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Content Warning: This section of the guide includes discussion of substance use, addiction, racism, rape, sexual content, illness, death, pregnancy termination, and cursing.
In a West Palm Beach rehab facility in February 2015, 57-year-old Kate Montgomery is days from release. Her therapist, Dr. Alvarez, urges her to confront the potential harm she could have caused during her recent DUI. Kate recalls the incident on Christmas Eve: Grieving the death of her husband, Mark, she drunkenly crashed his Porsche, flashed the responding police officer, and was arrested. She spent most of Christmas Day in jail before her friend Marie Harrington bailed her out and brought her straight to the rehab center. Kate reflects on her long history with addiction, her grief over Mark’s sudden death from a heart attack, and the pain of being excluded from his funeral by his ex-wife, Carin, and their children.
Kate’s sister, Lana, picks her up to drive her to their mother Clarissa’s home in North Carolina. During the drive, Lana pressures Kate to take a DNA test. Lana, a professor of American Studies, explains her lifelong feeling of “ungroundedness” and her belief that she may have Black heritage, questioning if Clayburn Montgomery is truly her father. Kate is resistant, partly to protect their mother and partly for a secret reason of her own.
At her condo in Kure Beach, Clarissa anxiously awaits their arrival. That evening at dinner, the tension escalates as Lana presses for the DNA test. She reveals that their cousin, Marlys, recently found an old letter confirming that Clarissa was adopted in 1936 from the McNaughton Children’s Home. The letter states Clarissa’s biological mother was of Sicilian descent and her father was from an English family. Enclosed with it was a prayer card for Saint Jude, the patron saint of lost causes. Seeing her daughters’ deep need for answers, Clarissa agrees they should all take DNA tests. Lana triumphantly reveals she already has the kits in her suitcase.
The narrative shifts to the spring of 1935. Aboard the financially struggling Sax & Tebow circus train, nearly 15-year-old Cecily watches from the caboose as a young man with a knapsack hops onto a flatcar. After a photographer gives Cecily a camera, she takes pictures of the roustabouts setting up the tents and sees the same young man, whose skin is the “color of an old penny” (163), working with a crew. She secretly photographs him.
On May 8th, in Springfield, Ohio, the young man saves Cecily from a snake, calming her pony, Prince. As he leaves, he drops a folded piece of paper. Cecily retrieves it and finds a Memphis address for an aunt and a handwritten question about how one knows when they belong. Cecily becomes determined to return the note but struggles to find an opportunity, feeling increasingly isolated as her mentor, Isabelle, grows distant.
In Hannibal, Missouri, a horse groom named Janey breaks her ankle while leading Doc down the ramp out of the train. Cecily seizes the chance and finds the young man in the woods. She returns his note, and he introduces himself as Moses Washington Green, though people call him Lucky. She tells him her real name is Cecily and urges him to see Tebow about Janey’s job. He is hired as the new groom for the show horses, much to Cecily’s delight and Isabelle’s displeasure.
In Itasca, Minnesota, on March 6, 2015, Molly meets with her ex-husband, Evan Bouchard, to discuss custody of their son, Caden. Evan has been in town for two weeks, reconnecting with Caden after his hockey team’s season ended. He argues Caden needs his father and proposes that their son split his time between Itasca and Newport, Rhode Island. Molly refuses, insisting Caden’s life is in Minnesota. The argument grows personal, with Evan accusing Molly of making a mistake when she left him after her father’s death and took Caden with her. He brings up their shared grief over past miscarriages and insists she must fix the situation.
Meanwhile, Liz is visiting her own mother, Cecily, who is now at The Pines rehabilitation center. Liz receives a call from her doctor, who informs her that her biopsy was positive for breast cancer. Shaken, Liz tries to hide the news from Cecily, but her distress is apparent. Cecily, sensing something is wrong, quotes Isabelle aloud to her daughter: “A person has to make her own luck” (180). Liz becomes emotional, and Cecily fears that her daughter has somehow discovered the secrets she has kept for decades. She feels a pang of regret for her silence but remains terrified of what the truth would do to her family.
In the summer of 1935, Isabelle’s animosity toward Lucky grows, and tensions escalate when Tebow, threatens to make Cecily the headliner over Isabelle. During this time, Cecily and Lucky begin to talk privately in the stable tent. He tells her he is a poet from Alabama who left home at 11 and lived in Harlem. He shares memories of his grandmother’s 15-layer cakes, a symbol of love that deeply moves Cecily.
Then, Tebow decides Cecily must join Isabelle’s act in a dangerous stunt where Cecily stands on Isabelle’s shoulders atop a cantering horse. At the end of a grueling rehearsal, Isabelle counts to three and pushes Cecily off, and Cecily lands hard, jarring her knees. Later after Lucky sees the rehearsal, he and Cecily begin writing a poem together about a fearless girl who is devoted to the wrong people. When Cecily asks what would happen if the girl found someone who deserved her love, with a warning Lucky turns away. Secretly, Cecily finds a fragment of his writing in his notebook: “Exquisite / Bittersweet / Would I give my life to reach you?” (190).
