56 pages • 1-hour read
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Content Warning: This section of the guide includes discussion of illness and death.
Rainy lands in a hallway lined with countless mirrors. Through one, she sees an unfamiliar red-haired woman reading on a sofa. A mysterious woman appears in the hallway and introduces herself as Maxine Blake. Maxine proves that she has power over Rainy’s reality by correctly guessing numbers Rainy thinks of and revealing intimate details about her life. She explains that she is not reading Rainy’s mind, but “writing” it.
To prove her control, Maxine materializes a cake and tea that cause Rainy to shrink and grow, echoing Alice’s Adventures in Wonderland. She then confronts Rainy with her deepest insecurities about her love for Duke. Finally, Maxine produces a book titled The March Hare Mystery, written by herself and starring Rainy. After reading the first page, which describes her own life, Rainy understands the truth: Maxine is her author, and Rainy herself is a fictional character. The shock causes her to faint.
Rainy awakens still in the hallway, which she realizes is in Maxine’s imagination. Maxine offers her a drink and explains that she wrote herself into Rainy’s story as “Medda Baker” for metafictional effect. Rainy confronts Maxine about her tragic backstory, wondering why her mother had to die, but Maxine defends her authorial choices as necessary for creating conflict. Maxine conjures Koshka to comfort Rainy but refuses to reveal the March Hare’s identity, insisting that the story must be told in order.
Maxine recounts her own origin story: She was an orphan who idolized Nancy Drew. Her early attempts to write stories about a similar detective failed. Her purpose as a writer was galvanized in 1973 when she read about a school board burning copies of Slaughterhouse-Five and the students who tried to save the books. This inspired her to create Rainy March, a hero who protects books. Maxine explains that Rainy is a “traveling angel,” a type of character who cannot fundamentally change but exerts change upon the world around her. She then shows Rainy a vision in a mirror of an old, frail woman dying—Maxine’s real-world self. Maxine reveals that The March Hare Mystery is the unfinished final book in the Book Witch series, and she can’t finish it. She gives Rainy a mission: find her chosen successor, a writer named Jessa Charming, and convince her to finish the story. The March Hare, Maxine reveals, is a pun for the “March Heir,” referring to Jessa.
Maxine explains that Rainy can enter the real world through any of the mirrors, which all lead to places in Santa Barbara, California, Maxine’s hometown. Once there, Rainy will be physically real, and if she fails her mission, she will be stranded. Maxine gives Rainy her umbrella but warns that it will have no magical properties. She instructs Rainy to find her husband, Anthony, for help.
Maxine reveals that by the time Rainy arrives, she herself will already be dead. They share an emotional goodbye, agreeing to wave at each other as they depart to give one another courage for their respective journeys into life and death. Maxine steps through a mirror and vanishes. Rainy chooses a mirror that looks out into a familiar setting and falls through it into the real world.
Rainy lands hard in the women’s restroom of the Santa Barbara Public Library, bruising her knees and bending her umbrella. She is shocked to discover that in the real world, pain persists, and objects can break. A woman dressed in black, who has an umbrella tattooed on her wrist, commends Rainy on her “cosplay” and kindly fixes her umbrella. The woman is emotional because Maxine Blake’s funeral is going on in the library.
In the library lobby, Rainy sees posters celebrating Maxine’s life and work. She learns that her own series is a massive success with a measurable “Book Witch effect” on classic book sales (235). Another poster reveals that Duke was introduced into the series in 1999, more than 25 years ago. A librarian tells Rainy that the Duke of Chicago is a character Maxine invented; his own book series does not exist. Finally, Rainy sees a widely published tribute cartoon, depicting her mourning at Maxine’s grave.
Rainy enters the library’s main atrium, where the funeral is in progress. The woman from the restroom, who introduces herself as Frankie, has saved her a seat. Onstage are Maxine’s husband, Anthony, and the red-haired writer Rainy saw in the mirror, who is identified as mystery author Jessa Charming.
The library director speaks first, followed by Jessa, who delivers a heartfelt eulogy. Jessa explains how a Rainy March novel inspired her to read classic literature and eventually become a writer herself, even choosing a pen name, “Charming,” as an anagram of “Marching.” She demonstrates Maxine’s impact by having the attendees share how many of them became writers or librarians because of the series.
Finally, Anthony gives a eulogy, sharing the story of Maxine’s traumatic childhood as an orphan. He recounts how a young Maxine risked her life by reading a Nancy Drew book to another orphan dying of scarlet fever, an act of compassion that permanently damaged her own heart. He tries to end with an Emily Dickinson poem but breaks down, and Rainy finishes the line for him from the audience.
After the eulogies, four librarians act as honorary pallbearers, carrying a box of Maxine’s ashes and symbols of her life’s work. Outside, hundreds of mourners form an honor guard, opening black umbrellas in tribute as the funeral party exits. As Anthony passes, Rainy delivers a final message from Maxine to him: “You were her favorite story” (249). Recognizing who she is, Anthony invites Rainy into his limousine to go to the cemetery.
