Red Sorghum

Mo Yan

66 pages 2-hour read

Mo Yan

Red Sorghum

Fiction | Novel | Adult | Published in 1986

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Part 3Chapter Summaries & Analyses

Content Warning: This section of the guide includes discussion of animal cruelty and death, graphic violence, illness, death, physical abuse, rape, child death, death by suicide, and suicidal ideation.

Part 3 “Dog Ways”

Part 3, Chapter 1 Summary

The narrator introduces the legend of the family’s three dogs, Blackie, Green, and Red, who became leaders of hundreds of strays after the 1939 Mid-Autumn Festival massacre. On that night, Yu Zhan’ao and Douguan hunt corpse-eating dogs at the Black Water River bridgehead. Yu Zhan’ao’s right arm, which was wounded a week earlier, festers with pus. As Douguan bandages it, they listen to Japanese troops withdrawing from the village.


The narrative flashes back to that afternoon, when Japanese cavalry swept through the sorghum field. A red horse nearly trampled Douguan, who threw his Browning pistol at it, hitting its forehead. The horse fell and threw its rider, a young Japanese cavalryman. Yu Zhan’ao emerged from the sorghum and shielded Douguan as more cavalry passed over them.


The cavalryman, still alive, offered Yu a wallet containing a photograph of a young woman and infant. Yu mocked the gesture, sliced the wallet in two with his sword, and screamed at the man for crying over his own family while murdering others. Douguan begged him to stop, but Yu shook him off, called him a coward, and with one stroke sliced the cavalryman in half. Douguan vomited and ran. Yu chased him through the sorghum and slapped him hard across the mouth, knocking him limp.

Part 3, Chapter 2 Summary

After the Japanese withdraw, a full moon rises over the blood-soaked field. Yu treats his wound with a mixture of sorghum powder, gunpowder, and soil. They circle the massacre site, where moonlight shines on blood pools and dismembered bodies. The narrator briefly notes their differing personalities and jumps ahead to Yu’s later return from Hokkaido and Douguan’s 1957 emergence from hiding.


Exhausted, they rest on dry earth. Douguan recalls biting Dai Fenglian’s nipple while nursing at age four, drawing blood. This occurred when Yu was having an affair with Passion, the hired girl who became Second Grandma, who later had a daughter with Yu before being gang-raped by Japanese soldiers in 1938.


Douguan lies on Yu’s stomach looking at stars, made hungry by the memory of Dai Fenglian’s fish soup. Yu loads a single bullet and fires it into the air. They enter the sorghum field and are confronted by a pack of dogs feeding on corpses. Yu fires seven times, killing and wounding several, before his pistol gives out. They enter the ruined village and find their house and distillery still burning. On the road, they encounter a hunched old man guarding a pile of looted goods. Yu angrily confronts him and beats him.

Part 3, Chapter 3 Summary

The 15-year-old girl who will become the narrator’s mother, Beauty, and her three-year-old brother, Harmony, have spent one full day in a dry well. The morning before, when the Japanese attacked, Beauty’s grandfather lowered them into the well for safety. After a mortar explosion nearby, they could no longer hear their mother’s voice.


Beauty comforts a crying Harmony at the bottom. They spend a cold, damp night underground. The next morning is silent; Beauty’s cries go unheard, and Harmony develops a high fever. Beauty’s first menstrual period begins while they are trapped. Suffering from extreme thirst and hunger, she eats small white mushrooms that make her violently ill. She awakens at dusk to sounds of the Japanese sacking the village and survives the night semi-conscious.


Beauty awakes to a new day. Her cold body cooled Harmony’s fever while his warmth kept her from freezing, but eventually she acknowledges he is dead. A terrifying night follows, as a venomous black snake guards a hole, the only water source she can find.

Part 3, Chapter 4 Summary

The morning after the massacre, Yu, Douguan, Wang Guang, Dezhi, Guo Yang (“Gimpy”), Blind Eye, and a woman named Liu gather on the village wall. Yu takes the blame for the destruction and rallies them to collect weapons from the battlefield. They amass a large arsenal of Japanese and Chinese rifles, grenades, pistols, and sabers. As the woman Liu prepares food, Blind Eye warns that something is approaching.


Hundreds of dogs emerge from the sorghum field, led by Red, Green, and Blackie. Douguan and the others move to fire, but Yu stops them from wasting ammunition. Eighty poorly armed soldiers then emerge, led by Commander Jiang (“Little Foot Jiang”), who praises Yu’s heroism and proposes joining forces. Yu angrily refuses, accusing them of hiding during the battle, but after negotiation gives the regiment 24 Czech rifles and one Japanese rifle.