In March 2015, Clarissa is in Kure Beach, haunted by the memory of her daughter Kate’s secret pregnancy. A flashback reveals that in late 1972, after a 15-year-old Kate was raped, Kate came to Clarissa just before Christmas to confirm the pregnancy. Clarissa then arranged to send Kate to a friend’s farm in Oregon, where she gave birth on June 1, 1973. Clarissa was present when her grandson was born but insisted Kate give him up for adoption, believing she was saving Kate’s future. In the present, Clarissa fears the DNA tests will uncover this secret and derail Kate’s fragile sobriety.
Kate, staying with Clarissa, struggles to remain sober while awaiting the test results. She finds herself thinking of her estranged father, Clayburn Montgomery, and looks him up on Facebook. She discovers a photo of his happy, thriving family, which deepens her sense of loss. She realizes her entire acting career might have been an unconscious attempt to be seen by him or by the son she gave away.
Overwhelmed, Kate breaks down during a phone session with her therapist. Following her therapist’s advice to stay busy, Kate immerses herself in cooking and baking. One night, after a nightmare, she is comforted by Clarissa. The moment fosters a new sense of hope in Kate, who resolves to buy a therapy horse when she returns to Florida. She is tired of secrets and hopes the DNA results will finally bring everything into the open.
On July 3, 1935, in Ashland, Wisconsin, Cecily and Lucky begin exchanging notes. During practice, Cecily tweaks her knee when Wyatt shifts as she tries to leap onto his back; on a second attempt Wyatt steps aside entirely and she falls hard, injuring her wrist and knee badly. Tebow orders Lucky to take care of her, and Lucky carries her through the rain to the parade. The physical closeness ignites a new feeling in Cecily.
The next evening, July 4th, they watch fireworks from the roof of the caboose. Lucky warns her that Isabelle is dangerous; he overheard Tebow tell Isabelle that Cole Brothers made an offer to buy Sax & Tebow, that Tebow is haggling for better terms, and that Cole Brothers wants Cecily but not Isabelle, as they don’t need two bareback acts. Cecily dismisses the warning, unable to believe Isabelle would harm her. As they hold hands, she confesses her feelings for him. He initially resists, reminding her of the danger, but ultimately admits he loves her, and they share their first kiss.
In May 1946, Cecily sits in a Providence café with Sam Larson, the doctor she met at the sanatorium. She is crying as she tells him she truly loved Lucky and was naive to the harm their relationship could cause. Sam, who has loved Cecily for years, is desperate to comfort her. The narrative flashes back to his repeated marriage proposals. He first asked in 1941 after she was discharged, but she refused, not wanting to be a “sick wife.” After the attack on Pearl Harbor and when Sam enlisted, she refused again, citing the uncertain future. During the war, she wrote him letters confessing to affairs with other men, urging him to forget her, though he never could. Back in the present, Cecily tells a pained Sam that this history is the reason she can never marry him.
In mid-July 1935, the circus workers are suddenly paid in full, ending the IOU system and sparking rumors that Tebow sold the circus, which he denies. After their kiss, Lucky becomes distant, telling Cecily their relationship could get them killed. Heartbroken, she confronts him, arguing that life is for living, not just surviving. The next day, she fears he has left for good, but she finds a note from him with a Langston Hughes poem, and they resume their secret conversations.
In Kenosha, Cecily tells Lucky she doesn’t care if loving him makes her a fool. Moved, he confesses that he loves her and thinks of her constantly. Echoing a line from a Wallace Stevens poem they have both been quoting, she asks him to imagine how things would be if he could have them any way he wanted. He follows her into the privacy of her caboose.
On Friday, March 13, 2015, Molly returns home to find her son, Caden, angry with her for resisting his father’s plan for him to spend the summer in Newport. Evan has been gone for a week and has not called Molly to continue their custody discussion, leaving her anxious.
Meanwhile, Liz spends her time at her potter’s wheel, obsessing over her cancer diagnosis and her upcoming MRI. She resolves not to tell her mother, Cecily, about her illness. The next day at The Pines, Liz asks Cecily to share stories from her youth. Cecily, pale and in pain, responds sharply, saying, “Young and happy don’t always happen at the same time” (228).
In August 1935, Cecily and Lucky carry on a secret affair for three weeks, meeting in her caboose at night. Their time together ends when Tebow announces that the former groom, Janey, has recovered from her broken ankle and is returning. Lucky is reassigned to the roustabout crew and ordered to stop helping Cecily.
Despite being apart from him, Cecily finds a note from Lucky in Prince’s bridle. Then, after three days of silence from Lucky, his crew members tell Cecily he has left the circus. She is devastated but thinks of the note he wrote containing a list of four words: “Animosity. Perspicacity. Preemptive. Bittersweet” (231). From this, she concludes that he was warned of a threat and left to protect them. Convinced he will return for her, she begins saving money and packs a small suitcase.
