85 pages 2 hours read

Chimamanda Ngozi Adichie

Purple Hibiscus

Fiction | Novel | Adult | Published in 2003

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Pages 3-16Chapter Summaries & Analyses

Part 1: “BREAKING GODS Palm Sunday”

Pages 3-16 Summary

“Things [begin] to fall apart at home” (3) when Papa throws his heavy missal across the family room, breaking Mama’s treasured ballerina figurines, after Jaja refuses to attend church on Palm Sunday, declaring he will never take communion again and will die first.

Papa gives Kambili a “love sip” of his tea, a gesture she cherishes. She recalls a time when they spoke more “with their spirits than with their lips” (16)—until Nsukka. The change started there in Aunty Ifeoma’s little garden.

Pages 3-16 Analysis

The first pages of the novel expose an explosive scene in which gods are “broken,” revealing a significant spiritual rift between domineering Papa and defiant Jaja. Papa literally throws the word of God at him after Jaja refuses to follow Papa’s religious demands. Papa’s “heavy missal” (3), representing his heavy-handed enforcement of its contents, instead demolishes Mama’s only true possessions (delicate homages to feminine grace), representing both the loss of her sanity and self-worth and male dominance over feminine beauty.

Papa’s piety and powerful position in the community compels him to go to extremes to be the model Christian, based on the white colonial British idea of Catholicism he adopted when young. In carrying out his uncompromising mission, Papa frequently abuses his family, a recurring cycle throughout the story.