The Cloud of Unknowing

Anonymous

The Cloud of Unknowing

Anonymous
70 pages2-hour read
Nonfiction
Book
Adult
Published in 1369

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Themes

Divine Reality Supersedes Human Intellect

In The Cloud of Unknowing, the anonymous author presents a spiritual argument that frames God as fundamentally inaccessible to the human intellect. He argues that rational thought, intellectual study, and even sanctified imagination are inadequate for comprehending the divine. Even more than that, they are active hindrances to true communion with God. As an example of mysticism (seeking a direct experiential union with God), this understanding guides the reader away from knowledge-based devotion toward a state of titular “unknowing,” a deliberate emptiness of mind where love—rather than reason—becomes the sole faculty capable of reaching God. The author presents this as a radical, paradoxical truth: The highest form of spiritual knowledge is achieved by abandoning the very attempt to know.


The book establishes a firm distinction between thought and love, positing that only the latter can connect with God. The author explicitly states that God “may well be loved, but not thought” (24), an assertion that is central to the entire work. Any attempt to define or understand God through intellectual concepts, qualities, or attributes is futile because God exists beyond all human categories of thought. Even thinking about God’s kindness or worthiness is a lower form of contemplation. The ultimate goal, then, is to connect with the “naked being of Him” (23). This requires the contemplative to “leave all that thing that I can think, and choose to my love that thing that I cannot think” (24). The intellect, therefore, must be silenced so that the will—the faculty of love—can perform its work unimpeded.


Furthermore, the author repeatedly warns that intellectual and imaginative faculties are insufficient, but also actively dangerous on the spiritual path. A “proud, curious, and an imaginative wit” is presented as a breeding ground for spiritual deception (22). Those who try to reason their way to God risk falling into “frenzies” or “devils’ deceits” (22). The imagination, in its attempt to form images of God or heaven, creates false idols that stand between the soul and the formless divine reality. The author critiques those who “travail their imagination” or “stare in the stars as if they would be above the moon” (22, 86), dismissing these efforts as fleshly and misguided. This intense suspicion of the intellect stems from the belief that it works with created concepts and images, while God is uncreated and cannot be contained within them.


To counter the intellect’s flawed approach, the author prescribes entry into the so-called Cloud of Unknowing. Rather than a physical cloud, this is a metaphor for a state of intellectual darkness, a “lacking of knowing” (22). The highest form of contemplation “hangeth all wholly in this darkness” (28), a space where the soul is suspended between itself and God, stripped of all thoughts and concepts. Invoking the mystic Saint Denis, the author concludes that “the most goodly knowing of God is that, the which is known by unknowing” (100). By deliberately embracing this state of not-knowing, the soul bypasses the limitations of reason and allows for a direct, intuitive connection with the divine, achieved entirely through the simple, powerful act of love.

Love Surpasses Active Good Works

The Cloud of Unknowing presents a clear spiritual hierarchy that elevates the contemplative life of pure, loving intention above the active life of good deeds and structured devotion. As well as trying to confront the unknowable nature of God, the anonymous author argues that, while works of mercy, penance, and meditation are good and necessary, they represent a lower, preliminary stage of the spiritual journey. To achieve the highest possible union with God in this life, the soul must ultimately transcend these activities and focus entirely on a “blind stirring of love” (33). This central thesis subordinates all external and even internal acts of piety to the singular, unmediated work of loving God for Himself alone.


The author uses the biblical story of Martha and Mary as a foundational allegory to illustrate this hierarchy. Martha, who is “troubled about many things” in her active service (42), represents the active life. Mary, who sits silently at Jesus’s feet, represents the contemplative life. The text makes clear that Mary has “chosen the best part” (43), a part that is superior and eternal. This is a choice between two equally valid paths, but also an ascent from a lower to a higher state. The choice of a Biblical allegory also creates a literary and religious precedent for the author’s ideas, affirming that his mystical interpretations of religion are not as radical as they may appear. The author defines the active life, with its works of mercy and meditations on sin and scripture, as good, but the contemplative life, which “hangeth in this dark cloud of unknowing,” is unequivocally the “best of all” (43).


