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Content Warning: This section of the guide includes discussion of death, emotional abuse, and child abuse.
After the brutal battle against the Strou, Fredrich finds Jovie—they were separated during a narrow escape from a cave system, and the valley is now a bloody mud pit. Sam finds Jovie and expresses his concern for her well-being, but she refuses aid from healers, insisting that her magical wounds will heal on their own.
Later, while Jovie sleeps in her tent, a lone Strou warrior attacks her. Just as he’s about to strike, Acker appears, kills the warrior, and saves her. Believing that his presence is just a dream brought on by her exhaustion, Jovie begs him to stay. Acker holds her, and she falls asleep in his arms, comforted by what she thinks is a figment of her imagination, though she recalls feeling his presence through their Bond at least once before, in the caves.
Acker is physically drained after manifesting through the Bond to protect Jovie. He meets with King Edmond, who reveals that he has formed an alliance with Captain Wren of the Alaha, who’s betraying Roison. Acker is disgusted by this partnership, remembering that Wren was responsible for stealing Jovie’s memories when she was taken from Maile as a child.
When confronted, Edmond claims that his Match, Greta, who has the magical gift of sight, couldn’t have foreseen that their daughter, Beau, would betray them and go with Jovie. Acker admits to his father that he has visited Jovie through the Bond.
Edmond and Wren reveal the plan: Edmond will provide magic to Wren’s people in exchange for their allegiance, though Edmond would never share his methods for obtaining it with anyone, including Wren. Wren explains that his men are too deeply embedded within Roison’s army to switch sides openly yet, but Acker is deeply suspicious of their true motives.
Later, King Edmond confronts Acker in his bedchamber, revealing that he knows Acker hired someone to follow him when he left the palace. Edmond then demonstrates that he has regained his magic and acquired the gift of kinesis, the ability to move objects with his mind. He explains his new power: He knows how to steal the magical gifts of other Heirs.
Horrified, Acker secretly seeks out Greta, whom Edmond confines to the palace library. He asks her to use her gift of foresight to see the future. Greta has a vision of widespread death and shifting allegiances, concluding with an ominous prophecy: “The king of Kenta will prevail” (93). She also tells Acker that nothing aside from killing oneself along with one’s Match breaks the blood oath.
Jovie and Fredrich arrive back in Maile’s capital late at night. Before entering the palace courtyard, Jovie finds a carrot to pacify the territorial guard rabbits that her mother keeps. Inside, she’s greeted by Evelyn and Beau, who remarks that Jovie’s aura seems muted (Beau’s magic allows her to see auras). A maid brings Jovie a cup of a sleep-aid tea, and Jovie remembers Fredrich’s earlier, unexplained parting instruction to drink the tea.
While bathing, Jovie suddenly feels Acker’s presence through their Bond. Panicked, she puts on several additional mangi-stone necklaces to block the connection. She quickly drinks the tea, climbs into bed, and loses consciousness.
Convinced that he must overthrow his father, Acker goes to his friend Wells, whom he finds preparing to flee Kenta. Acker persuades Wells and his wife, Olivia, to join him and travel to Maile to seek an alliance. He reveals that their plan also requires Irina, whose magic is illusions, to conceal their ship during the journey.
Wells is openly hostile toward Irina, as both he and Olivia believe that Acker should’ve stayed with Jovie and assumed the throne. Despite the tension, they travel together in a carriage toward the coast.
A week after her return from the border, Jovie and Beau plan to meet with Drake, the new naval commander, at a local tavern. Evelyn expresses her concern but allows them to go, sending a basket of her famous toffee cakes for their friend Messer, who will also be there. As they walk through the capital, Jovie notes how openly and peacefully magic is integrated into daily life in Maile. During their walk, Beau reveals that her mother, Greta, sent word from Kenta about a growing rift between King Edmond and Prince Acker. Jovie is frustrated, admitting that she thought it wouldn’t take so long for Acker to see through his father’s manipulations. She worries that her and Beau’s betrayal may have pushed Acker further into his father’s influence, potentially corrupting his heart.
At the tavern, Jovie, Beau, and Fredrich meet with Messer, Drake, and Sam. Messer relays intelligence from Kai, confirming that Captain Wren has allied with King Edmond in exchange for magic for Wren’s people. After the meeting, Messer teases Fredrich about courting Jovie, but Fredrich states that he has no interest in competing with her Matching Bond with Acker.
