Meet Me in the Garden

Nina LaCour
55 pages1-hour read
Fiction
Novel
Adult
Published in 2026

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Symbols & Motifs

Content Warning: This section of the guide includes discussion of racism and death.

Papa’s Blue Chair

Papa’s easy chair is a symbol of Odette’s unprocessed grief and her determination to preserve her late father’s memory against her mother’s erasure. By having the chair taken to the street, Maman attempts to discard Papa’s very presence from the family’s home. Odette’s immediate rescue of the chair is an act of defiance against this betrayal, securing a physical testament to her father’s life. Her subsequent struggle to capture the chair in a painting becomes a manifestation of her artistic and emotional impasse. Fueled by a desire to find an outlet for her anguish, she wonders, “What else to do with this fire in my chest?” (9). However, her early attempts to paint it fail because the grief is too raw and immense to be contained on a canvas at that time. The “splotchy and crude” results reflect her inability to give form to the magnitude of her loss and anger at this point in her life (9). Ultimately, the protagonist’s decision to incorporate the chair and Papa into her masterpiece, Meet Me in the Garden, honors his continued importance in her life. As a symbol of the immense grief that Odette must process before it can be transformed into art, the chair marks a starting point in Odette’s journey of using Creative Expression as an Emotional Outlet.

Birmingham Roller Pigeons

The Birmingham Roller pigeons function as a symbol of the pursuit of freedom. These birds are defined by their unique flight pattern: They soar into the sky only to spin and plummet in a striking, death-defying tumble before catching themselves and flying again. This act is a metaphor for the characters’ lives. They are repeatedly forced to take risks, such as migrating across the country, loving in secret, or standing up to injustice, and often suffer falls, yet they consistently find the strength to recover. Lionel makes this connection explicit when he and Odette watch a pair of pigeons break away from the flock and says, “They’re us” (84). This statement links their own precarious existence as Black individuals in America to the birds’ vulnerable yet exhilarating flight. The symbol deepens as the love for the pigeons is passed from Lionel to Clément, becoming a source of purpose and a tangible legacy that connects them across generations. Ultimately, the pigeons represent LaCour’s philosophy that a truly free and beautiful life requires embracing vulnerability.

Papa’s Paintings

Papa’s paintings serve as a motif of The Strength of Family Bonds. The two pieces that hung in the Honoré family’s New Orleans home, one of a sunset over the ocean and the other of birds in flight, link Odette’s lasting connection to her father to her artistic heritage. In the wake of his death, the paintings become a proxy for Papa himself. Odette’s private ritual of grief involves a tender, physical interaction with the art: “I press my lips to the canvases, one and then the other, like kissing both his cheeks” (21). This act helps her to maintain a bond with him. By hanging them in her new home in Los Angeles years later, Odette integrates a tangible piece of her New Orleans childhood and her father’s memory into her independent adult life. The paintings are more than just heirlooms; they represent the artistic sensibility and deep love her father nurtured in her. They are proof of The Strength of Family Bonds, signifying a core part of her identity that transcends time and distance, connecting her past self to the woman and artist she becomes.

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