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Content Warning: This section of the guide includes discussion of religious discrimination, illness, death, and sexual content.
During the Nazi occupation of France from 1940 to 1944, Paris became a center for both collaboration and resistance. While the Vichy government aided in the persecution of Jews, many Parisians risked their lives to defy Nazi rule. A significant yet often overlooked chapter of this resistance involves the Grande Mosquée de Paris. Under the leadership of its rector, Si Kaddour Benghabrit, the mosque became a sanctuary for those fleeing the Nazis. The Jewish Book Council notes that “the mosque constructed in 1926 […] was built upon a labyrinth of subterranean tunnels and rooms, areas that had been excavated for building stones for the city of Paris. These underground passages and catacombs served as hiding places and escape routes for those hunted by the French police and Gestapo” (Kramer, Naomi. “The Grand Mosque of Paris: A Story of How Muslims Saved Jews During the Holocaust.” Jewish Book Council, 1 Nov. 2011). The mosque’s staff and community provided refuge and issued false certificates of Muslim identity to hundreds of Jews, particularly those of North African descent, to protect them from deportation. Though the exact number of people saved is debated by historians, “at least 100 Jews, downed Allied airmen, Resistance fighters and escaped prisoners of war, were also spirited to safety” (Jewish Book Council). Their heroic effort provides an example of interfaith solidarity during a period of intense persecution.
This historical backdrop provides a foundation for two key storylines in Meet Me in Paris. Nadim’s story about his great-grandfather, “a forger recruited by the rector to create false papers [and] take in Jewish refugees,” is grounded in these real events—“In [Nadim’s] family home, on the outskirts of Paris, more than a dozen Jewish citizens passed through on their way to safety" (292). His narrative provides a counterpoint to the xenophobia Kayla experiences from her father, emphasizing historic examples of the ways immigrants have strengthened French society through deep acts of courage. As Kayla tells her father:
[M]aybe opening up a society to more viewpoints makes it better […] And maybe you'd be better off if you welcomed people like me—who care about your country and want to be a part of making it stronger and more beautiful. Instead, you're closing your mind to anyone who isn't just like you. (161-62)
Kayla and Nadim find common ground in their shared understanding of the ways immigrants are woven into the fabric of French history and culture.
This context also enriches the backstory of Henry and Celeste, whose love story unfolds within the broader apparatus of the French Resistance Network. For example, the Comet Line, an underground pipeline, was formed in 1940 by a 24-year-old Belgian woman named Andree de Jongh “with the aim of helping downed allied airmen return home […]. The escape line started in Brussels, where the men were fed, clothed and given false identity papers, before being hidden in attics and cellars of private houses. A network of 1000 people then guided the airmen south through occupied France” (“Airmen Remember Comet Line to Freedom.” BBC News, 24 Oct. 2000). These resistance efforts exemplify the constant danger and clandestine heroism that defined the era.
On January 27, 1973, representatives from the United States, North Vietnam, South Vietnam, and the Provisional Revolutionary Government of South Vietnam signed the Paris Peace Accords, formally ending direct US military involvement in the Vietnam War. The negotiations were famously led by US National Security Advisor Henry Kissinger and North Vietnamese diplomat Lê Đức Thọ. While the final agreement was signed at the International Conference Center on Avenue Kléber, many of the important diplomatic discussions took place at the nearby Hotel Majestic. This historic luxury hotel, which served as the German military headquarters during World War II, was later repurposed by the French Ministry of Foreign Affairs before reopening in 2014 as The Peninsula Paris. Its historic, wood-paneled bar, Le Bar Kléber, remains a site of immense historical significance, forever linked to the end of one of the 20th century’s most divisive conflicts.
This setting provides an emotional anchor for the storyline of George and Lou, two American Vietnam veterans. Their tour group visits the hotel specifically to see the site where the peace treaty was negotiated. As their guide explains, “It is here that your secretary of state, Henry Kissinger, negotiated the Paris Peace Accords” (185). For George and Lou, visiting the hotel prompts a confrontation with the history that shaped their lives. The elegant, diplomatic setting of Le Bar Kléber contrasts the brutal reality of the war they experienced, allowing the novel to explore the deep and lasting psychological wounds carried by soldiers long after peace treaties are signed.
Paris has long been a haven for expatriate writers and artists seeking creative freedom. Two of the most iconic centers of this bohemian literary culture are the Beat Hotel and the Shakespeare and Company bookstore. The Beat Hotel, a run-down, 42-room establishment at 9 Rue Gît-le-Cœur, served as the Parisian headquarters for leading figures of the Beat Generation from the late 1950s to the early 1960s. The Rachous, a provincial couple from northwest of Paris, bought the building in 1933 and turned it into a hotel. The couple “enjoyed the company of artists and writers […] Madame Rachou would sometimes allow artists to pay with paintings, none of which she kept, not thinking for one moment that they would ever be valuable. Her affection for artists stemmed from her youth, when, at the age of 12, she began working in a country inn at Giverny only a short walk from Monet's studio” (Miles, Barry. The Beat Hotel. Grove/Atlantic, Inc., 2016). With spartan amenities like intermittent hot water and monthly linen changes, it became a low-cost sanctuary where writers like Allen Ginsberg, Peter Orlovsky, and William S. Burroughs lived and worked. It was here that Burroughs completed his novel Naked Lunch.
Similarly, Shakespeare and Company, the English-language bookstore founded by American George Whitman in 1951, has offered shelter to aspiring writers for decades through its “Tumbleweeds” program. In exchange for reading a book a day, helping in the shop, and writing a one-page autobiography, guests could sleep on beds tucked among the bookshelves. The building that houses the bookstore was “constructed in the early 17th century [as] a monastery, La Maison du Mustier. George liked to pretend he was the sole surviving monk, saying, ‘In the Middle Ages, each monastery had a frère lampier, a monk whose duty was to light the lamps at nightfall. I’m the frère lampier here now’” (“History.” Shakespeare and Company, 2026). Since opening its doors, an estimated 30,000 people have participated in the Tumbleweeds tradition.
These locations anchor the personal journeys in the novel. Piper’s visit to Shakespeare and Company frames her uncertainty about the future, as she identifies with the Tumbleweeds who were “blown in by the wind and finding a sort-of home” (42). Her romantic connection with Nicolas is solidified through a shared love of poetry, which they discover through a chance meeting in the bookstore. As Nicolas tells Piper, “You are kind and interesting and you appreciate poetry and you like bookstores, and, well, I would like to know you better" (121). Julia walks on Rue Gît-le-Cœur, the street that “had also famously been home to several 1960s Beat poets” (12), linking her quest for self-rediscovery to a site of artistic transformation. Her romance with Jackson, a musician struggling with the confidence to write his own songs, inspires him to finally write a song for her that he’s willing to share with the world.



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