The mobile bicycle platoon of Detachment Leader Leng (“Pocky” Leng) then arrives. Jiang publicly shames Leng for failing to rescue the village. As Leng prepares to leave, Yu grabs him and declares they have unfinished business after the war. Leng rides away. Jiang shakes Yu’s hand and declares his regiment their ally.

Part 3, Chapter 5 Summary

Forty-six years later, the narrator is home on summer holiday when he learns that a lightning strike has split open All-Souls Grave, scattering bones. He goes to the site with his small blue dog. The grave holds an indistinguishable mixture of bones from all sides, along with dozens of dog skulls mixed among the human ones. He helps villagers gather the scattered bones. An old man remarks that the dogs of that era were as good as humans, prompting the narrator to toss a large canine skull back into the grave. His mother burns spirit money; the narrator kowtows three times. His mother notes that 46 years have passed and that she was 15 then.

Part 3, Chapter 6 Summary

Back in 1939, Yu and Douguan go to the dry well to hide 15 Japanese rifles, suspecting Leng’s or the Jiao-Gao regiment’s soldiers had tried to steal them the night before. Douguan peers into the well and sees two bodies: one is Beauty, still barely breathing; the other is her brother, Harmony. Yu lowers Douguan into the well, where Douguan confronts the black snake, cracks its bones, and hurls it out. He ties the rope around Beauty, and Yu pulls her up, then retrieves Harmony’s body. The rifles are lowered in, and Douguan is pulled out last. They observe Beauty’s emaciated condition.

Part 3, Chapter 7 Summary

Beauty recovers under the care of the woman Liu. Yu falls gravely ill with typhoid fever but begins recovering. Douguan takes command and leads Beauty, Wang Guang, Dezhi, Gimpy, and Blind Eye in sustained battle against the dog packs.


Following Dezhi’s suggestion, they launch a surprise grenade attack on the dogs’ resting place, killing and wounding dozens. Following Beauty’s suggestion, they bury 43 armed grenades along the dogs’ paths. Meanwhile, a power struggle erupts in the dog pack: Red prompts Green to attack Blackie, then turns on the wounded Green. The pack kills Green. Blackie, badly wounded by Red, leaps into the river, dying by suicide. Red becomes undisputed leader.


With Gimpy gone and only Douguan, Beauty, and Dezhi remaining alongside Blind Eye and Yu, the reorganized pack returns. Red sends a mongrel to lead a frontal assault while he leads 60 dogs in a flanking attack. Wang Guang panics and is eaten. Dezhi bolts to draw dogs away and is torn apart. Douguan, Beauty, and Dezhi stand back-to-back as grenades go off around them. Beauty throws a grenade but forgets to pull the pin. The dogs finally flee, except for Red, who slashes Douguan’s face and bites him in the crotch before Yu arrives and shoots him in the eye.

Part 3, Chapter 8 Summary

Red’s bite has ripped open Douguan’s scrotum, severing one testicle. Yu, devastated and fearing his family line is finished, shoots Red several more times, then carries Douguan to Dr. Zhang Xinyi. The doctor reluctantly performs surgery, stitching the wound but unable to reconnect the blood vessels. He discards the severed testicle, a sight that haunts Beauty, but suggests Douguan may still be able to father children with one. He refuses payment.


Yu experiences suicidal ideation but is driven by his desire for revenge to continue living. The woman Liu comforts him, telling him her brother-in-law fathered many children with only one testicle. Yu and Liu begin a sexual relationship. On Liu’s instruction, Beauty sneaks to Douguan’s bedside to test his virility and discovers he is still functional. Douguan wakes and startles her; she runs out and bumps into Yu. Learning what happened, Yu is overcome with joy. He grabs Liu’s breasts, fires three shots into the air, and loudly proclaims their good fortune.

Part 3, Chapter 9 Summary

Five days before the massacre, Yu finds 50 silver dollars hidden in a wall of their house and takes Douguan into town to buy ammunition for revenge on Pocky Leng. They bury their pistols outside the city, and Yu carries Douguan on his back, feigning cholera, to get past the sentries. At the train station, they witness an anti-Japanese sniper shoot a soldier off a train. Yu takes Douguan to an old acquaintance, a sex worker who provides 550 cartridges for the 50 silver dollars. Unable to sneak out across the railroad tracks, they wait five days until the Mid-Autumn Festival, when they disguise themselves as departing villagers and smuggle the bullets out stuffed inside a goat. Outside the city they retrieve their guns and extract the ammunition. As they near their village, they hear gunfire and realize the Japanese attack has begun.


