Strange Buildings

Uketsu, Transl. Jim Rion

Strange Buildings

Uketsu, Transl. Jim Rion
52 pages1-hour read
Fiction
Novel
Adult
Published in 2026

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Chapters 7-9Chapter Summaries & Analyses

Content Warning: This section of the guide includes discussion of death, death by suicide, child death, graphic violence, and child abuse.

Chapter 7 Summary: “File 7: Uncle’s House”

This file consists of journal excerpts from a young boy, Naruki Mitsuhashi, documenting severe neglect and abuse from his mother, Saori. She punishes him for eating when he’s hungry by pinching his nose until he can’t breathe. 


Saori introduces Naruki to a man he’s told to call “Uncle,” and they visit his large house. Naruki is overjoyed when Uncle feeds him a full meal and gives him a real bed to sleep in. During a subsequent visit, Naruki opens a door, only to find that the room he was expecting to visit is gone, with the neighboring river visible right where it had been. Naruki thinks it’s strange.


After an argument over the phone with Uncle, Saori tells Naruki that they will not be seeing Uncle again. Uncle later comes to the apartment while Saori is out, invites Naruki to come with him, and tells him that he can live at his house permanently, showing him a small room containing a brown doll. He calls the room the “Heart of My House” (162). Uncle instructs Naruki to never lock the door to this room, scaring the confused Naruki.


Saori and her new partner, Eiji Nakamura, soon take Naruki back. The abuse escalates in Eiji’s apartment, culminating in Naruki being locked in a closet and starved. His final entries chronicle his body shutting down from malnutrition. 


An author’s note states that nine-year-old Naruki died on May 8, 1994. Saori and Eiji were convicted of caregiver neglect resulting in death.

Chapter 8 Summary: “File 8: The String Phone”

The Author interviews Chie Kasahara, a freelance illustrator, about her childhood. Her father, Mr. Kasahara, was distant, but once made a string phone connecting their second-floor bedrooms so that she wouldn’t be afraid to sleep alone. One night, while they were talking, her father made incoherent noises over the string phone, just before a fire broke out in the neighboring Matsue family’s home, killing both Matsue parents. The fire was said to be caused by Mrs. Matsue setting herself on fire in their second-floor tatami room. After the fire, Mr. Kasahara became dark and withdrawn. He left the family, arranging divorce papers and sending a letter promising Chie’s family a settlement and the house title.


Chie’s father died by suicide two years after the fire, sealing himself in a room with tape and taking an overdose of sleeping pills; a strange doll was found beside him. At Mr. Kasahara’s funeral, a neighbor told Chie that her father had one room completely removed via renovation before his death. When going through his belongings afterward, Chie found a photo of a thin, bruised boy eating a rice omelet at her father’s house; after some time, she recalled his face from the news: Naruki Mitsuhashi.


Years later, Chie discovered that the string phone’s cord was too long to have been pulled taut from her father’s bedroom; it could have only reached the Matsues’ tatami room. She now theorizes that her father murdered Mrs. Matsue and started the fire while using the string phone to create an alibi.

Chapter 9 Summary: “File 9: Footsteps to Murder”

The Author interviews Hiroki Matsue, the sole survivor of the house fire, under the pretext that he’s doing research for an article on private home fires. Hiroki dismisses the official suicide ruling and presents a different theory: His father murdered his mother. On the night of the fire, Hiroki was downstairs and heard his father’s footsteps go to his mother’s room, where he stayed for 30 minutes. His father then rushed downstairs, gave Hiroki a ¥100 coin and his crucifix pendant, instructed him to run to a phone box to call the firemen, and said he was going back inside to search for his wife, who he claimed hadn’t been in her room. Mrs. Matsue’s body was later found in the tatami-room closet, while Mr. Matsue’s body was found collapsed on the stairs, having passed out while searching the house. Though his father was a devout Christian and a pacifist, Hiroki believes that he killed his wife, hid her body in the closet to create a plausible excuse for not saving her, and then set the fire, failing to escape himself.


