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Content Warning: This section of the guide includes discussion of child sexual abuse, mental illness, graphic violence, death by suicide, suicidal ideation and/or self-harm, substance use, physical abuse, sexual content, cursing, antigay bias, and illness or death.
At Kane Davenport’s penthouse, Preston Armstrong and Jude Callahan find Kane upset over a fight with his girlfriend, Dahlia. Preston internally confirms he feels no sexual attraction to his best friends, unlike the arousal he still feels from a recent encounter with his rival, Marcus Osborn. Preston worries about the consequences if Vencor considers him attracted to men, since Vencor kills gay members. Kane’s uncle, Kayden, narrowly escaped execution and was excommunicated rather than killed, saved specifically by his status as a Founding member who owns half the Davenports’ shares.
Kane says Preston’s last game was possibly his best of the season. Preston associates his performance with having played after Marcus spanked him. Preston also recalls returning to the arena after their encounter and discovering that Marcus had cleaned up, put away his equipment, and left him two mango candies. Preston made a copy of the security footage before deleting it. Later, Preston receives texts from Marcus, who proposes they meet again before the next game. When Preston refuses, Marcus threatens to come find him at Jude’s place, Kane’s, or his father’s house and tell them about the face Preston made when he came all over Marcus’s hand, unless Preston meets him at the Vipers Arena.
Preston goes to the arena and ambushes Marcus, attacking him with a hockey stick. During the attack, Preston begins having an episode in which his perception becomes distorted by static and he hears a familiar voice telling him to remain quiet and still. Instead of retaliating, Marcus makes Preston look at him, and Preston begins matching Marcus’s steady breathing until the static subsides. Marcus then touches their foreheads together. He calls Preston “my prince,” and Preston feels his heart shift and refuses to believe it has skipped a beat, dismissing the sensation as a potential heart problem.
From Marcus’s perspective, he waits outside the Vipers Arena after Preston’s episode. He reflects on his original plan to get close to Preston to gain insider information about Graystone Ridge and bring down his own father, Andrew Osborn. The plan has grown complicated, as Marcus now has a growing attraction to Preston.
Marcus enters the locker room to find Preston standing in only tight black boxer briefs and is captivated by his physique, tattoos—including a serpent across his entire right half, a fractured glass tattoo on his sternum, and a yin-and-yang behind his ear—and the scars on his back. Preston threatens him not to tell anyone about what he witnessed. Marcus agrees to keep the secret but asks for something in return. As Marcus moves closer, Preston warns him not to kiss him, and Marcus respects the boundary. When Preston then asks whether Marcus wants to hurt him, Marcus grabs Preston’s nape, and pins him against a locker, spanking him with his hand. He demands Preston verbally state that he wants to be hurt. After Preston complies, Marcus grabs his hockey stick, and Preston watches with excitement. Marcus then asks for Preston’s safe word, “Friends,” and tells him they will never be that.
Preston struggles internally with his reaction to Marcus. He typically dislikes being physically overpowered, but he finds himself allowing and enjoying Marcus’s control. Marcus hits Preston with a hockey stick and makes him count the strikes aloud. The pain is intensely arousing, and though Preston considers using his safe word, he instead chooses to continue.
Marcus eventually stops the impact play after noticing the welts on Preston’s skin. He grabs fistfuls of Preston’s ass, and the encounter escalates into nonpenetrative sexual contact. When Preston tells Marcus not to penetrate him, Marcus respects the boundary, and the encounter continues until they both orgasm. Afterward, Marcus licks the sensitive spot behind Preston’s ear, triggering unwanted memories, and Preston instinctively backhands Marcus across the face.
Marcus does not retaliate. Instead, he gives Preston two candies, wishes him luck in his game, and leaves. Alone, Preston acknowledges it was the best sexual experience he has ever had and is now facing a major sexuality crisis.
From Marcus’s point of view, he receives good news from his coach about potential NHL interest. Afterward, his half-sister, Serena Osborn, visits him, and Marcus reflects that she is monitoring him to protect her position as the Osborn heir. Serena tells him about their family’s aplastic anaemia and a secret half-brother, “Patient X,” who was genetically selected and conceived to serve as a donor for Lance and Leo. She explains that Leo later died and Patient X reportedly died in a house fire, while Lance survived for several more years before his recent death. She uses the story to warn Marcus about the dangers of being powerless.
That night, Dahlia invites Marcus to a club in Graystone Ridge to make her current fling, Kane, jealous. Marcus agrees, also hoping to provoke Preston. At the club, he dances with Dahlia, and Preston becomes visibly angry, eventually putting Marcus in a chokehold. After Kane and Dahlia leave, Preston drags Marcus away with him.