In the sorghum field, Yu shoots and kills the Japanese officer commanding a mortar battery shelling the village. The attackers are initially repelled from the village wall by grenades before the mortars blast open the main gate. Japanese cavalry charges the breach but is driven back. Yu and Douguan are hunted through the sorghum, discover that the Jiao-Gao regiment has used exploding firecrackers as a diversion, and witness a Japanese cavalryman kill a Jiao-Gao soldier with a saber. Douguan faints and awakens alone. He wanders through the field among dead Jiao-Gao soldiers, encounters villagers waiting to loot, and reaches the village edge in time to see hundreds of his fellow villagers flee through the breached wall, only to be machine-gunned in the sorghum field. As the Japanese enter the village at sunset, Douguan faintly hears Yu calling his name.

Part 3 Analysis

Mo Yan uses personification to give the dogs agency in this part of the narrative, making the stakes of the conflict that surrounds the red sorghum field feel so big as to affect animal nature itself. The narrator comments on this, indicating that “the history of dogs and the history of man are intertwined” (204) when observing the mixed skeletal remains unearthed by a lightning strike. This deepens the theme of The Blurring of History, Myth, and Memory by going beyond what can be included in the historical record, giving the dogs a voice, perspective, and stakes in the violence that follows the human characters.


The savagery embedded in the landscape extends beyond human combatants; the extended war against the corpse-eating dogs functions as a dark mirror to human conflict. The family’s former domestic pets, Red, Green, and Blackie, organize hundreds of strays into tactical units to feast on unburied villagers. When Red ultimately bites Douguan, severing his testicle, the animal actively maims the human familial line. The dogs’ coordinated maneuvers and vicious betrayals directly parody the factional skirmishes among the Chinese militias. As the animals develop a taste for human flesh and exhibit strategic intelligence, the humans are reduced to carrion, flipping the dynamic between animal and man. Douguan’s injury represents a deep betrayal of the natural order, where the environment itself rises up to emasculate its inhabitants. This inversion strips away any lingering illusions of human superiority, asserting that human and canine forces are driven by identical predatory instincts.


Within this traumatized landscape, the violence in the aftermath of the Japanese assault reinforces the theme of The Thin Line Between Heroism and Brutality, presenting survival as an instinct devoid of conventional ethics. When a young Japanese cavalryman falls from his horse and presents a photograph of his wife and child in a desperate plea for his life, Yu slices the man in half with his own sword. Yu’s execution of the cavalryman collapses the distinction between righteous defense and cold-blooded murder; his trauma hardens him against the enemy’s shared humanity, as though his blade has “cut everything in two” (174). Later, the text details the vicious infighting among the Chinese resistance factions, such as the Jiao-Gao regiment and Detachment Leader Leng’s troops, who squabble over salvaged weapons rather than uniting against the invaders. The opportunistic behavior of the rival Chinese forces demonstrates that chaos breeds factional self-interest rather than patriotic unity. This is echoed among the dogs through their internal power struggles, culminating in Red’s brutal defeat of his rivals for dominance over the pack. These actions highlight a lawless environment where survival necessitates ruthlessness, stripping warfare of any romanticized honor.


The visual dominance of the red sorghum fields and the recurring image of blood illustrate the land’s dual capacity for nurturing life and hosting indiscriminate slaughter. Throughout the chapter, the sorghum serves as a refuge, shielding Yu and Douguan from charging cavalry, but it also becomes a mass grave where the “blood-soaked earth had the consistency of liquid clay” (176). The plant absorbs the carnage, battered by mortar fire and the dead. This commingling of soil, crushed stalks, and human remains binds the inhabitants to their territory. The sorghum acts as an active participant that bears the scars of the conflict while offering necessary cover. The relentless presence of blood in each part of the narrative, from the battlefield casualties to Douguan’s severe groin injury, translates the abstract concept of war into a bodily fluid that literally waters the crops. The symbiosis of blood and grain asserts that the region’s heroic vitality is inseparable from its savage destruction.


Amid the violence that marks the world above ground, Beauty’s ordeal at the bottom of the dry well expands the ravages of war into the subterranean plane. Beauty endures the death of her younger brother and her first menstrual cycle, compressing the end of her innocence and childhood into the time and space of the well. In this way, the well functions as a tomb and a crucible. Stripped of familial protection, Beauty must rely entirely on her own psychological endurance. The onset of her menstruation in this claustrophobic space links her physical maturation directly to trauma. Her eventual rescue and subsequent strategic contributions to the dog hunt demonstrate her swift transition from a terrified child to a hardened survivor. This transformation lays the groundwork for her future autonomy, demonstrating how extreme adversity forces women to forge their own agency outside traditional patriarchal structures. This thus drives Female Agency and Sexual Liberation in a Patriarchal Society as a theme.

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