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Content Warning: This section of the guide includes discussion of physical abuse, emotional abuse, and disordered eating.
Little One draws upon a long tradition of American utopian communities, groups founded on the belief that society has become corrupt and that a better way of living can be created through separation from the mainstream world. Throughout American history, these groups have emerged from a disillusionment with mainstream society and a desire for a more authentic, self-sufficient existence. Although these groups differed in philosophy, they were united by a common belief that mainstream society had lost sight of what truly mattered.
One of the most famous examples is The Farm in Tennessee, founded in 1971 by spiritual leader Stephen Gaskin. It began as a spiritual community of several hundred people seeking to live communally and sustainably, apart from what they saw as a corrupt mainstream culture. At its peak, the community included more than a thousand residents who sought to live communally, grow their food, and build an alternative society based on shared values (“The Farm (Tennessee).” New Religious Movements). Similarly, the Brook Farm in Massachusetts in the 1840s was founded by George and Sofia Ripley as an experimental farming commune. They believed in “the ideas of Transcendentalism, which was the belief that the ideal society could be created on earth if it there was a balance between nature and community” (“Brook Farm: Transcendental Community.” Commonwealth Museum). Although the farm was ultimately unable to sustain itself, it influenced future visions about sustainable farming, communal work, and self-sufficiency.
Many such communities began with sincere idealism and a genuine desire for social reform. However, conditions of these communities, like isolation, charismatic leadership, and a strong belief in the possession of a unique truth, can also create conditions in which authority becomes concentrated in the hands of a few individuals. In this way, utopian ideals have often gone hand-in-hand with high-control groups and fundamentalist cults. This historical context lends insight into the farm in Little One, which initially appears appealing rather than immediately sinister. Catharine’s father captures this allure when he declares, “Everybody wants this, and then they forget. They lose sight of what matters. But not us” (13). This belief in possessing a special, forgotten truth provides the moral justification for their separation and strict lifestyle. His rhetoric closely resembles the language used by many real-world utopian movements, which often describe themselves as preserving values that mainstream society abandoned. The community’s emphasis on self-sufficiency, simple living, and rejection of outside influences reflects ideals that have deep roots in American culture. Because these values are familiar and often admirable, the farm attracts loyalty long before its more abusive features become visible.
By placing the farm within the broader tradition of American utopian communities, Muenter highlights a central tension within such movements: The same desire to create a better world can, under the wrong leadership, become a justification for isolation, conformity, and authoritarian power. Understanding this cultural history helps readers see the farm as a corrupted and extreme version of impulses that have appeared repeatedly throughout history.
Little One explores the ways that systems of control can shape behavior, identity, and self-worth, specifically by drawing a parallel between the control mechanisms of cult-like groups and the pervasive ideology of contemporary wellness culture. Although cults and wellness movements have clear differences, both can emphasize discipline, self-improvement, and personal transformation in a way that’s destructive and detrimental to people’s emotional well-being. Muenter draws attention to the similarities between these environments, encouraging readers to consider how the pursuit of health or fulfillment can sometimes become entangled with rigid expectations and systems of control.
Researchers who study cults or high-demand groups often identify several common characteristics used to exert control over their members. These include isolation from outside influences, unquestionable loyalty to a charismatic leader, and intense physical demands like dietary restrictions and exercise regimens. Psychiatrist Robert Jay Lifton, whose work on thought reform remains influential, argued that high-control groups frequently regulate everyday aspects of life in order to shape how members think about themselves and the world (Hassan, Steven. “Robert J. Lifton’s Eight Criteria of Thought Reform.” Cults, Culture, & Coercion, 30 May 2019). Food restrictions, sleep deprivation, public confession, and systems of surveillance are common tools because they weaken individual autonomy while increasing dependence on the group. In Little One, Catharine’s father employs many of these tactics. The farm’s fasting rituals, public weigh-ins, and increasing isolation create an environment in which physical discipline becomes inseparable from moral worth. Members are encouraged to view obedience as virtue and doubt as weakness.
The novel also engages with contemporary conversations about wellness culture. According to the Global Wellness Institute, the global wellness economy exceeds $5 trillion and encompasses industries ranging from fitness and nutrition to mindfulness and self-improvement (“The Global Wellness Economy Hits a Record $6.8 Trillion and Is Forecast to Reach $9.8 Trillion by 2029.” Global Wellness Institute, 19 Nov. 2025). Much of this industry promotes healthy habits and positive lifestyle changes. However, critics have noted that some corners of wellness culture rely on extreme ideas about optimization, purity, and personally responsibility, promoting their own forms of extreme discipline under the guise of self-improvement. Practices such as restrictive “clean eating,” expensive boutique fitness classes, and a relentless focus on optimization can mirror the all-or-nothing logic of cults. In both these environments, self-improvement can become less about well-being and more about meeting increasingly demanding standards.
This parallel is central to understanding Catharine’s adult life. Traumatized by the farm, she manages her anxiety through punishing exercise routines and obsessive thoughts about food. Her internal monologue reveals that she has swapped one ideology of control for another; her virtual trainer’s shouts of “This is what self-love looks like” are immediately followed by her father’s voice reminding her to conquer weakness (4). By linking the cult’s overt indoctrination with the more subtle demands of wellness culture, the novel critiques how systems of control manifest in different forms, while raising important questions about where healthy self-discipline ends and self-punishment begins.



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