This prioritization of pure love extends to a radical re-evaluation of traditional ascetic practices. The author claims that the “blind stirring of love” is far more spiritually potent than any external work (33). Fasting, keeping vigil, and other forms of penance are deemed insufficient for destroying the root of sin, a departure from contemporary monastic practices which allude to the author’s more mystical interpretation of religion. In Chapter 12, the author asserts that while weeping for one’s sins or meditating on Christ’s Passion is profitable, “in comparison of this blind stirring of love, it is but a little that it doth” (33). This interior act of will is presented as the most direct and effective means of spiritual purification, making external observances secondary and, in the highest stage of contemplation, obsolete. Love, according to the author, is fundamentally more important than many traditional or cultural expressions of religious devotion.


Ultimately, the author insists that even holy thoughts and meditations must be set aside in the pursuit of unmediated union. The contemplative work demands that all created things, including the most sacred, be placed under a cloud of forgetting. This includes worldly concerns, but also the memory of “the holiest Creature that ever God made” (29). Even meditating on the kindness of God or the joys of heaven is considered a distraction from the ultimate goal: loving the “naked being” of God. The author stresses the “inobedience of the imagination” as something which must be overcome if the reader is to love God (95). This demonstrates that the work is not about thinking about God; it is about a direct adherence to God, an act of pure will that transcends all intellectual and devotional intermediaries. In this interpretation, love is not just another virtue. Instead, it is presented as the final, all-covering spiritual reality.

Humility Demands Forgetting the Self

In The Cloud of Unknowing, the author also offers his alternative interpretation of humility, moving it from the conventional virtue of recognizing one’s sinfulness to a radical act of self-annihilation. This is another example of the author’s mystical departure from traditional teachings. He argues that to achieve union with God, the contemplative must not only acknowledge personal flaws, but actively erase all self-awareness. This process involves destroying the “naked witting and a feeling of thine own being” (67), which is presented as the final and most stubborn barrier between the soul and the divine. True humility, in this mystical framework, is not self-abasement but self-obliteration, a complete forgetting of the self under a cloud of forgetting, so that only the pure intention toward “only God” remains.


The author establishes this idea by distinguishing between two forms of meekness: imperfect and perfect. Imperfect meekness, while good and necessary, arises from contemplating the “filth, the wretchedness, and the frailty” caused by sin (34), particularly as it pertains to the individual. This is the traditional understanding of humility as self-knowledge. Perfect meekness, however, is a higher state achieved when the soul is so focused on the “over-abundant love and the worthiness of God” that it experiences a total loss of self-consciousness (34). In this state, the soul has “suddenly and perfectly lost and forgotten all witting and feeling of his being” (34). This distinction establishes the book’s core argument: Knowing oneself is merely a preparation for the far more advanced work of forgetting oneself, providing another example of how the mystical author iterates on conventional Christian beliefs to offer a more vernacular relationship with God.


This process of self-forgetting is framed as an intense spiritual battle against the self, which is identified as the very substance of sin. The author instructs the reader to “feel sin a lump, thou wottest never what, but none other thing than thyself” (64). This metaphor moves the reader away from the idea of the body as a vessel containing sin, toward the idea of the body as a “foul stinking lump” that is fundamentally synonymous with sin (67). After the contemplative has managed to forget all other creatures and their works, the lingering feeling of one’s own existence remains the ultimate impediment. This self-awareness must be “destroyed” before the perfection of the contemplative work can be realized, making the self the final enemy to be overcome. The “knowing of ghostly things” is achieved through this conflict with the self (100).


The obliteration of self is described as a painful but purifying sorrow. The soul that undertakes this work feels an intense anguish from the awareness that its own being is the primary obstacle to God. This generates a “strong and a deep ghostly sorrow” in which the contemplative “weepeth and waileth, striveth, curseth, and banneth” under the heavy burden of the self (68). This sorrow, however, is not presented as despair. The author frames it instead as a holy desire that ultimately “cleanseth the soul” and prepares it to receive a joy that completely “reeveth from a man all witting and feeling of his being” (68). Thus, the painful process of dismantling the self is presented as the necessary precursor to the ecstatic joy of divine union.

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