Road Trip

Mary Kay Andrews
67 pages2-hour read
Fiction
Novel
Adult
Published in 2026

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Chapters 33-40Chapter Summaries & Analyses

Content Warning: This section of the guide includes discussion of death, substance use, and cursing.

Chapter 33 Summary

Therese has been researching Valerian DeJongh, and she discovers that DeJongh often created a “preliminary study” before a finished work. Therese theorizes that their family’s portrait is the valuable, finished version, while the painting stolen by the IRA and later auctioned was the preliminary study. Maeve, while impressed, cautions that they still need to prove the painting’s chain of custody. She reminds Therese that local legend portrays Kathleen as a thief and murderer. The sisters decide their next step is to visit the local historical museum at the village library.

Chapter 34 Summary

Maeve and Therese head to the village and spot Esme walking by the road. They offer her a ride to the Willow Tree pub, where she needs to retrieve her truck and Reggie. In the car, Esme dismisses their investigation, insisting their portrait must be a fake. At the pub, they find Reggie still drunk from the night before. Since Reggie cannot drive, Maeve agrees to take Esme home while Therese follows in the truck with Reggie in the passenger seat.


During the drive, Esme tells Maeve that Reggie lives in her shed and that she is considering evicting him. She calls herself a widow and refers to the sisters as “spinsters.” After Maeve explains their mother’s recent death inspired their trip, they arrive at the cottage. Esme gives them a curt thank you before disappearing inside.

Chapter 35 Summary

At the Rosebud Tea Shoppe, Maeve and Therese have tea and reminisce about their childhood. Therese presses Maeve for details about her evening with Liam. Maeve reveals that Liam’s cousin Maddie is married to the son of Starr McGahee. When Therese pushes for romantic details, Maeve becomes evasive and insists her evening was “perfectly innocent,” frustrating her sister.

Chapter 36 Summary

Inside the Tarrymore village library, the sisters notice a portrait of Lady Delia Rossington. They persuade a volunteer to let them into the historical society room. There, Maeve discovers a self-published book on the Rossington family history by Geoffrey, Lord Rossington. The book details how the family acquired Tarrymore and that Lady Geraldine’s father was a diamond magnate. Maeve finds newspaper clippings about Lady Delia’s murder and quickly photographs them with her phone before the volunteer ushers them out.

Chapter 37 Summary

The sisters examine the photos of the 1926 newspaper article. It reports that Lady Delia was stabbed to death during a robbery and names Kathleen as the prime suspect, possibly aided by a family servant named Clive Donovan. Therese remembers the name Donovan from one of Kathleen’s letters, in which she refutes the accusations and recalls the true events of her departure.


Realizing they need more information about the 1974 heist, Therese convinces Maeve to call Liam. Liam invites Maeve to a family gathering the next day where Maddie and her husband, Jamie, will probably be present. He warns that Jamie doesn’t usually like talking about his mother before agreeing to ask.

Chapter 38 Summary

Liam takes Maeve to the Sunday gathering at his brother Luke’s farmhouse. Jamie agrees to discuss his mother and the 1974 Tarrymore art heist. He explains that his mother, born Margaret “Peggy” McGahee to a wealthy London family, was a chemistry student at Oxford when she was radicalized by her IRA boyfriend, Danny Dwyer. 


The gang’s original plan was to kidnap a wealthy person for ransom and secure the release of jailed comrades, but Starr was supposedly the one who suggested stealing the art collection instead. The gang was caught after Dwyer’s wife, angry about his affair with Starr, informed the police. Starr was given early release from prison in 1981 because she was pregnant with Jamie, whose father was a guard. Jamie was raised by his grandmother.

Chapter 39 Summary

While driving Maeve back to the inn, Liam is uncharacteristically quiet. He finally accuses her of interrogating Jamie in front of the family. Stung by the criticism, Maeve suggests that because she is leaving soon, they should just part as friends. Liam reacts angrily, stating he wants more than friendship. The tense argument ends as they arrive at the inn. 



In their room, Maeve recounts the fight to Therese, who calls her foolish for pushing Liam away. Therese reveals she researched Liam online and found that he owns the distillery, though Maeve privately wonders whether his brother Luke put up the money. Shifting the focus back to their investigation, Maeve tells Therese what she learned from Jamie about Starr McGahee. The fact that she was a wealthy debutante offers a possible connection to the Rossingtons.

Chapter 40 Summary

The next morning, Maeve and Therese discover all four tires of their rental car have been slashed. After filing a police report, they walk to the village library. They persuade the librarian to let them back into the historical society room to examine the book on the Rossington family. They find two debutante photographs, an individual portrait of Esme with her escort, captioned December 1967, and a separate group shot of 20 debutantes. They theorize that Starr, being from a similarly wealthy background, might be among the women in the group photo.


Next, they find a newspaper from 1974 containing a police booking photo of Starr from her arrest. Comparing the arrest photo with the group debutante picture, they cannot definitively identify Starr among the young women. Convinced there is a connection, Therese declares she will go visit Esme and show her the photos. Maeve thinks it is a dangerous idea and decides to stay behind to wait for the rental agency’s tire repair van.

Chapters 33-40 Analysis

The sisters’ research at the Tarrymore library unearths a collection of competing historical narratives, complicating the theme of The Weight of Ancestral Secrets. Geoffrey’s self-published family history presents a sanitized, self-congratulatory account of aristocratic benevolence, and the 1926 newspaper article from the Dublin Gazetteer offers an official, public version of events that brands Kathleen a thief and murderer based on the word of the powerful Rossington family. Juxtaposed against these documents is the counter-narrative found in Kathleen’s letters, whose pages swear her innocence. The narrative deliberately places these conflicting documents side-by-side, forcing the sisters to act as historians sifting through biased sources. Maeve’s use of her modern phone to photograph the brittle, yellowing newspaper clippings is an image of a new generation using contemporary tools to reclaim and reinterpret a decaying past. This process highlights how The Weight of Ancestral Secrets is compounded by the difficulty of verifying history when personal truth clashes with public myth.


The argument between Maeve and Liam following the family gathering exposes Maeve’s deep-seated aversion to personal risk and the subtle cultural frictions at play. When Liam suggests she “came on a little strong” with Jamie (254), he highlights a clash between her direct, American style and what he perceives as Irish social propriety. Stung and flustered, Maeve’s immediate response is to retreat, attempting to end their burgeoning romance by declaring they should just “part friends.” This protective measure is an attempt to manage a messy emotional situation by imposing a safe, predictable boundary. Therese’s accusation that Maeve is being “dumb” about the relationship emphasizes the theme of Embracing Risk Over Certainty as the central conflict for Maeve’s character. Maeve is willing to risk confronting a difficult past but remains deeply cautious in her emotional present. 


Andrews raises the suspense in these chapters through the dangerous consequences of the sisters’ search for truth. The four deliberately slashed tires is a significant escalation, shifting the stakes of the sisters’ quest from historical inquiry to present-day danger. Until this point, their investigation has been a genealogical puzzle, a form of heritage tourism focused on events in the past. This act of vandalism is a direct, tangible threat, confirming that their digging is disturbing someone who is willing to resort to intimidation. The anonymous violence transforms their search for answers into a perilous undertaking. Therese’s immediate desire to confront Esme versus Maeve’s decision to call the rental agency crystallize their distinct personalities under the pressure of a new, menacing reality. The mystery of the portrait is no longer just about reclaiming family history; it is now about surviving the consequences of that reclamation.

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