In the car, they formally introduce themselves. Anthony shares with Rainy the real-world inspirations for her name and hometown. He then reveals the end of Maxine’s story: After she contracted scarlet fever from the dying girl, her own books, writing, and possessions were burned to prevent contagion. Later, in the hospital, her love for Nancy Drew was so strong that the character manifested to comfort her, implying that Maxine was also a Book Witch.
At the cemetery, as the family gathers, Rainy says a final goodbye to her creator by speaking Maxine’s two favorite words: “Pencils down.”
After the service, Rainy finds Jessa Charming on a nearby cliff overlooking the ocean. Rainy reveals her identity and explains that Maxine sent her to ask Jessa to finish The March Hare Mystery. Jessa is stunned but believes her. She still refuses, feeling she is unworthy of succeeding her idol, Maxine. Jessa, who has read what Maxine had written of the book, reveals that Rainy’s own idealization of her mother is what blinds her to the mystery’s solution.
Rainy insists that Jessa must complete the book. Quoting a line from Through the Looking-Glass, Rainy makes a pact: “[I]f you believe in me, I’ll believe in you” (258). She assures Jessa that Maxine also believed in her.
Jessa finally agrees, and Rainy asks her to start writing immediately so that she can return to her book. As Jessa takes out a notebook to begin writing, Rainy says goodbye. Jessa promises to write an ending in which Rainy forgets their meeting. Instead of wishing her luck, Rainy tells her, “Pencils up.” She then rejoins Anthony, and just as she spots the actor LeVar Burton at the gravesite, she is pulled back into her own story.
When Maxine Blake hands Rainy a book titled The March Hare Mystery and forces her to read an account of her own life, the narrative collapses into a metafictional crisis. This moment literalizes the theme of Writing Your Own Story, bringing Rainy’s quest for identity into a direct confrontation with her own unexpected origins. The revelation that she is a fictional character prompts an existential shock, but it also provides the final key to her mystery: The pun that redefines the motif of the March Hare as the “March Heir.” This wordplay shifts the entire objective from finding a person inside a book to finding an author in the real world who can provide an ending. Rainy’s journey through Maxine’s imagination and into the real world of Santa Barbara reinforces her to transition from a character whose story is being written to an active agent tasked with securing her own future. Her pact with Jessa Charming, quoted from Through the Looking-Glass—“if you’ll believe in me, I’ll believe in you” (258)—cements this shift, framing the act of storytelling as a collaborative exercise in faith between character and creator.
Maxine’s own origin story also reframes Rainy’s purpose, grounding the fantastical conflict between Book Witches and Burners in the real-world history of censorship. Maxine explains that her mission as a writer was galvanized by a 1973 school board order to burn copies of Kurt Vonnegut’s Slaughterhouse-Five and the students who struggled to protect their books. This event inspired her to create Rainy as an adult champion for children who needed someone to fight for their stories. This reveal deepens the allegory of The Importance of Defending Stories, explicitly connecting the novel’s internal battle for intellectual freedom to documented real-world cultural conflicts over book banning. The Burners become direct stand-ins for the forces of censorship that seek to control narratives. Rainy’s identity as a “traveling angel,” a character created to solve problems for others, is Maxine’s deliberate authorial response to a tangible societal threat.
Anthony Blake’s story about a young Maxine in the hospital reinforces the permeability between the real and fictional worlds, further establishing that the power of belief can breach the barrier between worlds. He recounts how, after Maxine’s own books were burned to prevent contagion, her intense love for Nancy Drew was strong enough to manifest the character at her bedside. This anecdote confirms that the connection between fiction and reality is a fundamental, reciprocal force in this universe, developing the theme of When Fiction Impacts Reality. It positions Maxine as a practitioner of the very magic her character wields, blurring the lines between creator and creation. This cyclical relationship, in which a reader’s love animates a character, who in turn inspires the reader, mirrors the complex authorial history of the Nancy Drew series, which was sustained by various ghostwriters under a single pseudonym, suggesting that a character’s life transcends any single creator.
In these chapters, the symbol of the black umbrella undergoes a significant transformation from an emblem of individual magical power to one of collective readerly devotion. When Maxine gives Rainy her umbrella to take into the real world, she warns that it will have no storycraft properties, and its bent frame after Rainy’s fall into the library restroom confirms its new, mundane status. At Maxine’s funeral, however, the umbrella’s power is reclaimed when hundreds of mourners open their own black umbrellas in a silent tribute. This collective act imbues the object with a different kind of magic—not the power to enter books, but the power to represent a story’s real-world impact. This scene visually demonstrates the “Book Witch effect” that Rainy learns about from a library poster (235), where her fictional adventures drive real-world sales of classic literature. The umbrella, once a key to a secret world, becomes a public testament to the shared love that keeps a story alive.



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