In the alley, Preston slams Marcus against a wall, angry that Marcus has appeared in his town and social circle, while insisting his reaction has nothing to do with Dahlia. They argue over whether Marcus belongs in Graystone Ridge and Preston’s social world, and Marcus retaliates by twisting Preston’s arm and pinning him. The physical confrontation quickly becomes sexually charged. When Marcus puts his thumb in Preston’s mouth, Preston bites him. Marcus responds by forcing his fingers down Preston’s throat, leaving Preston too overstimulated for the unwanted memories he expects to surface. As Marcus rubs his erection against Preston’s, Preston finds himself getting hard.
In the alley, the sexual tension escalates. At Marcus’s direction, a highly aroused Preston begins actively participating in their sexual encounter, something he recognizes he did not do during their previous encounter. Their sexual contact intensifies until Preston orgasms. Marcus comes soon after.
Afterward, Marcus kneels and the encounter continues with oral sex and further sexual contact. Though initially shocked, Preston finds that the accompanying pain adds to his pleasure. He comes again, and Marcus swallows his semen. Marcus then kisses Preston deeply, crossing Preston’s explicit no-kissing boundary. Preston punches Marcus, yelling at him for crossing that line. Before leaving, Marcus gives Preston more mango candies, revealing he always carries them for him. When Preston questions whether the candies were meant for Dahlia, Marcus tells him not to be jealous, which Preston denies, and tells Preston that he is the only one he wants. Marcus then kisses Preston on the forehead before leaving.
A week later, Marcus attends a Vipers game to watch Preston, using a front-row seat from Serena. He is mesmerized by Preston’s joyful performance on the ice, which reminds him of their first meeting as children. A flashback to their first college game three years prior reveals Marcus’s anger that Preston didn’t remember him, which fueled his on-ice aggression. Their physical contact during that game intensified Marcus’s unexplained physical reaction to Preston; looking back, he identifies Preston as his “queer awakening.”
In the present, Preston notices Marcus in the crowd. Each time Preston scores, he looks at Marcus, who responds with winks and waves. After the game, Marcus waits for Preston outside and watches as a female fan flirts with and touches Preston, then questions Preston about her. Marcus then gives Preston two candies. During their conversation, Preston tells Marcus in French that he is “terribly beautiful tonight” (232) but falsely translates the phrase as meaning that Marcus is “terribly annoying.” Marcus understands enough French to recognize the lie. Preston then gives Marcus his scarf before leaving.
From Marcus’s point of view, he confronts Preston via text about his emotional unavailability. Preston belittles their connection as fleeting. In response, Marcus ends their arrangement. He anticipates that Preston will not let this stand. A few days later, Marcus discovers his motorcycle on fire, with a message written in what appears to be blood: “I destroy what I can’t have” (240).
Marcus goes home to find his father, Andrew Osborn, waiting with a new, expensive motorcycle. Marcus rejects the gift. Andrew warns Marcus to stay away from the “pathologically troubled” Preston, telling him that Vencor prohibits homosexuality and that their relationship could get Preston killed. Meanwhile, Preston continues to text Marcus from new numbers, which Marcus repeatedly blocks.
From Preston’s perspective, he is on a cliffside, heavily medicated and drinking on the anniversary of his mother’s death. He remembers his mother discovering an unidentified man sexually abusing him as a child and attacking the man with a lamp. She dies by suicide the following day, and Preston believes she died because of him. In his intoxicated state, Preston considers driving off the cliff. He receives a call from Marcus, who realizes something is wrong and learns Preston’s location. During their conversation, Marcus tells Preston that he wants more from their relationship than sex, while Preston resists the idea of involving feelings.
Preston begins to hallucinate, and his dropped lighter ignites alcohol spilled inside the car. During the hallucination, Preston hits the accelerator, but Marcus arrives and pulls him from the vehicle moments before it explodes. In Marcus’s arms, Preston realizes he can breathe again and that the static in his head has dulled. Preston initiates a passionate kiss, during which the static disappears completely for a moment. Marcus reveals that he contacted Kane to ensure someone came for Preston, and leaves as Jude arrives. Left with Jude, Preston can only think about the kiss and his need for that feeling again.
