The Devil's Star

Jo Nesbø

The Devil's Star

Jo Nesbø
66 pages2-hour read
Fiction
Novel
Adult
Published in 2003

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Part 3, Chapters 19-25Chapter Summaries & Analyses

Content Warning: This section of the guide discusses death, violence and sexual content.

Part 3, Chapter 19 Summary: “Wednesday. Under Water.”

On Wednesday afternoon, Harry meets Rakel and Oleg at the swimming pool. Oleg practices diving, and while watching him, Harry draws idly on the condensation on the underwater viewing window. The act suddenly prompts him to recall something. Harry and Oleg rush to the television shop near the law firm where Barbara Svendsen died. Harry begins questioning the shop owner, asking if anyone was in the shop on the day of the murder. He noticed the shape of a pentagram drawn in the dust on the television screen and suspects the killer drew it. Beate Lønn arrives to dust the screen for fingerprints. Harry and Oleg leave in a hurry since they will be late to meet Rakel at the pool. The shop owner asks Beate about the symbol drawn on the screen, and she refers to it as “the devil’s star” (358).

Part 3, Chapter 20 Summary: “Wednesday. Cathedral Builders.”

Rakel is furious with Harry for taking Oleg from the pool and to a location connected to the serial killer. She refuses his offer to drive them home. Harry heads to police headquarters. He speaks with Waaler, who gives him two updates: Only partial fingerprints were found on the television screen, and an autopsy has determined that Camilla was pregnant when she died. She was not known to be in a relationship.


Waaler speaks about his family’s history and pressures Harry to decide about participating in the illicit criminal activities that Waaler facilitates. When Harry hesitates, Waaler gives him two more days to decide.


Late that night, Waaler calls Beate, asking her for any additional forensics information on the case. Beate explains that testing of Lisbeth’s severed finger revealed fecal matter under the fingernail; blood in the fecal matter matches Wilhem Barli’s blood type. Meanwhile, Harry, unable to sleep due to nightmares, calls his friend Øystein (who works as a taxi driver). Oystein comes to Harry’s apartment and gives him drugs to induce sleep. They talk about breaking codes, with Harry expressing his theory that the serial killer is sending them coded messages. Harry also alludes to having been offered a job and being unsure whether to take it.

Part 3, Chapter 21 Summary: “Thursday. Pygmalion.”

Harry tracks down Wilhelm Barli at the Theatre Café. When Harry raises the forensic evidence (excrement and blood matching Wilhelm’s type found under Lisbeth’s fingernail), Wilhelm calmly explains that Lisbeth regularly penetrated him during their sexual encounters. He breaks down crying, saying he misses Lisbeth. Harry mentions his troubles with Rakel, and Wilhelm offers him tickets to the opening night of My Fair Lady.


Harry shows Wilhelm a photograph of the devil’s star (pentagram) symbol. Wilhelm says he has seen the symbol before, long ago, but cannot remember where, and promises to call if the memory returns.

Part 3, Chapter 22 Summary: “Thursday and Friday. The Revelation.”

Harry has been abstaining from alcohol and suffering from withdrawal. He takes the sleeping pills that Oystein gave him and falls into a trance state. Over the course of the night, Rakel calls to apologize. When he wakes at dawn, he realizes he has cracked the code: the number 5 is at the center of everything.


Meanwhile, in the storyline set in Prague, Eva frets about her lover’s frequent trips to Oslo. She fears that he may be having an affair and she is especially anxious because she is pregnant. Looking for information, she opens his suitcase while he is sleeping and finds a gun. She resolves not to pry into his life, even if he may be engaging in criminal activity. In the morning, she tells him that she is pregnant. He reassures her that visits to his mother are the reason for his frequent visits to Oslo and gives her a necklace with a star-shaped diamond. When Eva mentions the gun, he shows it to her along with the silencer, saying she needs to know who he truly is.

Part 3, Chapter 23 Summary: “Friday. A Human Number.”

Harry hurries to the office and calls a 1:00 pm meeting with Møller, Waaler, Beate, and Aune. He reveals his discovery: the killer’s code is the number five. The diamond has five sides, five days separate each murder, the crimes occur around 5:00 pm, and all victims died on the fifth floor. Harry also shows them a map of Oslo with a devil’s star projected onto it, showing that the three crime scenes form three points of a pentagram.


The remaining two points reveal the next murder locations: a student building near Ensjøveien in Kampen and Villa Valle, a historic house inhabited by an elderly woman named Olaug Sivertsen. With five days between murders, the next killing is predicted to happen on the following day.


With further crimes impending, Waaler proposes a carefully planned operation focusing on the student building and says he will contact Special Forces. Harry and Beate volunteer to visit Olaug Sivertsen.