Drake then jokingly offers his own affections to Jovie, which prompts a surprisingly angry and protective outburst from Fredrich. Later, after Messer walks Jovie home, Drake appears at her bedroom door, claiming that Messer sent him and said that she had requested his “services.” Utterly mortified, Jovie slams the door in his face.
On the ship to Maile, Olivia remains openly hostile toward Acker—she was friends with Jovie and Beau and believes that he made the wrong decision. During a private conversation with Wells, Acker confesses his plan to kill his father. Wells suggests seducing Jovie as the best strategy for securing an alliance and then falls back on groveling.
The suggestion triggers a painful memory for Acker: On his wedding night, Jovie appeared in his room through the Bond. He stripped Irina bare and began to have sex with her, but the feedback of Jovie’s emotional agony overwhelmed him, forcing him to stop. He never touched Irina again after that night.
As their ship approaches Maile, Irina uses her illusion magic to conceal them from the Maile armada. Acker, Wells, Olivia, and Irina then take a smaller boat toward the shore. However, Irina, drained from the effort, loses her concentration, and the illusion falters. They’re spotted by an archer on the wharf, who fires a rope-tethered arrow into their boat and begins reeling them in.
The archer then aims a wooden-tipped arrow directly at Acker, signaling that his identity is known. On the loading dock, a Maile soldier prods Olivia, and Wells furiously draws a dagger on the man. Acker shouts for him to stand down, and Wells reluctantly releases his hostage, narrowly avoiding bloodshed.
Jovie spars aggressively with Messer in the training arena. Three horsemen race up from the city to report the capture of four intruders. Feeling the unmistakable pull of the Matching Bond, Jovie realizes that Acker has arrived in Maile. She and Messer ride to the wharf, where they find Acker, Irina, Wells, and Olivia being held by Maile soldiers. The sight of Acker with Irina fills Jovie with a wave of dejection, as she concludes that he couldn’t have come for her. Masking her turmoil, Jovie walks with authority through her soldiers to confront the group.
Jovie asserts her authority by ignoring Acker and greeting Olivia first. She then forces Acker to kneel before her and her soldiers as a display of power. He formally requests an alliance with Maile against the forces of his father, Wren, and Roison.
Jovie stuns him by revealing that she’s now the queen of Maile. She rejects his petition but offers to let Wells and Olivia stay. She orders Acker and Irina to leave her territory in two days.
Before she departs, Acker asks to see his sister, Beau. Jovie replies only that Beau was unsure if he would want to see her. She turns and leaves without agreeing to pass on the message.
In a tense war-council meeting, Jovie is visibly agitated. Sam is furious that she’s allowing Wells and Olivia to remain in Maile, arguing that they’re a security risk. Beau volunteers to meet with Acker. Jovie agrees and dispatches Sam to Roison to personally update their ally, Chryse, on the situation.
Later that night, Jovie has a disturbing realization: A sexual fantasy that she witnessed in Acker’s mind that day was set inside her own bedchamber; the details indicate that he has been visiting her through the Bond while she sleeps. Terrified, she falls asleep clutching her dagger, only to awaken the next morning to find it on the table, freshly sharpened.
In these chapters, Jovie and Acker are brought back together, but their relationship and power dynamic continue to be complicated by their respective leadership roles, demonstrating The Personal Sacrifices Demanded by Leadership. Jovie’s command for Acker to kneel on the Maile wharf establishes her desire to keep their relationship purely within the political realm and forces him to recognize her as a formidable queen. The public setting is important; by forcing him into a position of submission before her bowing soldiers, Jovie redefines their relationship on her own terms, demonstrating that she now commands not just an army but the authority of a monarch. Despite feeling a “tidal wave of dejection” at the sight of Acker with his wife (145), Jovie suppresses her personal pain to project an image of absolute control. The transformation contrasts with the beginning of this section, where she’s a physically and magically depleted soldier, refusing aid in a muddy, blood-soaked valley. Her pointed question to Acker, “Haven’t you heard? […] I am the queen” (151), is a declaration of her new identity, one forged through battle and political necessity, and her determination that their personal history must be subservient to the demands of the state.
