lifequakes: timing, accumulation, and pileups of multiple disruptions at once.

At the heart of the book is Feiler's framework for meaning-making. Drawing on Austrian psychiatrist Viktor Frankl's Man's Search for Meaning and 75 years of subsequent research, he identifies three pillars of a meaningful life, which he calls the ABCs of meaning: agency (autonomy, creativity, mastery), belonging (relationships, community, family), and cause (a calling or purpose beyond oneself). These correspond to three strands of personal narrative: the me story, the we story, and the thee story. About half of people choose life shapes suggesting trajectory and achievement, about one in five choose shapes suggesting relationships, and about three in ten choose shapes reflecting guiding principles.

Lifequakes trigger what Feiler calls shape-shifting: a rebalancing of agency, belonging, and cause. He identifies three aftershocks. First, people experience the disruption as a kind of death, with close to half using language like "a part of me died." Second, lifequakes function as what sociologist Robert Zussman termed autobiographical occasions, moments when people are compelled to revise their personal stories. Third, people shift the weight they give to each source of meaning, often moving from agency toward belonging or cause.

Feiler introduces a new model for life transitions, challenging the linear framework established by anthropologist Arnold van Gennep in the early 1900s and reaffirmed by business consultant and author William Bridges in 1979. Both insisted the three stages of a transition must proceed in chronological order. Feiler renames the phases the long goodbye, the messy middle, and the new beginning, and argues that people experience them in varied, nonlinear order. He finds that 47 percent say the messy middle is hardest, 39 percent the long goodbye, and 14 percent the new beginning. The average transition lasts about five years, meaning that nearly half of adult life may be spent in some form of transition.

The second half of the book presents seven tools for navigating transitions. "Accept It" involves identifying and accepting emotions, especially fear (27 percent of people's primary struggle), sadness (19 percent), and shame (15 percent). "Mark It" involves rituals, ceremonies, and mementos that anchor people during change; 78 percent of people mark their transitions with some form of ritual. "Shed It" addresses giving up old mind-sets during the messy middle, a process Feiler compares to biological molting. "Create It" focuses on creativity, citing Henri Matisse's invention of paper cutouts while bedridden at 71 and psychologist James Pennebaker's research showing that writing about traumatic experiences leads to decreased illness and faster reemployment. "Share It" concerns seeking wisdom from five types of significant others: comforters, nudgers, slappers, modelers, and naysayers. "Launch It" involves unveiling the new self through what Feiler calls the "first normal moment," a small, mundane act signaling recovery. "Tell It" addresses composing a fresh life story, drawing on McAdams's distinction between contamination narratives (stories ending on a downbeat) and redemption narratives (stories ending on an upbeat) to argue that people can choose how they frame their experiences.

In the conclusion, Feiler returns to his father's story. Over four years, Edwin Feiler Jr. compiled a full autobiography, demonstrating the healing power of narrative. When asked what he learned from becoming a writer in his eighties, Feiler's father said the most valuable part was knowing the publication would outlast them all. His advice to his grandchildren: "Write the stories."

Feiler synthesizes his findings into five truths: transitions are becoming more plentiful, they are nonlinear, they take longer than expected but no longer than needed, they are autobiographical occasions requiring narrative repair, and they are essential to life. He identifies five themes people distill from their lives: struggle (31 percent), self-actualization (28 percent), service (18 percent), gratitude (13 percent), and love (10 percent). He closes by urging readers to embrace the rapids of life's transitions and return to the campfire of storytelling with the words "Once upon a time."

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