Soon after, Cecily experiences morning sickness and realizes she is pregnant. Isabelle confronts her, and Cecily lies, blaming a random boy in Wisconsin. Isabelle gets a knitting needle, intending for Cecily to perform an abortion on herself. When Cecily refuses, Isabelle deduces that Lucky is the father and furiously disowns her. The next morning in Asheville, North Carolina, a police officer, called by Isabelle and Tebow, arrests Cecily and takes her to jail where the sheriff threatens her. Alone in her cell, Cecily resolves to be strong for her unborn child, whom she decides to name Thomas Moses, or Tommy. She prays to Saint Jude to keep them safe and help them find Lucky.
Liz Anderson’s decision to hide her cancer diagnosis from her family, and specifically her mother, establishes a generational pattern of women attempting to manage family trauma through secrecy. Consequently, this pattern reinforces The Cost of Protecting Loved Ones. Fearing the news will be too much for the frail Cecily, Liz withholds the truth, just as Cecily herself harbors a lifetime of secrets she fears would devastate her daughter. This dynamic is mirrored in the parallel plot, as Clarissa recalls sending a pregnant, 15-year-old Kate away to have her baby in secret, convinced she was saving Kate’s future from ruin. These choices highlight how the impulse to shield family members from pain leads to deep isolation and prevents genuine intimacy. Each woman makes a unilateral decision about what another can bear, creating a family culture where difficult truths are buried rather than shared. This legacy of silence has left Kate, newly sober and desperate for grounding, feeling hollow. Her hope that the DNA test results will “all spill out like a vase full of marbles” signals a need to break the cycle of secrecy that has defined her family (201). This cycle, evident in both families, although intended to protect, injects individuals with isolation, loneliness, and fear.
The novel’s narrative structure, which alternates between 2015 and 1935, showcases how past choices influence present consequences. In the modern timeline, Kate confronts the fallout of her history by looking up the family of the father who abandoned her and reckoning with the existence of the son she was forced to give away. Her journey is one of recovery and reclamation, a painful attempt to piece together a fractured identity. In parallel, the 1935 timeline depicts a 15-year-old Cecily making the very choices that will set this multi-generational trauma in motion. Her secret love affair with Lucky, born from a deep longing for connection, directly leads to her pregnancy and arrest. The juxtaposition of Kate’s search for her roots with Cecily’s unwitting creation of a family built on secrets creates dramatic irony. The reader witnesses precisely how one generation’s hidden life shapes the struggles of the next.
Both Kate’s and Cecily’s interactions with horses establish the animal as a motif linked to Survival Through Chosen Family. For Kate, the therapy horse at the rehab facility represents an attempt to reclaim a part of herself that was lost, for she notes that being with him “felt like coming home” (138). As a result, her later resolution to buy a horse upon returning to Florida represents healing and connection to a less complicated past. For Kate, horses evoke memories of her childhood on her grandfather’s farm, a time before her father’s abandonment and the secrets that followed. Ultimately, the animal provides the love her given family cannot. This mirrors the role of horses in Cecily’s narrative, where her pony, Prince, is a source of unconditional love and comfort amid the circus’s betrayals. It is through his skill with horses that Lucky is able to enter Cecily’s world as a groom, and their early connection is forged in the quiet of the stable tent. For both women, separated by decades, horses function as conduits for trust and emotional safety when human relationships prove precarious.
Furthermore, the question Lucky writes on a scrap of paper—how one recognizes “the feeling you feel when you finally belong somewhere” (165)—reverberates through both timelines for multiple characters. In the present, Lana’s academic pursuit of her racial identity is driven by a lifelong need “to know who [she is]” (147), while Kate searches for a sense of belonging by viewing her estranged father’s family on Facebook, only to find a happy, closed circle. Cecily, in 1935, believes she has found the answer to the question in her love for Lucky, a feeling so powerful she is willing to defy the rigid social hierarchy of the circus and society. Language itself becomes a critical, and often flawed, tool in this search. Lucky must communicate his love and his fears through poetry and coded, single-word notes, proof of the danger of speaking his truth directly. In contrast, the modern characters’ attempts to define belonging through academic jargon, custody arguments, and finally, a DNA test, reveal that even with more freedom, finding one’s place remains a complex and painful negotiation.
This is demonstrated again when Isabelle’s violent reaction to Cecily’s pregnancy shatters their relationship, reinforces The Trauma of Coerced Family Separation, and exposes the brutal social realities of the 1930s. For years, Isabelle has served as Cecily’s surrogate sister and protector, but her care proves conditional. When she deduces that Lucky is the father, her concern evaporates into racist fury, and she disowns Cecily, calling her a “goddamn whore” (239). The bond that once offered Cecily a sanctuary is actually fragile, unable to withstand the pressures of racial prejudice. This betrayal is absolute, escalating from a threat of forced abortion with a knitting needle to calling the police. This sequence demonstrates how interpersonal bigotry can activate larger systems of state-sanctioned violence. Cecily’s sharp observation to Liz that “[y]oung and happy don’t always happen at the same time” is a testament to her repeatedly being torn from loved ones (228): first her mother, then Isabelle, and finally Lucky.



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