These chapters also develop Acker’s journey toward independence from his father as the revelations about King Edmond’s escalating cruelty provide him with undeniable justification for rebellion. Edmond’s secret alliance with Wren is a strategic betrayal that dismays Acker, but his father’s ability to steal magic from other Heirs is a far more monstrous act, reframing him as a parasitic tyrant. This development deepens the novel’s examination of The Exploitative Foundations of Tyranny, moving beyond controlling the Heirs through the mangi stones to a literal consumption of their innate power. When Edmond demonstrates his stolen kinesis, Acker is confronted with the horrifying truth that his father’s rule is sustained by preying on the very people he’s meant to protect. This moral atrocity dissolves any lingering filial loyalty that Acker might have felt, forcing him to seek an alliance with his father’s enemies. Greta’s ominous prophecy that “[t]he king of Kenta will prevail” casts a shadow of futility over Acker’s plans, introducing a fatalistic tension (93). The prophecy’s ambiguity—it doesn’t specify which king of Kenta will prevail—leaves open the possibility that Acker might succeed his father only to inherit a cursed throne, complicating the novel’s portrayal of tyranny by suggesting that his path to power may be as fraught and bloody as the one he seeks to end.
Throughout these chapters, the motif of the Matching Bond shifts as the tether is revealed to be a mechanism that can be used for intrusion and psychological violation. While the Bond facilitates a moment of protection when Acker saves Jovie from a Strou warrior, it also becomes a source of torment and mistrust. Acker recalls weaponizing the Bond on his wedding night, deliberately forcing Jovie to witness his intimacy with Irina to inflict emotional pain. The revelation about the connection’s invasive nature and Acker’s willingness to make use of it culminates in Jovie’s realization that Acker has been entering her mind and viewing her bedchamber while she sleeps, a violation of her innermost self. This nonconsensual access twists the idea that Trust Necessitates Vulnerability; here, vulnerability isn’t chosen but imposed, making genuine trust impossible. Her discovery that her dagger has been sharpened overnight after one such visit illustrates this complexity. The act is simultaneously a violation of her space and a gesture of care, positioning Acker as both a psychological intruder and a protector, an encapsulation of the morally gray characterizations that are a convention of the romantasy genre.
The fragile and shifting nature of the alliances between characters emphasizes the political instability of the war, where personal histories, pragmatic needs, and political strategy continually collide. Acker’s mission to Maile is a desperate gambit born of necessity, forcing him to seek aid from the woman he feels betrayed him. The deep-seated animosity between their camps is revealed through the symbolic use of butterflies, which are tied to Maile and Jovie’s power; Wells and Olivia’s wedding gift to Acker, a dagger in a box painted with Maile’s butterfly emblem, was a deliberate mockery of his political marriage to Irinia. Although they’re friends of Acker’s, their political alliance lies with Jovie. Jovie’s leadership is immediately tested by these complexities. She grants refuge to her friends despite their connection to Acker, yet Sam views them as a security risk. Beau, Acker’s sister, is torn between her political choices, which she firmly believes in, and her desire to meet with Acker not for strategic purposes but “for [her] own sake” (158), driven by a personal need for reconnection. These interactions demonstrate that in a world of crumbling empires and emergent leaders, loyalties are constantly redefined through a volatile mix of past grievances, personal bonds, and the urgent need for survival.
With Jovie’s walk through the streets of Maile’s capital, the novel illustrates the ideological contrast between her kingdom and Acker’s, establishing Maile as a foil for Kenta that shows another way to deal with the varying abilities of the citizens. In Maile, magic is seamlessly and peacefully integrated into public life: A vendor delivers pastries on a gust of wind, a fire starter lights lamps with a finger, and a resident tends to roses that bloom at her touch. This harmonious existence, where magic is an everyday tool rather than an instrument of power, stands in opposition to Kenta. There, the system of mangi stones is a tool of systemic oppression that’s taken a step further by Edmond’s actively stealing magic, treating it as a resource to be plundered. Through the juxtaposition of the two kingdoms, the conflict is thus framed as a battle between two fundamentally different visions of society: one that embraces magical gifts as an integral part of community and another that fears, controls, and ultimately exploits them for the benefit of a tyrannical ruler.



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