Preston’s violent ambush of Marcus at the arena, which triggers a dissociative episode, develops their intimacy when Marcus helps Preston focus on his breathing until the static subsides. This interaction develops the theme of Intimacy and Sex as a Space for Exploration and Healing by showing Preston becoming increasingly able to remain present with Marcus during moments of psychological distress. Their later sexual encounters further develop this process through negotiated consent and control. Marcus’s demand that Preston verbally consent to being hurt, the establishment of a safe word (“Friends”), and his attention to Preston’s physical limits during impact play give Preston greater agency within their sexual dynamic. Preston’s active choice to continue also shows his increasing participation in exploring pain and sexual pleasure with Marcus. The narrative complicates this developing trust through Preston’s responses to particular forms of touch. Marcus licking the sensitive spot behind Preston’s ear evokes unwanted memories and an instinctive violent reaction. His responses to other intense sensations show that physical contact can also help him remain focused on the immediate sexual experience. Marcus also crosses Preston’s explicit no-kissing boundary in the alley, showing that their developing intimacy does not consistently respect the limits they have established. These encounters therefore develop Preston’s exploration of sexuality, agency, and vulnerability within the instability and ethical complications of his relationship with Marcus.
Serena Osborn’s story about “Patient X”—a secret half-brother genetically selected and conceived to serve as a blood and marrow donor—develops the theme of Class Disparities and the Power of Wealth. His conception demonstrates how the Osborn family’s resources allow its members to exercise extraordinary control over family life, with Patient X’s existence organized around the medical needs of Lance and Leo. Serena explicitly uses this history to warn Marcus about powerlessness, connecting wealth with the ability to determine whose interests are protected within the family. This association between wealth and influence also shapes Andrew Osborn’s interactions with Marcus. His expensive motorcycle and warning about Vencor reveal the hierarchy of power surrounding Marcus, in which Andrew’s substantial material resources exist alongside Vencor’s authority to impose severe consequences even on members of its founding families. Preston also uses class privilege to assert superiority over Marcus, demeaning Stantonville as a “rat-infested town.” His destruction of Marcus’s motorcycle and the message “I destroy what I can’t have” (240) extend this sense of entitlement into possessiveness and intimidation. Together, these examples develop wealth as a source of influence within relationships and demonstrate that social status grants varying degrees of control within the institutions governing the characters’ lives.
Marcus’s observation of Preston’s joyful performance on the ice triggers a flashback that clarifies the personal history underlying Marcus’s fixation on him. His memory of their childhood meeting and his retrospective identification of Preston as his “queer awakening” reveal that attraction has been entangled with his on-ice aggression since their first college game. This revelation also complicates Marcus’s original plan to use Preston to gain information about Graystone Ridge and undermine Andrew, as his growing attraction increasingly affects that calculated objective. The hockey rink continues to develop Sports as a Performance of Masculinity, as Marcus’s retrospective recognition of his attraction reveals the sexual dimension that has accompanied their aggression and physical competition since their first college game. Preston also expresses his growing affection more directly in these chapters. His concealed French compliment that Marcus is “terribly beautiful” and his gift of the scarf communicate feelings he remains reluctant to acknowledge openly. These gestures develop the emotional dimension of his attraction and show his increasing difficulty maintaining the detachment he claims to want from Marcus.
The recurring motif of mango candy, introduced during Marcus and Preston’s childhood meeting, develops in these chapters as an expression of Marcus’s continuing affection for Preston. Marcus repeatedly gives Preston the candy after their encounters and eventually reveals that he carries it specifically “For you,” connecting their developing adult relationship to the kindness of their first meeting. His deliberate habit of keeping the candy for Preston also gives emotional weight to the gesture, particularly as Preston continues to dismiss their connection as a mere “charity case” (235). The motif therefore traces Marcus’s growing attachment through a small act of care that remains consistent amid the volatility of their relationship.
The section culminates in the cliffside scene, where the anniversary of his mother’s death intensifies Preston’s unresolved guilt and suicidal thoughts. His hallucination of his mother and the fire inside his car place him in immediate danger as his perception of the present deteriorates. Marcus’s arrival helps Preston regain awareness of his surroundings, continuing the pattern established earlier in these chapters in which Marcus’s voice, breathing, and physical presence can help him focus during episodes of static. When Preston initiates a kiss, the static disappears completely for a moment, giving their first mutually initiated kiss particular significance in the development of their emotional intimacy. Preston’s decision to initiate an act he previously prohibited also shows his increasing willingness to seek closeness with Marcus. The temporary relief he experiences establishes the growing emotional importance of their connection as a moment of support within Preston’s continuing trauma and mental health struggles. The scene therefore challenges Preston’s attempts to dismiss their relationship as purely sexual and shows his increasing willingness to seek emotional connection and support from Marcus.



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