Part 3, Chapter 24 Summary: “Friday. Otto Tangen.”

Otto Tangen, owner of the surveillance company Harry Sounds, receives a late-night call from Tom Waaler requesting urgent installation of surveillance equipment in a student building. When Otto insists the job cannot be completed overnight, Waaler reveals he knows the location of Otto’s undeclared surveillance equipment hidden in a barn in Asker. Blackmailed, Otto reluctantly agrees, understanding he has no choice.

Part 3, Chapter 25 Summary: “Friday. Speaking in Tongues.”

Harry and Beate visit Olaug Sivertsen at Villa Valle. They warn her about the danger, but she takes the news calmly. Later, the police discuss whether Olaug should be moved to a different location for protection. Waaler argues against moving Sivertsen, saying unusual activity might alert the killer. Beate angrily accuses him of using an innocent woman as bait. Since her only son lives abroad, they decide she will remain in the house. Waaler updates the team that the student building has been outfitted for surveillance and he students have been told to stay in their rooms on Saturday. Later, Harry and Aune (the psychologist) discuss how Harry was able to crack the code, and why the killer has created the elaborate network of code.


Walking home, Harry encounters Vibeke Knutsen (the woman who lives in the flat below Camilla). Harry invites her back to his apartment, where she confides that her fiancé behaves strangely, and that she is unhappy in her relationship. Vibeke propositions Harry, but he rejects her, telling her he wants someone else. She becomes emotional and leaves.

Part 3, Chapters 19-25 Analysis

Waaler’s character development continues to reveal his callous and selfish nature, positioning him as a dangerous antagonist who will do anything to achieve his goals. Waaler pressures Harry to join his smuggling ring, asserting “there isn’t a single cathedral in human history that was not founded on human bones and human blood” (203). Waaler enacts this philosophy by sexually harassing Beate Lønn, blackmailing surveillance expert Otto Tangen into illegal work, and advocating for leaving elderly Olaug Sivertsen as bait for the killer. Waaler views individuals as disposable material for his ambitions, confident that his decorated status protects him.


During this stage of the investigation (prior to Harry’s revelation about the coded messages from the serial killer), an encounter with Wilhelm Barli offers further clues. Barli casually mentions his preference for “genuine fennel bread with whole fennel seeds” (385), providing a crucial detail that will eventually give Harry proof of his guilt. The conversation occurs because of suspicious forensic evidence, but Wilhelm calmly explains Lisbeth regularly penetrated him during their sexual encounters. He even tells Harry that “letting yourself be penetrated touches on absolutely fundamental things” (389). Wilhelm’s apparent sensitivity and vulnerability mask the fact that he is a dangerous killer; he even persuades Harry to confide in him about his relationship with Rackel. The use of innocuous details as crucial clues and Wilhelm’s harmless demeanor illustrates the theme of The Facade of Normalcy and Hidden Depravity.


In the lead-up to Harry’s breakthrough, he recognizes the need to evoke a kind of trance state. He ends up consuming sleeping pills and listening to Duke Ellington (an American jazz composer) before finally awakening with crucial insight into the murders. He embodies the flawed Nordic Noir protagonist: brilliant yet alienated, able to decipher serial killer codes yet powerless to mend his psychological decay or the broken justice system he serves. Harry’s discovery represents a breakthrough in the case, but it does not identify the killer and in fact ratchets up the tension. The information about the symbolism of the number 5 allows the investigators to surmise that the killer is about to strike again, creating a tense and suspenseful atmosphere as police forces attempt to intercept the Courier Killer.


With a plan to trap the killer set in motion, surveillance and monitoring become crucial. When the character Otto Tangen is introduced, allusions to the Francis Ford Coppola film The Conversation provide a thematic through-line to the music playing while Harry had his breakthrough. Harry bought a Duke Ellington record “after seeing Gene Hackman sitting on the overnight bus in The Conversation to the sound of some fragile piano notes” (406). The name of Otto’s surveillance company, Harry Sounds, alludes to the protagonist of the film, Harry Caul (played by Gene Hackman). Harry Caul must deal with paranoia, suspicions of corruption, and attempts to foil an impending murder, echoing some of the thematic concerns portrayed in The Devil’s Star. Like Harry Hole, Harry Caul is also taciturn, secretive, and haunted by his past.


The subplot about Vibeke and Anders continues to develop themes of Jealousy and the Desire to Control Women and The Facade of Normalcy and Hidden Depravity. Vibeke confides more disturbing details about her relationship with Harry, explaining that Anders requires her to be completely silent and passive when they have sex. These examples of coercive control suggest that manipulation and abuse often reside within seemingly ordinary households. Given Anders’s proximity to Camilla and the first crime scene, it seems plausible that he could even be the killer.

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