Hiroki accuses the Author of lying to him about wanting to write an article about fire safety in private homes. Hiroki then reveals that he and Chie Kasahara are still friends and that she told him about the Author’s investigation. At the end of the interview, Hiroki tasks the Author with discovering the truth behind the fire, whatever it may be, as a condition for forgiving the Author’s deception.

Chapters 7-9 Analysis

Though brief, Naruki Mitsuhashi’s journal entries introduce two contrasting frameworks that highlight The Moral Psychology of Architecture as one of the novel’s major themes. So far, the novel has been dominated by presentations of the first framework: various spaces that have been designed with harm as the intentional principle of the building. In these chapters, Uketsu introduces a space that represents something more conventional to the ideals of homemaking. The “Uncle” whom Naruki encounters during the final year of his life reveals a nurturing alternative to the home environment he inhabits with his abusive mother, Saori, and especially with Saori’s later partner, Eiji. When Uncle declares that he has reserved a whole room for Naruki, including his very first bed, it suggests that homes can be designed to evoke care, warmth, and love. 


The Uncle’s affection for Naruki becomes complicated when he presents the “Heart of My House” (162). Though the name of this room suggests a further extension of warmth, it’s undermined by the room’s stark, frightening, and confined qualities. Uncle’s strange injunction to “Never Lock This Door” transforms a benign physical space into a site of enforced vulnerability (162), framing obedience as a condition of sanctuary. The room’s symbolic importance as the house’s “heart” suggests that it’s the core of the Uncle’s secrets, a place Naruki is simultaneously invited into and warned against securing. At once, the initial safety that Naruki feels at Uncle’s house is predicated on his compliance with its strange rules. The revelation of the house’s heart reinforces the novel’s prevailing idea that things are never as they initially appear to be. Naruki’s frightened reaction to the heart suggests that despite appearances, there’s always a deeper intuition that enables people to sense the true intentions of others. This resonates with the later case files, as both Chie Kasahara and Hiroki Matsue espouse contradicting theories as to how Mrs. Matsue died. These theories are based less on hard evidence than they are on personal convictions, formed by their experiences with the people involved in each file.


The conflicting theories of Chie and Hiroki complicate the mystery of the fire at the Matsue residence while also showing the Author’s drive to determine the truth for himself. Although Chie’s story presents a compelling alternative to the official narrative, the Author becomes irritated by the inconsistencies and tenuous assumptions she makes in her explanation: “To be perfectly honest, I didn’t really buy into her story about her father sneaking into the Matsue house […] I wanted to learn all I could from the Matsue side, so I set up this interview with Hiroki” (192). Between Files 8 and 9, the Author transforms from a passive witness to the curiosity of each case into an active investigator driven to uncover the truth for himself. Hiroki himself supports the Author’s changing motivation at the end of their interview when he admonishes him, “Find out the truth behind that fire. It doesn’t matter what it is […] We just want to know the truth” (206). Hiroki is effectively expressing a desire for a simple explanation for a problem that keeps escaping simplification. Much like Uncle, the characters involved in each file are heavily defined by the complexity of their actions.


Hiroki’s treasured crucifix pendant represents his father’s public persona as a “devout Christian” and “pacifist” (198), a stark contradiction to the man Hiroki imagines drugging his wife and setting her on fire. The lack of resolution around Mr. Matsue is the direct result of a secret that reconciles his benevolent public image with his suspected actions. Chie faces a similar dilemma, grappling with the memory of a father who showed her a rare moment of kindness with the string phone while he may have been committing a brutal murder. Her chilling realization that her father may have been killing Mrs. Matsue while on the string phone with her highlights the deep psychological impact of his possible deception. In both cases, the children are left to inherit the trauma of their parents’ hidden sins. This legacy illustrates The Compounding Effect of Secrecy on Trauma, leaving the next generation with a burden of doubt, suspicion, and unresolved grief that defines their adult lives.

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